Dino Fantini (1913-1989) - Senza titolo






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
€375 | ||
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€150 |
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Dino Fantini’s *Senza titolo* is an original oil painting from 1963, sold with a frame.
Description from the seller
Dino Francesco Fantini (1913–1989) was an important Italian painter and sculptor, deeply tied to Sardinia and his hometown of Cagliari.
Biografia e Formazione
• Birth and origins: Born in Cagliari in May 1913, where he spent much of his life.
• Early studies: Trained under the renowned Sardinian sculptor Francesco Ciusa.
• Early successes: At only 18, he won the first prize at the National Exhibition for young artists in Rome.
• Maturity: Earned a diploma from the Liceo Artistico Statale in Rome, completing his formal education.
• Stile e Caratteristiche Artistiche
• Technical evolution: He began as a sculptor shaping the nude, then devoted himself mainly to painting.
• Pictorial language: Develops a fast, abbreviated figurative line with a brushy, painterly touch.
• Influences: Critics link his painterly gesture to the atmospheres of the Roman School of Scipione and Mafai.
• Recurring subjects: Human figures, horses, scenes of daily life, and Sardinian tradition (such as Mamuthones and Su Componidori).
Dimensions with frame: L 119 - H 113
Dimensions without frame: L 105 - H 99
Dino Francesco Fantini (1913–1989) was an important Italian painter and sculptor, deeply tied to Sardinia and his hometown of Cagliari.
Biografia e Formazione
• Birth and origins: Born in Cagliari in May 1913, where he spent much of his life.
• Early studies: Trained under the renowned Sardinian sculptor Francesco Ciusa.
• Early successes: At only 18, he won the first prize at the National Exhibition for young artists in Rome.
• Maturity: Earned a diploma from the Liceo Artistico Statale in Rome, completing his formal education.
• Stile e Caratteristiche Artistiche
• Technical evolution: He began as a sculptor shaping the nude, then devoted himself mainly to painting.
• Pictorial language: Develops a fast, abbreviated figurative line with a brushy, painterly touch.
• Influences: Critics link his painterly gesture to the atmospheres of the Roman School of Scipione and Mafai.
• Recurring subjects: Human figures, horses, scenes of daily life, and Sardinian tradition (such as Mamuthones and Su Componidori).
Dimensions with frame: L 119 - H 113
Dimensions without frame: L 105 - H 99
