Jean-Guy Caumeil (1945–2018) - Céline de dos






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
The proposed photograph is titled "Céline from behind".
It is an art print on professional Fujifilm Muséum Crystal DP II photo paper.
Dimensions 30x45 without a border.
Limited edition of 10 prints, print 3/10, unframed.
Signed by the author on the back and hand-numbered.
New print freshly produced from the studio.
Studio du Trident, 1 rue Vial 42000 Saint-Étienne, France.
The certificate of authenticity will be sent by email.
Jean-Guy Caumeil, photographer, still living, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no decor or props, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning that the viewer will give to the photo themselves. Photography is not a story or a predefined meaning to be seen. Photography tells nothing, does not advocate, does not deliver a message, does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The handling of light is crucial for him, as is the rapport/complicity with the model.
The proposed photograph is titled "Céline from behind".
It is an art print on professional Fujifilm Muséum Crystal DP II photo paper.
Dimensions 30x45 without a border.
Limited edition of 10 prints, print 3/10, unframed.
Signed by the author on the back and hand-numbered.
New print freshly produced from the studio.
Studio du Trident, 1 rue Vial 42000 Saint-Étienne, France.
The certificate of authenticity will be sent by email.
Jean-Guy Caumeil, photographer, still living, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no decor or props, the essential is in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning that the viewer will give to the photo themselves. Photography is not a story or a predefined meaning to be seen. Photography tells nothing, does not advocate, does not deliver a message, does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The handling of light is crucial for him, as is the rapport/complicity with the model.
