E. García - El puente XL

03
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10
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31
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€ 1
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Maurizio Buquicchio
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Selected by Maurizio Buquicchio

Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.

Gallery Estimate  € 2,000 - € 2,400
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€1

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Ernest García's original acrylic painting El puente XL (2026), 100 × 70 cm, hand-signed, produced in Spain in the post-2020 period, depicting an interior with an arched window overlooking a stone bridge in a multicolour palette, in excellent condition and sold directly from the artist with an authenticity certificate.

AI-assisted summary

Description from the seller

EL PUENTE is a 70x100 cm painting by contemporary artist Ernest García. This work represents a bright interior opening directly onto the water, where a large arched window frames the view of a stone bridge. Two red chairs and a small table set with a bottle and glasses occupy the foreground, creating an intimate scene that combines architecture, landscape and everyday life.

The composition is built from a very clear frontal perspective. The window acts as a picture within the picture and guides the gaze toward the bridge, whose succession of arches introduces depth and rhythm. The blue water occupies the visual center of the scene and establishes a smooth transition between the interior space and the exterior landscape. The two chairs suggest conversation, companionship, and a shared pause in front of the view.

Color gives the work great decorative strength. The yellows and oranges of the walls contrast with the intense blues of the water, the window and the fridge, while the red chairs create a warm focal point in the foreground. The greens of the plants soften the architecture and bring freshness. Ernest García uses a broad, visible, spontaneous brushstroke, especially in the water, where reflections are built up with horizontal strokes and variations of blue, turquoise and green.

The presence of the blue refrigerator introduces a contemporary, everyday element that singularizes the scene. Its vertical volume balances the composition and reinforces the contrast between the domestic character of the interior and the tranquil monumentality of the bridge. The served table, the fruit and the cups add a narrative dimension, as if the space were prepared to welcome someone.

The painting maintains affinities with Fauvism through its chromatic freedom and with Henri Matisse's interiors, where doors and windows widen the pictorial space and connect domestic life with the landscape. Echoes of David Hockney can also be perceived in the structural clarity, the prominence of architecture and the use of luminous blues, although Ernest García preserves a more gestural brushwork and a more Mediterranean atmosphere.

Beyond depicting a room with a view, El puente speaks of the meeting between interior and exterior, between intimacy and travel. The two empty chairs invite us to imagine a pending conversation, while the bridge acts as a symbol of connection, passage and union between places. The work conveys calm, luminosity and the pleasure of inhabiting a space open to the landscape.

The bridge proves especially attractive to collectors interested in contemporary figurative painting, interiors with views, bridges in art, river landscapes, Mediterranean architecture, arched windows, interior design, vintage refrigerators, red chairs, decorative art, Fauvism, Henri Matisse, David Hockney, colorful painting and scenes of luminous atmosphere.


Authenticity and Shipping:
The work is offered directly by E. García, guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipping. After payment confirmation, a period of three days is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.

EL PUENTE is a 70x100 cm painting by contemporary artist Ernest García. This work represents a bright interior opening directly onto the water, where a large arched window frames the view of a stone bridge. Two red chairs and a small table set with a bottle and glasses occupy the foreground, creating an intimate scene that combines architecture, landscape and everyday life.

The composition is built from a very clear frontal perspective. The window acts as a picture within the picture and guides the gaze toward the bridge, whose succession of arches introduces depth and rhythm. The blue water occupies the visual center of the scene and establishes a smooth transition between the interior space and the exterior landscape. The two chairs suggest conversation, companionship, and a shared pause in front of the view.

Color gives the work great decorative strength. The yellows and oranges of the walls contrast with the intense blues of the water, the window and the fridge, while the red chairs create a warm focal point in the foreground. The greens of the plants soften the architecture and bring freshness. Ernest García uses a broad, visible, spontaneous brushstroke, especially in the water, where reflections are built up with horizontal strokes and variations of blue, turquoise and green.

The presence of the blue refrigerator introduces a contemporary, everyday element that singularizes the scene. Its vertical volume balances the composition and reinforces the contrast between the domestic character of the interior and the tranquil monumentality of the bridge. The served table, the fruit and the cups add a narrative dimension, as if the space were prepared to welcome someone.

The painting maintains affinities with Fauvism through its chromatic freedom and with Henri Matisse's interiors, where doors and windows widen the pictorial space and connect domestic life with the landscape. Echoes of David Hockney can also be perceived in the structural clarity, the prominence of architecture and the use of luminous blues, although Ernest García preserves a more gestural brushwork and a more Mediterranean atmosphere.

Beyond depicting a room with a view, El puente speaks of the meeting between interior and exterior, between intimacy and travel. The two empty chairs invite us to imagine a pending conversation, while the bridge acts as a symbol of connection, passage and union between places. The work conveys calm, luminosity and the pleasure of inhabiting a space open to the landscape.

The bridge proves especially attractive to collectors interested in contemporary figurative painting, interiors with views, bridges in art, river landscapes, Mediterranean architecture, arched windows, interior design, vintage refrigerators, red chairs, decorative art, Fauvism, Henri Matisse, David Hockney, colorful painting and scenes of luminous atmosphere.


Authenticity and Shipping:
The work is offered directly by E. García, guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipping. After payment confirmation, a period of three days is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.

Details

Edition
Original
Sold by
Direct from the artist
Sold with frame
No
Artist
E. García
Technique
Acrylic painting
Title of artwork
El puente XL
Signature
Hand signed
Country of origin
Spain
Year
2026
Colour
Multicolour
Condition
Excellent condition
Height
100 cm
Width
70 cm
Weight
0.6 kg
Depiction/theme
Architecture
Style
Modern
Period
2020+
SpainVerified
1759
Objects sold
99.05%
protop

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