TheArtOfAGhost - Mors Amata Mea III (Anatomy of Emotion series) -XL

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Egidio Emiliano Bianco
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Selected by Egidio Emiliano Bianco

Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.

Gallery Estimate  € 1,200 - € 1,500
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TheArtOfAGhost’s original acrylic painting Mors Amata Mea III (Anatomy of Emotion series) -XL dates from 2026 and measures 97 × 89 cm.

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Description from the seller

A female figure wrapped in a long cloak leans toward a seated skeleton, supporting its skull in her hands. The gesture is delicate, measured, almost solemn. The woman's face moves close to that of the skull in a moment of silent intimacy, in which the distance between presence and absence seems to dissolve.

In Mors Amata Mea III, death becomes the symbolic place of a relationship. The female figure seems to recognize in the skeleton something that endures beyond the transformation of the body: a trace, a memory, a presence that retains its meaning even when every form of life has faded. Her gesture holds a profoundly human question: what remains of a bond when time has taken away all that was visible?

The composition develops on a dark, tactile background, built with whites and grays that emerge from the darkness. The woman's robe unfolds in wide, sinuous folds, enveloping the figure in a sequence of movements that emphasize its almost ritual presence. The skeleton, instead, surfaces through a harsh and fragmented painterly matter, in which the characteristic brushstrokes of the artist restore the vulnerability of the bone structure. The contrast between the fluidity of the mantle and the crude anatomical reality creates a visual tension that runs through the entire work.

I wanted to focus attention on a essential gesture: two hands that hold a skull. It is in this simplicity that the scene finds its intensity. The woman does not seem overwhelmed by the presence of death; her stance suggests a deep familiarity, a closeness that belongs to an inner dimension. Her bowed face, gathered posture, and the delicacy of the contact transform the image into a reflection on emotional memory and the persistence of bonds.

The title Mors Amata Mea, translatable from Latin as “My beloved death,” encapsulates this emotional ambiguity. Death assumes an intimate dimension, entering a territory where love, loss, and an awareness of existence meet. Its meaning unfolds through the relationship between the figures, leaving to the viewer the possibility of recognizing a personal memory, a cherished feeling, or the need to maintain a bond with what belongs to the past.

The work is part of Anatomy of Emotion, a series dedicated to exploring the invisible structures of human experience. In this journey, the body and its transformations become tools to explore memory, vulnerability, and the complexity of affections. The anatomical figure thus acquires psychological and symbolic value, while the painterly matter helps to render tangible what, by its nature, eludes representation.

Artist Biography
Simone Pappalardo, known in the art scene as TheArtOfAGhost, is an Italian contemporary artist whose research focuses on the exploration of human emotions and the power of visual symbolism. His practice develops through a strongly personal painting, in which matter, atmosphere, and psychological dimension become tools to explore the deepest aspects of inner experience.

His works have entered private collections in several European countries, including Italy, France, the United Kingdom, Ireland, Greece, Spain, Portugal, Germany, Belgium, Poland, Austria, the Netherlands, and Hungary, contributing to the progressive diffusion of his research in the international emerging contemporary art scene.

Through his neo-expressionist and symbolic language, TheArtOfAGhost investigates the most intimate zones of the psyche, giving shape to enigmatic presences, anatomical figures, and images filled with emotional tension. His work is distinguished by the expressive use of contrast, the depth of dark backgrounds, and a material search that assigns a fundamental role to the painting surface in building meaning.

Artwork specifications
• Artist: TheArtOfAGhost
• Title: Mors Amata Mea III
• Series: Anatomy of Emotion
• Year: 2026
• Style: Neo-Expressionism / Symbolism
• Technique: Textured acrylic on canvas
• Support: Superior art canvas made of 100% pure high-weight cotton 290 g/m², fine and stable grain, specifically designed to support the maximum intensity of textural works.
• Medium: Professional acrylic pigments at very high concentration and color purity.
• Dimensions: 89 × 97 cm.
• Raw canvas size: 95 × 103 cm, with wide margins -6 cm prepared for a perfect turn and gallery tensioning.
• Condition: Excellent, original work coming directly from the artist’s studio.
• Signature: Hand-signed on the front and back. Includes Certificate of Authenticity (COA) with the artist’s original fingerprint imprint, guaranteeing the uniqueness and non-replicability of the work.

Shipping: The canvas will be shipped rolled in a professional rigid tube for maximum safety.

Seller's Story

Contemporary artist dedicated to a visceral and expressionist research. My work is a direct manifestation of internal states: an excavation where the essence is forced to emerge from the crushing weight of darkness. Through a minimal palette and the raw force of the palette knife, I investigate the eternal conflict between shadow and light. My creative process is a collision of layers, where the density of the paint transforms silence into a violent, tangible presence. Every canvas is a descent into the 'Nigredo' of existence: a search for that final, sharp blade of light that stands defiant against the void.
Translated by Google Translate

A female figure wrapped in a long cloak leans toward a seated skeleton, supporting its skull in her hands. The gesture is delicate, measured, almost solemn. The woman's face moves close to that of the skull in a moment of silent intimacy, in which the distance between presence and absence seems to dissolve.

