Josh Sperling - DIAMOND IN THE WILDERNESS






Held senior specialist role at Finarte for 12 years, specialising in modern prints.
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Josh Sperling’s signed, limited-edition lithograph DIAMOND IN THE WILDERNESS (2022) is numbered 52/100, is multicoloured and measures 70 × 50 cm.
Description from the seller
Work by the famous contemporary artist Josh Sperling issued following his exhibition at Perrotin Paris in 2022. Edition of 100 copies, signed and numbered by the artist, depicting one of his sculptures. Copy kept away from light. He is an artist similar to Banksy, Kaws, Invader, Koons, Haring, Cattelan, JonOne, Futura, Basquiat, Roy, Calleja, Murakami, Madsaki, Imbue, Chevrier, Vhils, Takeru, etc... He is exhibited worldwide and his market value continues to rise, now exceeding USD 111,822.
Josh Sperling aligns with the tradition of minimalist painting from the 1960s and 1970s, and the “shaped canvases.” He uses intricate plywood cutouts on which a canvas is stretched and then painted with a palette of saturated colors that sometimes clash. His three-dimensional work tends to erase the boundaries between painting and sculpture, between image and object. Drawing on references from design as well as art history, Sperling has designed a unique visual language recognizable for its expressionism and its uncontrollable energy.
Work by the famous contemporary artist Josh Sperling issued following his exhibition at Perrotin Paris in 2022. Edition of 100 copies, signed and numbered by the artist, depicting one of his sculptures. Copy kept away from light. He is an artist similar to Banksy, Kaws, Invader, Koons, Haring, Cattelan, JonOne, Futura, Basquiat, Roy, Calleja, Murakami, Madsaki, Imbue, Chevrier, Vhils, Takeru, etc... He is exhibited worldwide and his market value continues to rise, now exceeding USD 111,822.
Josh Sperling aligns with the tradition of minimalist painting from the 1960s and 1970s, and the “shaped canvases.” He uses intricate plywood cutouts on which a canvas is stretched and then painted with a palette of saturated colors that sometimes clash. His three-dimensional work tends to erase the boundaries between painting and sculpture, between image and object. Drawing on references from design as well as art history, Sperling has designed a unique visual language recognizable for its expressionism and its uncontrollable energy.
