Alberto Guzmán (1927–2017) - sans titre






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Alberto Guzmán (1927–2017), an original signed untitled work in mixed media and ink, dated 2002 and measuring 38 × 40 cm.
Description from the seller
Alberto GUZMAN (1927–2017) — Abstract composition, 2000 — Ink and wash — Direct provenance from the studio
Original work by Alberto Guzman, executed in ink and wash on 300 g/m² Hahnemühle paper, signed in the upper left, accompanied by a red stamp and the inscription « Paris 2000 ».
In this composition, fragmented circular forms and angular lines stand out against a wash of gray, deep blacks and ochre-like nuances. The ink punctuations, transparencies, and the white areas of the paper create a vibrant surface, where the eye moves between density and lightness.
The drawing possesses a sculptural dimension: the shapes seem to join, separate, and remain suspended. The precision of certain strokes dialogues with the freer diffusion of the wash, giving the whole its rhythm and depth.
The artist:
Alberto Guzman (1927–2017) developed a body of work in which sculptural exploration and drawing respond to each other. The circle, the disk, and their fragmentations occupy an important place in his plastic vocabulary. His inks allow exploring their possibilities through gesture, transparencies, and contrasts.
Characteristics of the work:
Artist: Alberto Guzman (1927–2017)
Designation: Abstract composition — descriptive title
Year: 2000
Technique: ink and wash on paper
Support: Hahnemühle paper, 300 g/m²
Dimensions: 38 × 40 cm
Signature: in the upper left, with red stamp and inscription « Paris 2000 »
Provenance: directly from the artist's studio
Presentation: work sold unframed
An expressive work on paper, combining the strength of the line with the subtlety of the wash, issued directly from the artist's studio.
Alberto GUZMAN (1927–2017) — Abstract composition, 2000 — Ink and wash — Direct provenance from the studio
Original work by Alberto Guzman, executed in ink and wash on 300 g/m² Hahnemühle paper, signed in the upper left, accompanied by a red stamp and the inscription « Paris 2000 ».
In this composition, fragmented circular forms and angular lines stand out against a wash of gray, deep blacks and ochre-like nuances. The ink punctuations, transparencies, and the white areas of the paper create a vibrant surface, where the eye moves between density and lightness.
The drawing possesses a sculptural dimension: the shapes seem to join, separate, and remain suspended. The precision of certain strokes dialogues with the freer diffusion of the wash, giving the whole its rhythm and depth.
The artist:
Alberto Guzman (1927–2017) developed a body of work in which sculptural exploration and drawing respond to each other. The circle, the disk, and their fragmentations occupy an important place in his plastic vocabulary. His inks allow exploring their possibilities through gesture, transparencies, and contrasts.
Characteristics of the work:
Artist: Alberto Guzman (1927–2017)
Designation: Abstract composition — descriptive title
Year: 2000
Technique: ink and wash on paper
Support: Hahnemühle paper, 300 g/m²
Dimensions: 38 × 40 cm
Signature: in the upper left, with red stamp and inscription « Paris 2000 »
Provenance: directly from the artist's studio
Presentation: work sold unframed
An expressive work on paper, combining the strength of the line with the subtlety of the wash, issued directly from the artist's studio.