In Mors Amata Mea III, death becomes the symbolic place of a relationship. The female figure seems to recognize in the skeleton something that endures beyond the transformation of the body: a trace, a memory, a presence that retains its meaning even when every form of life has faded. Her gesture holds a profoundly human question: what remains of a bond when time has taken away all that was visible?

The composition develops on a dark, tactile background, built with whites and grays that emerge from the darkness. The woman's robe unfolds in wide, sinuous folds, enveloping the figure in a sequence of movements that emphasize its almost ritual presence. The skeleton, instead, surfaces through a harsh and fragmented painterly matter, in which the characteristic brushstrokes of the artist restore the vulnerability of the bone structure. The contrast between the fluidity of the mantle and the crude anatomical reality creates a visual tension that runs through the entire work.

I wanted to focus attention on a essential gesture: two hands that hold a skull. It is in this simplicity that the scene finds its intensity. The woman does not seem overwhelmed by the presence of death; her stance suggests a deep familiarity, a closeness that belongs to an inner dimension. Her bowed face, gathered posture, and the delicacy of the contact transform the image into a reflection on emotional memory and the persistence of bonds.

The title Mors Amata Mea, translatable from Latin as “My beloved death,” encapsulates this emotional ambiguity. Death assumes an intimate dimension, entering a territory where love, loss, and an awareness of existence meet. Its meaning unfolds through the relationship between the figures, leaving to the viewer the possibility of recognizing a personal memory, a cherished feeling, or the need to maintain a bond with what belongs to the past.

The work is part of Anatomy of Emotion, a series dedicated to exploring the invisible structures of human experience. In this journey, the body and its transformations become tools to explore memory, vulnerability, and the complexity of affections. The anatomical figure thus acquires psychological and symbolic value, while the painterly matter helps to render tangible what, by its nature, eludes representation.

Artist Biography
Simone Pappalardo, known in the art scene as TheArtOfAGhost, is an Italian contemporary artist whose research focuses on the exploration of human emotions and the power of visual symbolism. His practice develops through a strongly personal painting, in which matter, atmosphere, and psychological dimension become tools to explore the deepest aspects of inner experience.

His works have entered private collections in several European countries, including Italy, France, the United Kingdom, Ireland, Greece, Spain, Portugal, Germany, Belgium, Poland, Austria, the Netherlands, and Hungary, contributing to the progressive diffusion of his research in the international emerging contemporary art scene.

Through his neo-expressionist and symbolic language, TheArtOfAGhost investigates the most intimate zones of the psyche, giving shape to enigmatic presences, anatomical figures, and images filled with emotional tension. His work is distinguished by the expressive use of contrast, the depth of dark backgrounds, and a material search that assigns a fundamental role to the painting surface in building meaning.

Artwork specifications
• Artist: TheArtOfAGhost
• Title: Mors Amata Mea III
• Series: Anatomy of Emotion
• Year: 2026
• Style: Neo-Expressionism / Symbolism
• Technique: Textured acrylic on canvas
• Support: Superior art canvas made of 100% pure high-weight cotton 290 g/m², fine and stable grain, specifically designed to support the maximum intensity of textural works.
• Medium: Professional acrylic pigments at very high concentration and color purity.
• Dimensions: 89 × 97 cm.
• Raw canvas size: 95 × 103 cm, with wide margins -6 cm prepared for a perfect turn and gallery tensioning.
• Condition: Excellent, original work coming directly from the artist’s studio.
• Signature: Hand-signed on the front and back. Includes Certificate of Authenticity (COA) with the artist’s original fingerprint imprint, guaranteeing the uniqueness and non-replicability of the work.

Shipping: The canvas will be shipped rolled in a professional rigid tube for maximum safety.

Seller's Story

Contemporary artist dedicated to a visceral and expressionist research. My work is a direct manifestation of internal states: an excavation where the essence is forced to emerge from the crushing weight of darkness. Through a minimal palette and the raw force of the palette knife, I investigate the eternal conflict between shadow and light. My creative process is a collision of layers, where the density of the paint transforms silence into a violent, tangible presence. Every canvas is a descent into the 'Nigredo' of existence: a search for that final, sharp blade of light that stands defiant against the void.
Translated by Google Translate

Details

Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
TheArtOfAGhost
Title of artwork
Mors Amata Mea III (Anatomy of Emotion series) -XL
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Italy
Year
2026
Condition
Excellent condition
Height
97 cm
Width
89 cm
Style
Neo-Expressionism
Period
2020+
ItalyVerified
59
Objects sold
100%
pro

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