E. García - Arquitectura árabe XL

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€ 200
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Côme De Drouas
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Gallery Estimate  € 2,000 - € 2,400
IT
€200
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€1

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E. García's original acrylic painting Arquitectura árabe XL, 100 × 70 cm, multicolour Realism, created in 2026, signed by hand and sold directly by the artist, depicting an Islamic-inspired courtyard with arches and water features.

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Description from the seller

ARAB ARCHITECTURE is a 70x100 cm painting by contemporary artist Ernest García. The work presents a patio inspired by Islamic architecture, articulated through a large arch in the foreground, slender columns, white walls, and a water sheet that reflects the architecture. The scene conveys a sense of quiet, coolness, and balance, turning the architectural space into a contemplative experience.

The composition is organized by a succession of arches that generate depth and lead the eye toward the center. The large dark arch in the foreground acts as a frame within the painting itself, while in the background a second ornate door appears, reinforcing the central axis. This structure creates a sense of journey and transition between different spaces, a characteristic of Andalusian and Maghrebi architectural tradition. Water plays an essential role in the scene. The central pool captures blue, white, and ochre reflections, adding movement to a composition dominated by geometry and calm. At the bottom, a small circular fountain introduces another water point and accentuates the idea of coolness, contemplation, and harmony typical of Islamic patios.

The color palette is built from luminous whites, deep blues, earthy browns, and small ornamental accents in blue and orange. Ernest García works with a more restrained range than in his other works, allowing light and architecture to play a more prominent role. The light walls contrast with the darkness of the arches and doors, while the blue sky adds depth and serenity. The brushwork is visible, direct, and expressive. The architectural surfaces are resolved with wide, simplified planes, while the reflections of the water and the ornamental details present a freer treatment. This combination of structure and spontaneity keeps the work within a contemporary figuration where the atmosphere weighs as much as the description of the place. Arab architecture maintains affinities with the Orientalist tradition and with the fascination of modern painting for Islamic architecture, though reinterpreted from a contemporary sensibility. Echoes of Henri Matisse can be seen in the interest in courtyards, arches, ornamental motifs, and the light of North Africa, as well as visual references to the Andalusian and Maghrebi architectural heritage.

Beyond depicting a specific building, the work evokes the experience of crossing a palace or a historical house of the Islamic Mediterranean. The absence of human figures emphasizes stillness and allows the viewer to focus on the relationship between light, water, shadow, and geometry. The result is a serene and evocative image, linked to travel, memory, and contemplation.
Arabic Architecture will be especially attractive to collectors interested in contemporary figurative painting, Islamic architecture, Andalusian art, Arab patios, fountains and pools, reinterpreted orientalism, Henri Matisse, travel painting, Mediterranean architecture, and Spanish contemporary art. Its compositional balance, its silent atmosphere, and the richness of its architectural references give it notable appeal for auctions.

Authenticity and Shipping:
The work is offered directly by E. García, guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipment. After payment is confirmed, a period of three days is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.

ARAB ARCHITECTURE is a 70x100 cm painting by contemporary artist Ernest García. The work presents a patio inspired by Islamic architecture, articulated through a large arch in the foreground, slender columns, white walls, and a water sheet that reflects the architecture. The scene conveys a sense of quiet, coolness, and balance, turning the architectural space into a contemplative experience.

The composition is organized by a succession of arches that generate depth and lead the eye toward the center. The large dark arch in the foreground acts as a frame within the painting itself, while in the background a second ornate door appears, reinforcing the central axis. This structure creates a sense of journey and transition between different spaces, a characteristic of Andalusian and Maghrebi architectural tradition. Water plays an essential role in the scene. The central pool captures blue, white, and ochre reflections, adding movement to a composition dominated by geometry and calm. At the bottom, a small circular fountain introduces another water point and accentuates the idea of coolness, contemplation, and harmony typical of Islamic patios.

The color palette is built from luminous whites, deep blues, earthy browns, and small ornamental accents in blue and orange. Ernest García works with a more restrained range than in his other works, allowing light and architecture to play a more prominent role. The light walls contrast with the darkness of the arches and doors, while the blue sky adds depth and serenity. The brushwork is visible, direct, and expressive. The architectural surfaces are resolved with wide, simplified planes, while the reflections of the water and the ornamental details present a freer treatment. This combination of structure and spontaneity keeps the work within a contemporary figuration where the atmosphere weighs as much as the description of the place. Arab architecture maintains affinities with the Orientalist tradition and with the fascination of modern painting for Islamic architecture, though reinterpreted from a contemporary sensibility. Echoes of Henri Matisse can be seen in the interest in courtyards, arches, ornamental motifs, and the light of North Africa, as well as visual references to the Andalusian and Maghrebi architectural heritage.

Beyond depicting a specific building, the work evokes the experience of crossing a palace or a historical house of the Islamic Mediterranean. The absence of human figures emphasizes stillness and allows the viewer to focus on the relationship between light, water, shadow, and geometry. The result is a serene and evocative image, linked to travel, memory, and contemplation.
Arabic Architecture will be especially attractive to collectors interested in contemporary figurative painting, Islamic architecture, Andalusian art, Arab patios, fountains and pools, reinterpreted orientalism, Henri Matisse, travel painting, Mediterranean architecture, and Spanish contemporary art. Its compositional balance, its silent atmosphere, and the richness of its architectural references give it notable appeal for auctions.

Authenticity and Shipping:
The work is offered directly by E. García, guaranteeing its authenticity with a certificate signed by the artist himself. The painting will be carefully rolled and protected inside a sturdy cardboard tube for shipment. After payment is confirmed, a period of three days is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.

Details

Edition
Original
Sold by
Direct from the artist
Sold with frame
No
Artist
E. García
Technique
Acrylic painting
Title of artwork
Arquitectura árabe XL
Signature
Hand signed
Country of origin
Spain
Year
2026
Colour
Multicolour
Condition
Excellent condition
Height
100 cm
Width
70 cm
Weight
0.6 kg
Depiction/theme
Architecture
Style
Realism
Period
2020+
SpainVerified
1759
Objects sold
99.05%
protop

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