Gijsbert Hanekroot - Nico, Amsterdam, 1975






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Gijsbert Hanekroot’s signed digital print *Nico, Amsterdam, 1975* is numbered 14/200 and measures 30 × 40 cm.
Description from the seller
Nico, Amsterdam, 1975,
Digital print on 250 g/m2 on Professional Art paper signed and blind stamped, 30 x 40 cm. Edition 14 of 200.
Shipped well packed
In the 1970s Gijsbert Hanekroot worked as a freelance photographer based in Amsterdam where he had a studio (Berenstraat 18). His main assignment was bi-weekly music paper Muziekkrant Oor (Ear), but he also worked for daily newspapers and magazines. He did concerts, interviews, press receptions and studio shoots. It were the golden years of rock music where the big names made their first and second albums, hard working to break through.
Hanekroot: 'Most musicians don’t like the press. They see it as a necessary duty; usually part of their deal with the record company. Not so with Frank Zappa. He especially made time for it. And a chat of more than two hours was not exceptional.'
Recently Gijsbert’s photos were shown in exhibitions among others Paris, London, Moscow, Tokyo, Frankfurt, Hong Kong, Munich, Belgrade, Brooklyn and Schiedam, the Netherlands. He also published several books. (1976 The story of a rock photographer)
Nico, Amsterdam, 1975,
Digital print on 250 g/m2 on Professional Art paper signed and blind stamped, 30 x 40 cm. Edition 14 of 200.
Shipped well packed
In the 1970s Gijsbert Hanekroot worked as a freelance photographer based in Amsterdam where he had a studio (Berenstraat 18). His main assignment was bi-weekly music paper Muziekkrant Oor (Ear), but he also worked for daily newspapers and magazines. He did concerts, interviews, press receptions and studio shoots. It were the golden years of rock music where the big names made their first and second albums, hard working to break through.
Hanekroot: 'Most musicians don’t like the press. They see it as a necessary duty; usually part of their deal with the record company. Not so with Frank Zappa. He especially made time for it. And a chat of more than two hours was not exceptional.'
Recently Gijsbert’s photos were shown in exhibitions among others Paris, London, Moscow, Tokyo, Frankfurt, Hong Kong, Munich, Belgrade, Brooklyn and Schiedam, the Netherlands. He also published several books. (1976 The story of a rock photographer)
