A stunning Kanō school gold leaf six-panel byobu folding screen with cranes and pine trees - Paper, Gold leaf, Silk - Signed 'Hokkyō Yūtei sai hitsu' 法橋幽汀斎筆 - Japan - Mid to late 18th century (Edo period)






Holds a master’s in Japanese art history with over 10 years’ expertise in Asian art.
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€900 | ||
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This Japanese six-panel byōbu folding screen from the mid-to-late Edo period depicts cranes, pine and flowering plants on a gold-leaf ground, is signed ‘Hokkyō Yūtei sai hitsu’ and measures 377 × 172 cm.
Description from the seller
A Japanese six-panel byōbu folding screen painted on a gold-leaf ground, depicting three Manchurian cranes (tsuru) in a richly detailed landscape of pine trees, flowering plants, rocks and flowing water.
The composition is dominated on the left by a majestic pine tree (matsu), whose thick, gnarled trunk and spreading branches extend across several panels. At the centre, the twisted branches of a flowering plum tree (ume) stretch across the scene, adorned with delicate pink and white blossoms. On the right, chrysanthemums (kiku) in shades of white, yellow and red enrich the landscape, while a deep blue stream winds through the composition.
The finely rendered plumage of the cranes, the intricate treatment of the tree trunks and the vivid colours of the vegetation stand out against the luminous gold-leaf background.
In Japanese tradition, cranes and pine trees are associated with longevity and good fortune, while plum blossoms symbolise perseverance and renewal. Chrysanthemums are also associated with longevity, reinforcing the auspicious symbolism of the composition.
Signed Hokkyō Yūtei sai hitsu' on the left-hand side.
The screen is finished with silk borders and a lacquered wooden frame.
The screen can also be easily mounted on a wall or used as a room divider.
Byōbu (屏風), literally “wind protection screens,” are traditional Japanese folding screens originally created to divide spaces and today appreciated above all as striking wall-mounted paintings.
---The byobu is in good condition with restorations across the surface and reinforced hinges (as shown in photo no. 24), as well as small holes and imperfections in the paper with some wear and marks. Wear to the lacquered frame. Please refer to the pictures for further details.
The item will be carefully packed and shipped accompanied by the original certificate of authenticity issued by Mastromauro Japanese art gallery based in Milan, Italy.
947
Seller's Story
A Japanese six-panel byōbu folding screen painted on a gold-leaf ground, depicting three Manchurian cranes (tsuru) in a richly detailed landscape of pine trees, flowering plants, rocks and flowing water.
The composition is dominated on the left by a majestic pine tree (matsu), whose thick, gnarled trunk and spreading branches extend across several panels. At the centre, the twisted branches of a flowering plum tree (ume) stretch across the scene, adorned with delicate pink and white blossoms. On the right, chrysanthemums (kiku) in shades of white, yellow and red enrich the landscape, while a deep blue stream winds through the composition.
The finely rendered plumage of the cranes, the intricate treatment of the tree trunks and the vivid colours of the vegetation stand out against the luminous gold-leaf background.
In Japanese tradition, cranes and pine trees are associated with longevity and good fortune, while plum blossoms symbolise perseverance and renewal. Chrysanthemums are also associated with longevity, reinforcing the auspicious symbolism of the composition.
Signed Hokkyō Yūtei sai hitsu' on the left-hand side.
The screen is finished with silk borders and a lacquered wooden frame.
The screen can also be easily mounted on a wall or used as a room divider.
Byōbu (屏風), literally “wind protection screens,” are traditional Japanese folding screens originally created to divide spaces and today appreciated above all as striking wall-mounted paintings.
---The byobu is in good condition with restorations across the surface and reinforced hinges (as shown in photo no. 24), as well as small holes and imperfections in the paper with some wear and marks. Wear to the lacquered frame. Please refer to the pictures for further details.
The item will be carefully packed and shipped accompanied by the original certificate of authenticity issued by Mastromauro Japanese art gallery based in Milan, Italy.
947
