Veronica Van Eyck (1936-2001) - 2 serigrafie





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Veronica Van Eyck (1936–2001), *2 serigrafie*, a pair of framed screenprints signed in pencil and numbered Prova E and Prova B, circa 1990.
Description from the seller
Veronica Van Eyck (Munich, 1936 – Ivrea, 2001), 2 framed screen prints. About 1990. Signed in pencil by the artist and numbered Proof E and proof B. Born in Germany, she moved to Milan where she studied at the Brera Academy of Fine Arts and in Zurich, training under masters such as Giacomo Manzù and Marino Marini. She initially worked in bronze for about twenty years, then, in 1976, discovered Carrara marble and, from 1994, introduced the use of iron and metal with an oxy-fuel flame. She married a well-known Milanese gynecologist and, after his death, settled in Buccinasco, where she set up a large studio-workshop to sculpt marble and work metals. She exhibited since the late fifties in galleries in Italy and abroad, including the Bianchini Gallery in New York (1959) and the Galleria delle Ore in Milan (1964). Among the most important exhibitions are those at the Archaeological Museum of Milan (1984), on Corso Vittorio Emanuele (1988) and at Sant’Ambrogio (1994). For this lot, purchasing outside the EU is not recommended (the order could be delayed or canceled). No reserve!!!!!!!
Veronica Van Eyck (Munich, 1936 – Ivrea, 2001), 2 framed screen prints. About 1990. Signed in pencil by the artist and numbered Proof E and proof B. Born in Germany, she moved to Milan where she studied at the Brera Academy of Fine Arts and in Zurich, training under masters such as Giacomo Manzù and Marino Marini. She initially worked in bronze for about twenty years, then, in 1976, discovered Carrara marble and, from 1994, introduced the use of iron and metal with an oxy-fuel flame. She married a well-known Milanese gynecologist and, after his death, settled in Buccinasco, where she set up a large studio-workshop to sculpt marble and work metals. She exhibited since the late fifties in galleries in Italy and abroad, including the Bianchini Gallery in New York (1959) and the Galleria delle Ore in Milan (1964). Among the most important exhibitions are those at the Archaeological Museum of Milan (1984), on Corso Vittorio Emanuele (1988) and at Sant’Ambrogio (1994). For this lot, purchasing outside the EU is not recommended (the order could be delayed or canceled). No reserve!!!!!!!

