Luigi Rossanigo (1948) - Presenze

(At this time I ship only within the European Union)

The proposed work is a raised metal plate (embossing handmade by me), an artist's proof numbered 1/1, measuring 30x21 cm, painted red and white — signed on the plate — with a frame 32x23x2 cm — archived work — No. RSS0001682018 — a piece suitable for all interiors.

The work will be carefully packed and shipped within 3 days with a certificate of authenticity on a photo signed by the artist — ready to hang or to place—

Shipping is traceable and insured — (unfortunately photos never do it justice)

For those who love the innovations of the 20th century refined in techniques developed in the 2000s — an intriguing and innovative work not to be missed

…in the slow and steady unfolding of his research, Luigi Rossanigo has followed a particular artistic formation, characterized by varied experiments across different disciplines. From the early painting experiences where the subject was treated with direct reference to the real, the artist, in the first half of the 1970s, progressively approached a conception of form that is abstract, synthesized in a rapid and straightforward gesturality. This informal interlude found its natural evolution in a surrealism lived with a very personal introspective intention, among abnormal mystifications of the real, punctuated with the precision of an eighteenth-century traveler. While simultaneously cultivating a delight for the precious art of goldsmithing and approaching the sculptural environment of Carrara, the versatile artist felt the need to test himself in the volumetric definition of the marble block, transferring onto it the three-dimensional interpretation of the work already imagined for the golden ornament. This path led Rossanigo to modify the structural layout of the painting, moving to the creation of tensile structures and polymeric composites, a new dialectic in which the union of painting and sculpture took shape.