Pedro Ravara (1964) - Sin título





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Pedro Ravara’s untitled 2014 screenprint depicts architecture in a continuous black line, is hand-signed and numbered 79/115, and measures 70 × 50 cm.
Description from the seller
Original Pedro Ravara screen print in a single ink, stamped in 2014 at the Atelier CPS in Lisbon on 290 g/m² Fabriano Tiepolo paper, sheet 70 × 50 cm (27.6 × 19.7 inches) with a stain of 62 × 42 cm. A multitude of faces and figures drawn with a continuous black line.
Belongs to the album 12 Serigrafias de Arquitect@s, published in 2014 by the Centro Português de Serigrafia (CPS) and the Ordem dos Arquitectos de Portugal, curated by architect Manuel Graça Dias. The twelve works were printed at the CPS Atelier in Lisbon in 2014. The album was presented on World Architecture Day 2014 and re-exhibited at Roca Lisboa Gallery in 2020.
Edition: Copy 79/115. Print run: 115 numbered copies, 15 A.P. and 15 H.C., certified with the CPS blind stamp. Signed in pencil in the lower right margin and numbered 79/115 to its left.
Condition: new. The sheet has not been framed or exhibited. The photographs are corrected for light, color, and perspective from shots of the work itself; the view of the full sheet and the framed mock-up remove folds and shadows from the shot, which are not on the paper.
For sale by a private collector. Shipped in rigid flat packaging.
Pedro Ravara represented Portugal at the 8th São Paulo Architecture Biennial and was Cass Gilbert Visiting Professor at the University of Minnesota, two distinctions that few architects of his generation hold. He was born in Lisbon in 1964 and earned his architecture degree at the Technical University of Lisbon in 1988. With a Fulbright scholarship he completed a master’s degree at the State University of New York between 1991 and 1993, and in 2008 he earned his doctorate in Lisbon, where he is a professor at the Faculty of Architecture; in 1998 he was Cass Gilbert Visiting Professor at the University of Minnesota. In 1991 he founded the studio BAIXA with Nuno Vidigal, and with him he represented Portugal at the 8th São Paulo Architecture Biennial in 2009. His screen print is the densest in the album: a crowd of faces and bodies drawn with a single continuous line that fills almost the entire sheet. It is sold out at CPS.
Original Pedro Ravara screen print in a single ink, stamped in 2014 at the Atelier CPS in Lisbon on 290 g/m² Fabriano Tiepolo paper, sheet 70 × 50 cm (27.6 × 19.7 inches) with a stain of 62 × 42 cm. A multitude of faces and figures drawn with a continuous black line.
Belongs to the album 12 Serigrafias de Arquitect@s, published in 2014 by the Centro Português de Serigrafia (CPS) and the Ordem dos Arquitectos de Portugal, curated by architect Manuel Graça Dias. The twelve works were printed at the CPS Atelier in Lisbon in 2014. The album was presented on World Architecture Day 2014 and re-exhibited at Roca Lisboa Gallery in 2020.
Edition: Copy 79/115. Print run: 115 numbered copies, 15 A.P. and 15 H.C., certified with the CPS blind stamp. Signed in pencil in the lower right margin and numbered 79/115 to its left.
Condition: new. The sheet has not been framed or exhibited. The photographs are corrected for light, color, and perspective from shots of the work itself; the view of the full sheet and the framed mock-up remove folds and shadows from the shot, which are not on the paper.
For sale by a private collector. Shipped in rigid flat packaging.
Pedro Ravara represented Portugal at the 8th São Paulo Architecture Biennial and was Cass Gilbert Visiting Professor at the University of Minnesota, two distinctions that few architects of his generation hold. He was born in Lisbon in 1964 and earned his architecture degree at the Technical University of Lisbon in 1988. With a Fulbright scholarship he completed a master’s degree at the State University of New York between 1991 and 1993, and in 2008 he earned his doctorate in Lisbon, where he is a professor at the Faculty of Architecture; in 1998 he was Cass Gilbert Visiting Professor at the University of Minnesota. In 1991 he founded the studio BAIXA with Nuno Vidigal, and with him he represented Portugal at the 8th São Paulo Architecture Biennial in 2009. His screen print is the densest in the album: a crowd of faces and bodies drawn with a single continuous line that fills almost the entire sheet. It is sold out at CPS.

