Bruno Fert (1971) - Chez Abas, Soad et Melina. Camps de Grande Synthe. France. 2016






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
€300 | ||
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€170 | ||
€150 |
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Bruno Fert (born 1971) 2016 fine art digital print titled Chez Abas, Soad et Melina. Camps de Grande Synthe, France, 40 × 50 cm, signed by hand, in good condition, sold by Galerie.
Description from the seller
REFUGE
Bruno FERT (Born in 1971)
Chez Abas, Soad et Melina. Camps de Grande Synthe. France. 2016
Fine Art print on Hahnemühle Ultrasmooth paper, title and date inscribed, signed in pencil in the margin
32 x 25.5 cm (40 x 50 cm)
These images tell what exile and migration are. These interiors sketch the mental universe of those who are on the road: their traditions, their aspirations, their personalities. They are no longer simply migrants, but merchants, young adults barely out of childhood, or mystical artists. In front of the photographer’s lens, the “migrants” or “refugees” – generic terms that cause us to lose sight of their identity – are no longer silhouettes marching through mud among the tents, but faces that look back at us... Above all, these photos speak to the astonishing capacity of human beings, whether nomadic or sedentary, to inhabit the place where they live, even for a short time, even a hut or a tent in Calais.
Bruno Fert — Documentary Photographer
Bruno Fert develops a deeply humanist body of work devoted to exile, migration and the traversed territories. From vanished Palestinian villages to the precarious refuges of migrants, he photographs less the event than its traces. With Passages, he continues this work on the routes of exile, revealing in the landscapes the marks left by those who try to reach Europe. A precise and silent photography, where the landscape becomes a bearer of memory."}
Seller's Story
REFUGE
Bruno FERT (Born in 1971)
Chez Abas, Soad et Melina. Camps de Grande Synthe. France. 2016
Fine Art print on Hahnemühle Ultrasmooth paper, title and date inscribed, signed in pencil in the margin
32 x 25.5 cm (40 x 50 cm)
These images tell what exile and migration are. These interiors sketch the mental universe of those who are on the road: their traditions, their aspirations, their personalities. They are no longer simply migrants, but merchants, young adults barely out of childhood, or mystical artists. In front of the photographer’s lens, the “migrants” or “refugees” – generic terms that cause us to lose sight of their identity – are no longer silhouettes marching through mud among the tents, but faces that look back at us... Above all, these photos speak to the astonishing capacity of human beings, whether nomadic or sedentary, to inhabit the place where they live, even for a short time, even a hut or a tent in Calais.
Bruno Fert — Documentary Photographer
Bruno Fert develops a deeply humanist body of work devoted to exile, migration and the traversed territories. From vanished Palestinian villages to the precarious refuges of migrants, he photographs less the event than its traces. With Passages, he continues this work on the routes of exile, revealing in the landscapes the marks left by those who try to reach Europe. A precise and silent photography, where the landscape becomes a bearer of memory."}
