Alberto Korda (1928–2001) - "Fidel Castro jugando al beisbol con Camilo Cienfuegos", enero de 1959 + COA.

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Elena Vaninetti
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Selected by Elena Vaninetti

Has over ten years of experience in art, specialising in post-war photography and contemporary art.

Estimate  € 600 - € 750
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Alberto Korda’s silver gelatin print, stamped with the photographer’s seal, depicts Fidel Castro playing baseball with Camilo Cienfuegos in January 1959 and comes with a certificate of authenticity.

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Description from the seller

Extraordinary Auction: "Alberto Korda, Personal Archive".

Original photographs from Alberto Korda’s personal archive, certified by his sole universal heir, Diana Díaz López.

Note about this particular photograph:

* "Fidel Castro playing baseball with Camilo Cienfuegos," January 1959 + COA.

An iconic image showing Fidel Castro and Camilo Cienfuegos together. They played in January 1959, the same month as the Victory of the Revolution. It took place during a friendly game organized between Rebels and Militiamen, at the Rebel Army stadium in Havana.
There is a very famous anecdote about this moment. It recounts that while they were playing, Fidel, who was pitching, made a questionable call (some say he called an out that was somewhat "forced"). Camilo Cienfuegos, who was batting, did not protest. When someone asked Camilo why he had not disputed the call, he replied: "You don't argue with Fidel, not even in baseball"!!
The phrase became very famous because it showed the enormous respect Camilo felt for Fidel.

* This photograph bears the photographer’s dry stamp + COA.

It is important to know that later prints from this period lost a great deal of quality, as the negatives deteriorated over the years and blemishes appeared, making it impossible to produce reproductions with the same quality and intensity of tones as the ones we are offering.
_________________________________________________________________________

An unprecedented offering of historical, artistic, and documentary value

In the world of art and documentary photography, there are moments that mark a before and after. This auction is one of them. For the first time, the public is being offered an exclusive selection of original photographs from the personal archive of Alberto Korda, the celebrated Cuban photographer whose work not only defined the visual image of the Cuban Revolution, but became an icon of twentieth-century history.

Beyond his renowned authorship of the legendary portrait of Ernesto “Che” Guevara—a photograph that has transcended cultures as a symbol of rebellion, dignity, and idealism, becoming the most reproduced image in human history—Korda was an artist deeply committed to his time, a sensitive observer of his surroundings, and a visual chronicler of an unprecedented political, social, and human process.

The works presented in this auction are not mere reproductions or copies of uncertain origin: they come directly from the artist’s personal archive and represent a unique, unrepeatable opportunity to acquire pieces with a degree of authenticity and provenance that is virtually impossible to find today on the international market.
The deep black tones in the photographs reveal the exceptional image quality obtained directly from the negative; this level of quality is rarely achieved in later prints.
________________________________________
Guaranteed authenticity: The incalculable value of the certificate signed by Diana Díaz.

What definitively distinguishes this collection is that each photograph comes with a certificate of authenticity personally issued and signed by Diana Díaz, Alberto Korda’s sole legally recognized universal heir through her father, and the only person authorized to issue certificates for his work.

Far from being a mere documentary formality, this detail provides an absolute guarantee of the work’s origin, legitimacy, and authenticity. In the world of collecting, provenance is a decisive factor, and having the direct endorsement of the person authorized by law and inheritance to authenticate Korda’s work adds incalculable tangible and intangible value.

For decades, Diana Díaz has cared for her father’s personal archive, and her work as guardian of that legacy has been recognized both in Cuba and internationally. No other person in the world has the legal authority to issue certificates of authenticity for Alberto Korda’s works. Therefore, acquiring a photograph bearing her certification signature secures a direct and legitimate connection to the artist, his original archive, and his family history.

In the art market, this legitimacy is more than a guarantee: it is a secure investment, a mark of exclusivity, and protection against the proliferation of counterfeit copies or unverified prints circulating without authentication.
________________________________________

A living legacy: Art, revolution, and humanity

The photographs available in this auction reflect different facets of Korda’s vision: from intimate portraits of Fidel Castro and Che Guevara to candid scenes of the Cuban people, revolutionary women, children in schools, workers, parades, and moments of profound social symbolism. Each image encapsulates the energy of an era and the sensitivity of an artist who knew how to portray not only the leaders, but also the soul of the people.

