Umberto Mastroianni (1910–1998) - Il segno e l'uomo 1975 – 3 signed etchings (Ed. 63/100) – Aluminum case






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Umberto Mastroianni, Il segno e l’uomo, 1975, a complete art portfolio containing 3 original etchings and aquatints (edition 63/100) signed by the artist, in an aluminum case.
Description from the seller
UMBERTO MASTROIANNI (Fontana Liri, 1910 – Marino, 1998)
"Il segno e l'uomo", 1975
Prestigious complete art folder containing 3 original etchings and aquatints
EDITORIAL AND TECHNICAL DATA:
• Author: Umberto Mastroianni
• Introductory critical text: Francesco Moschini
• Content: 3 original etchings and aquatints on heavy-weight paper
• Sheet size of each: 50 x 35 cm
• Edition: Limited edition of 100 copies. Each etching is numbered "63/100" in pencil at the lower left
• Signature: Each etching is hand-signed in pencil by Umberto Mastroianni at the lower right
• Blindstamp: Each sheet bears the dry stamp of the prestigious Litografica Romero
• Packaging: Each work is housed in its own original editorial folder bearing the technical details of the contained work on the outside
• Case: Original case protected by a special sculptural aluminum housing, designed and made by architect and sculptor Nicola Conenna
• Publisher: Ruggiero Aprile Editore
• Editorial supervision: Luigi Mattei
BIBLIOGRAPHICAL REFERENCES:
Two of the three etchings in the folder are officially published and documented in the historical catalog:
"La linea astratta dell'incisione italiana. Stamperia Romero 1960-1986", edited by Federica di Castro, Electa Editore, Milan.
CONDITION:
Artwork in good overall condition, fully consistent with the era (1975). Fresh sheets with ink impressions intact and sharp, ample margins. Very slight and natural time-related foxing on the folder and on the protective margins, as shown in the photographs. Metal case intact.
SHIPPING AND PACKAGING:
Specialist rigid anti-shock packaging. Fast, tracked, and insured shipping with international express courier.
UMBERTO MASTROIANNI (1910–1998)
"Il segno e l'uomo" (The Sign and the Man), 1975
Complete art portfolio containing 3 original etchings and aquatints
TECHNICAL & PUBLISHING DETAILS:
• Artist: Umberto Mastroianni
• Introductory critical essay: Francesco Moschini
• Content: 3 original etchings and aquatints on heavy wove paper
• Sheet size (each): 50 x 35 cm
• Edition & Numbering: Limited edition of 100 copies. Each etching is hand-numbered "63/100" in pencil lower left
• Signature: Each etching is hand-signed in pencil by Umberto Mastroianni lower right
• Blindstamp: Embossed dry stamp of Litografica Romero on each sheet
• Packaging: Each print is preserved within its original dedicated folder with technical details
• Case: Housed in its original bespoke sculptural aluminum case created by Nicola Conenna
• Publisher: Ruggiero Aprile Editore; curated by Luigi Mattei
LITERATURE / CATALOGUE:
Two of the three etchings are published and catalogued in:
"La linea astratta dell'incisione italiana. Stamperia Romero 1960-1986", edited by Federica di Castro, Electa Editore, Milan.
CONDITION:
Good overall condition consistent with age (1975). Sound paper with crisp, vivid impressions and full margins. Minor, typical light vintage foxing to portfolio folders and margins as clearly shown in photos. Aluminum case intact and solid.
SHIPPING: Professional heavy-duty rigid protective packaging. Fully insured, tracked express shipping worldwide.
Seller's Story
UMBERTO MASTROIANNI (Fontana Liri, 1910 – Marino, 1998)
"Il segno e l'uomo", 1975
Prestigious complete art folder containing 3 original etchings and aquatints
EDITORIAL AND TECHNICAL DATA:
• Author: Umberto Mastroianni
• Introductory critical text: Francesco Moschini
• Content: 3 original etchings and aquatints on heavy-weight paper
• Sheet size of each: 50 x 35 cm
• Edition: Limited edition of 100 copies. Each etching is numbered "63/100" in pencil at the lower left
• Signature: Each etching is hand-signed in pencil by Umberto Mastroianni at the lower right
• Blindstamp: Each sheet bears the dry stamp of the prestigious Litografica Romero
• Packaging: Each work is housed in its own original editorial folder bearing the technical details of the contained work on the outside
• Case: Original case protected by a special sculptural aluminum housing, designed and made by architect and sculptor Nicola Conenna
• Publisher: Ruggiero Aprile Editore
• Editorial supervision: Luigi Mattei
BIBLIOGRAPHICAL REFERENCES:
Two of the three etchings in the folder are officially published and documented in the historical catalog:
"La linea astratta dell'incisione italiana. Stamperia Romero 1960-1986", edited by Federica di Castro, Electa Editore, Milan.
CONDITION:
Artwork in good overall condition, fully consistent with the era (1975). Fresh sheets with ink impressions intact and sharp, ample margins. Very slight and natural time-related foxing on the folder and on the protective margins, as shown in the photographs. Metal case intact.
SHIPPING AND PACKAGING:
Specialist rigid anti-shock packaging. Fast, tracked, and insured shipping with international express courier.
UMBERTO MASTROIANNI (1910–1998)
"Il segno e l'uomo" (The Sign and the Man), 1975
Complete art portfolio containing 3 original etchings and aquatints
TECHNICAL & PUBLISHING DETAILS:
• Artist: Umberto Mastroianni
• Introductory critical essay: Francesco Moschini
• Content: 3 original etchings and aquatints on heavy wove paper
• Sheet size (each): 50 x 35 cm
• Edition & Numbering: Limited edition of 100 copies. Each etching is hand-numbered "63/100" in pencil lower left
• Signature: Each etching is hand-signed in pencil by Umberto Mastroianni lower right
• Blindstamp: Embossed dry stamp of Litografica Romero on each sheet
• Packaging: Each print is preserved within its original dedicated folder with technical details
• Case: Housed in its original bespoke sculptural aluminum case created by Nicola Conenna
• Publisher: Ruggiero Aprile Editore; curated by Luigi Mattei
LITERATURE / CATALOGUE:
Two of the three etchings are published and catalogued in:
"La linea astratta dell'incisione italiana. Stamperia Romero 1960-1986", edited by Federica di Castro, Electa Editore, Milan.
CONDITION:
Good overall condition consistent with age (1975). Sound paper with crisp, vivid impressions and full margins. Minor, typical light vintage foxing to portfolio folders and margins as clearly shown in photos. Aluminum case intact and solid.
SHIPPING: Professional heavy-duty rigid protective packaging. Fully insured, tracked express shipping worldwide.
