Salvador Dali (1904-1989) - Lady Godiva - ceramic





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After Salvador Dalí, *Lady Godiva – ceramic* is a framed limited edition dated 1975, numbered 82/490 and measuring 25 × 20 cm.
Description from the seller
After Salvador Dalí (1904–1989) – Lady Godiva
A limited-edition ceramic work after Salvador Dalí, titled Lady Godiva, from the Les Chevaux Daliniens series. A female rider with long golden hair sits upon a white horse against a predominantly blue background. Red and yellow accents contrast with the horse’s finely drawn anatomy, giving this interpretation of the legendary Lady Godiva a luminous and theatrical character.
Based on an original composition dated 1971, the ceramic is described in the accompanying Artco France certificate as a work produced in ten colours, from an edition of 490 examples. The present example is identified as XCII/XD. It is presented framed and accompanied by the certificate attached to the reverse in a protective sleeve.
Artist: After Salvador Dalí
Full name: Salvador Domingo Felipe Jacinto Dalí i Domènech
Nationality: Spanish
Born: 1904, Figueres, Spain
Died: 1989, Figueres, Spain
Title: Lady Godiva
Series: Les Chevaux Daliniens
Original composition: 1971
Ceramic edition date: Not established by the certificate photographs
Publisher: Artco France
Technique / Medium: Multicolour image on ceramic; ten-colour process stated on the certificate
Dimensions: 25 x 20 cm,
Edition: 490 examples, according to the accompanying certificate
Edition number: XCII/XD, as inscribed and identified on the certificate
Presentation: Framed, with identifying title plaque
Attribution: After Salvador Dalí – a limited-edition ceramic interpretation of his original composition, rather than an original hand-painted work by the artist.
Signature: Dalí’s signature and a date are incorporated within the image. This is not described as a separate handwritten signature on the ceramic.
Documentation: Accompanied by an Artco France Certificate of Authenticity naming the work and specifying the ceramic medium, edition size, dimensions and individual number.
Condition: Appears in good overall visual condition in the original photographs. The coloured composition is well preserved in the areas visible through the frame. Reflections and the framing limit inspection of the ceramic surface and edges; no claim is made that concealed chips, hairlines or earlier restoration are absent. Some age and handling wear is visible on the mounting or backing. Not examined outside the frame.
After Salvador Dalí (1904–1989) – Lady Godiva
A limited-edition ceramic work after Salvador Dalí, titled Lady Godiva, from the Les Chevaux Daliniens series. A female rider with long golden hair sits upon a white horse against a predominantly blue background. Red and yellow accents contrast with the horse’s finely drawn anatomy, giving this interpretation of the legendary Lady Godiva a luminous and theatrical character.
Based on an original composition dated 1971, the ceramic is described in the accompanying Artco France certificate as a work produced in ten colours, from an edition of 490 examples. The present example is identified as XCII/XD. It is presented framed and accompanied by the certificate attached to the reverse in a protective sleeve.
Artist: After Salvador Dalí
Full name: Salvador Domingo Felipe Jacinto Dalí i Domènech
Nationality: Spanish
Born: 1904, Figueres, Spain
Died: 1989, Figueres, Spain
Title: Lady Godiva
Series: Les Chevaux Daliniens
Original composition: 1971
Ceramic edition date: Not established by the certificate photographs
Publisher: Artco France
Technique / Medium: Multicolour image on ceramic; ten-colour process stated on the certificate
Dimensions: 25 x 20 cm,
Edition: 490 examples, according to the accompanying certificate
Edition number: XCII/XD, as inscribed and identified on the certificate
Presentation: Framed, with identifying title plaque
Attribution: After Salvador Dalí – a limited-edition ceramic interpretation of his original composition, rather than an original hand-painted work by the artist.
Signature: Dalí’s signature and a date are incorporated within the image. This is not described as a separate handwritten signature on the ceramic.
Documentation: Accompanied by an Artco France Certificate of Authenticity naming the work and specifying the ceramic medium, edition size, dimensions and individual number.
Condition: Appears in good overall visual condition in the original photographs. The coloured composition is well preserved in the areas visible through the frame. Reflections and the framing limit inspection of the ceramic surface and edges; no claim is made that concealed chips, hairlines or earlier restoration are absent. Some age and handling wear is visible on the mounting or backing. Not examined outside the frame.