The beauty of his work lies in its ability to capture emotion, the smallest gesture, and human dignity, even in complex contexts. His deeply humanist style continues to be studied in art and photography academies for its aesthetic precision and narrative power.

Korda was not simply a witness to history. He was its visual interpreter, its poet in black and white. And his personal archive—carefully guarded until today—represents an artistic and documentary reserve of immense historical value.
________________________________________

An exclusive opportunity for collectors and institutions

This event is relevant not only to private collectors, but also to cultural institutions, museums, archives, foundations, and universities wishing to add to their collections a piece of contemporary history signed by one of its visual chroniclers.

The combination of:
• Direct provenance from the artist’s archive.
• Personal and legal certification by Diana Díaz.
• The image quality and aesthetic and historical value of each photograph.

Makes these pieces exceptionally valuable cultural and economic collectibles, whose prestige and market value will only increase over time.
In the art world, few opportunities combine history, exclusivity, provenance, and authentication as powerfully as this one.
This is not just art. It is living history.
________________________________________
Biography of ALBERTO KORDA (1928–2001).
Alberto Korda: The Eye of the Cuban Revolution.
The beginnings: From fashion to revolution

Born Alberto Díaz Gutiérrez in Havana, Cuba, on September 14, 1928, Korda began his career in commercial and fashion photography. During the 1950s, he founded a studio with his partner, where they specialized in portraits of celebrities and models, as well as advertising. His talent for framing, lighting, and composition already stood out at this early stage, and his images revealed a refined aesthetic sensibility that he would later apply in a very different context.

However, his destiny changed radically in 1959, with the triumph of the Revolution led by Fidel Castro. Fascinated by the energy and idealism of the new political process, Korda devoted himself to documenting social change from within, becoming the official photographer of the newspaper Revolución. His closeness to the revolutionary leaders gave him privileged access to intimate scenes, historic speeches, diplomatic trips, and everyday moments of revolutionary life.
________________________________________
A visual record of the Revolution

Korda was an exceptional witness to some of the most emblematic moments in Cuba’s contemporary history. For more than a decade, he photographed Fidel Castro, Che Guevara, Camilo Cienfuegos, Raúl Castro, and a diverse range of participants in the revolutionary process in black and white, as well as the Cuban people in their daily lives: farmers, workers, children, and women who embodied the ideals of social justice, literacy, and sovereignty.

His work is characterized by intense emotional power and an ability to find beauty and humanity in any scene. Korda said that his photography was “of the soul, not of technique,” and that authenticity can be felt in every one of his compositions. His style is marked by the use of natural light, close framing, and a deeply humanist perspective.
________________________________________
The immortal image: Guerrillero Heroico

On March 5, 1960, during a funeral ceremony for the victims of the explosion aboard the ship La Coubre in Havana, Korda took what would become the most iconic photograph of the twentieth century: the portrait of Ernesto “Che” Guevara, later titled Guerrillero Heroico. With a solemn expression, a steady gaze, and windblown hair, Che appears as a symbol of rebellion and determination.

Curiously, the image was not published by the newspaper Revolución the following day, and Korda kept it in his personal archive. Years later, the photograph was widely reproduced and circulated, becoming a global symbol of resistance, idealism, and the struggle against oppression. It was adopted by social movements around the world, from the French May protests to civil rights campaigns.

Despite the image’s popularity, Korda never charged royalties for its use—except when it was used commercially, as in the case of a vodka advertising campaign, which led Korda to sue and win the case, donating the proceeds to Cuba’s public health system.
________________________________________
Beyond Che: An invaluable archive

Although Guerrillero Heroico made the headlines, Korda’s body of work is vast and extends far beyond that image. His archive includes:
• Close-up portraits of Fidel Castro in moments of concentration, relaxation, or leadership.
• Scenes of the Cuban people, particularly women and children, highlighting their dignity, hope, and everyday beauty.
• Documentation of international missions, such as trips to the USSR and Africa, showing the Revolution’s diplomatic reach.
• Symbolic images, such as those of the militiwoman, the girl with the wooden doll, and David and Goliath, in which the contrast between violence and poetry creates a deeply moving effect.

