Pius Ilg (1940) - Untitled





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Pius Ilg’s Untitled, a 1998 limited edition silkscreen on card, hand signed by the artist, in excellent condition and framed, 26 × 26 cm, Switzerland, Constructivism.
Description from the seller
Pius Ilg: Untitled
Original silkscreen on card by the Swiss Concrete artist Pius Ilg (1940). Hand-signed in pencil by the artist. Sheet 16 × 16 cm. Sold framed 26 x 26 x 4 cm incl passepartout.
In excellent condition (all details shown in the photographs).
Year: undated
Technique: Silkscreen on card
Edition: Hand-signed, not numbered
Signature: Hand-signed in pencil
Dimensions: Sheet 16 × 16 cm; sold framed
Condition: Excellent
Pius Ilg (born 1940 in Basel) is a Swiss artist working in the tradition of Concrete art. He lives and works in Zurich, the city where Max Bill, Richard Paul Lohse, Camille Graeser and Verena Loewensberg established the “Zürcher Konkrete” as the Swiss expression of Concrete art from the 1930s onwards. His screenprints were published by the Spillmann Edition, Zurich. They are printed in series with pigment inks on BFK Rives paper, and the edition’s programme also includes Max Bill, Gottfried Honegger, Shizuko Yoshikawa, Rita Ernst and Arturo Di Maria.
Provenance: Kunstkontor Basel
Seller's Story
Pius Ilg: Untitled
Original silkscreen on card by the Swiss Concrete artist Pius Ilg (1940). Hand-signed in pencil by the artist. Sheet 16 × 16 cm. Sold framed 26 x 26 x 4 cm incl passepartout.
In excellent condition (all details shown in the photographs).
Year: undated
Technique: Silkscreen on card
Edition: Hand-signed, not numbered
Signature: Hand-signed in pencil
Dimensions: Sheet 16 × 16 cm; sold framed
Condition: Excellent
Pius Ilg (born 1940 in Basel) is a Swiss artist working in the tradition of Concrete art. He lives and works in Zurich, the city where Max Bill, Richard Paul Lohse, Camille Graeser and Verena Loewensberg established the “Zürcher Konkrete” as the Swiss expression of Concrete art from the 1930s onwards. His screenprints were published by the Spillmann Edition, Zurich. They are printed in series with pigment inks on BFK Rives paper, and the edition’s programme also includes Max Bill, Gottfried Honegger, Shizuko Yoshikawa, Rita Ernst and Arturo Di Maria.
Provenance: Kunstkontor Basel

