Bruno Fert (1971) - Gilets. Samos Grèce, 2017






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Bruno Fert — Gilets. Samos Greece, 2017, a digital print from 2017, 40 × 50 cm, hand-signed, in good condition.
Description from the seller
Bruno FERT (Born in 1971)
Gilets. Samos, Greece, 2017
Passages 2017
Fine Art print on Hahnemühle Ultrasmooth paper, title and date inscribed in the margin
32 x 32 cm (40 x 50 cm)
PASSAGES
In the Mediterranean, off the Libyan coast, a boat is burning. It will disappear
like thousands of lives devoured by the waves before reaching the lights of a better horizon. The sites I photograph are on the routes followed by exiles who dream of Europe. There I search for the scars and traces
left in the landscapes: a few pebbles gathered in a forest on the island of Samos
testify to trajectories of lives brutally interrupted. Elsewhere, it is the remnants of
life jackets with colors consumed by the sun that tell us of a harrowing crossing. One can imagine silhouettes disembarking from a boat to run to
shelter among the foliage, shedding the clues of their clandestine journey. Boats seized and
numbered by the border police lie motionless on the shore. Arrived in Italy,
some write in charcoal fragments of their story on the walls of a house
abandoned in the village of Case Gina. Others discard their worn clothes
after passing the barbed wire of the French border above Menton.
While our world bristles with barriers and walls, there appear as many breaches
through which women and men pass or perish.
Bruno Fert — Documentary photographer
Bruno Fert develops a deeply humanist body of work devoted to exile, migrations and the traversed territories. From disappeared Palestinian villages to the precarious refuges of migrants, he photographs less the event than its traces. With Passages, he continues this work on the routes of exile, revealing in the landscapes the marks left by those who attempt to reach Europe. A precise and silent photograph, where the landscape becomes bearer of memory.
Seller's Story
Bruno FERT (Born in 1971)
Gilets. Samos, Greece, 2017
Passages 2017
Fine Art print on Hahnemühle Ultrasmooth paper, title and date inscribed in the margin
32 x 32 cm (40 x 50 cm)
PASSAGES
In the Mediterranean, off the Libyan coast, a boat is burning. It will disappear
like thousands of lives devoured by the waves before reaching the lights of a better horizon. The sites I photograph are on the routes followed by exiles who dream of Europe. There I search for the scars and traces
left in the landscapes: a few pebbles gathered in a forest on the island of Samos
testify to trajectories of lives brutally interrupted. Elsewhere, it is the remnants of
life jackets with colors consumed by the sun that tell us of a harrowing crossing. One can imagine silhouettes disembarking from a boat to run to
shelter among the foliage, shedding the clues of their clandestine journey. Boats seized and
numbered by the border police lie motionless on the shore. Arrived in Italy,
some write in charcoal fragments of their story on the walls of a house
abandoned in the village of Case Gina. Others discard their worn clothes
after passing the barbed wire of the French border above Menton.
While our world bristles with barriers and walls, there appear as many breaches
through which women and men pass or perish.
Bruno Fert — Documentary photographer
Bruno Fert develops a deeply humanist body of work devoted to exile, migrations and the traversed territories. From disappeared Palestinian villages to the precarious refuges of migrants, he photographs less the event than its traces. With Passages, he continues this work on the routes of exile, revealing in the landscapes the marks left by those who attempt to reach Europe. A precise and silent photograph, where the landscape becomes bearer of memory.