Korda considered one of his most important series to be the one devoted to Cuban women, whom he portrayed as active protagonists in the revolutionary process. Through these images, he helped challenge traditional gender roles and celebrate women’s strength.
________________________________________
Legacy and international recognition

Alberto Korda died in Paris in 2001 while attending an exhibition of his work. His legacy, however, has continued to grow, with exhibitions in museums and galleries around the world.

His archive has been the subject of numerous publications and catalogs, and his works are held in some of the world’s most prestigious private and public collections. Korda is considered one of the most influential documentary photographers of the twentieth century, and his work has artistic as well as historical, political, and cultural value.
________________________________________
Each image offered in this auction is a window into the heart of a revolution, seen through the lens of an artist committed to his people and their history.
Owning a work by Alberto Korda is much more than acquiring a photograph: it is preserving a memory, engaging with history, and paying tribute to an art that transformed politics into visual poetry.

Note: Some descriptions are accompanied by illustrations from books about the image; the books shown are not included with the photograph for sale. Illustrative portraits of photographer Alberto Korda are also not included in the sale, nor are any other illustrative photographs.

Important: The photographs will be shipped with appropriate protection to ensure they reach their recipient in perfect condition.

Extraordinary Auction: "Alberto Korda, Personal Archive".

Original photographs from Alberto Korda’s personal archive, certified by his sole universal heir, Diana Díaz López.

Note about this particular photograph:

* "Fidel Castro playing baseball with Camilo Cienfuegos," January 1959 + COA.

An iconic image showing Fidel Castro and Camilo Cienfuegos together. They played in January 1959, the same month as the Victory of the Revolution. It took place during a friendly game organized between Rebels and Militiamen, at the Rebel Army stadium in Havana.
There is a very famous anecdote about this moment. It recounts that while they were playing, Fidel, who was pitching, made a questionable call (some say he called an out that was somewhat "forced"). Camilo Cienfuegos, who was batting, did not protest. When someone asked Camilo why he had not disputed the call, he replied: "You don't argue with Fidel, not even in baseball"!!
The phrase became very famous because it showed the enormous respect Camilo felt for Fidel.

* This photograph bears the photographer’s dry stamp + COA.

It is important to know that later prints from this period lost a great deal of quality, as the negatives deteriorated over the years and blemishes appeared, making it impossible to produce reproductions with the same quality and intensity of tones as the ones we are offering.
_________________________________________________________________________

An unprecedented offering of historical, artistic, and documentary value

In the world of art and documentary photography, there are moments that mark a before and after. This auction is one of them. For the first time, the public is being offered an exclusive selection of original photographs from the personal archive of Alberto Korda, the celebrated Cuban photographer whose work not only defined the visual image of the Cuban Revolution, but became an icon of twentieth-century history.

Beyond his renowned authorship of the legendary portrait of Ernesto “Che” Guevara—a photograph that has transcended cultures as a symbol of rebellion, dignity, and idealism, becoming the most reproduced image in human history—Korda was an artist deeply committed to his time, a sensitive observer of his surroundings, and a visual chronicler of an unprecedented political, social, and human process.

The works presented in this auction are not mere reproductions or copies of uncertain origin: they come directly from the artist’s personal archive and represent a unique, unrepeatable opportunity to acquire pieces with a degree of authenticity and provenance that is virtually impossible to find today on the international market.
The deep black tones in the photographs reveal the exceptional image quality obtained directly from the negative; this level of quality is rarely achieved in later prints.
________________________________________
Guaranteed authenticity: The incalculable value of the certificate signed by Diana Díaz.

What definitively distinguishes this collection is that each photograph comes with a certificate of authenticity personally issued and signed by Diana Díaz, Alberto Korda’s sole legally recognized universal heir through her father, and the only person authorized to issue certificates for his work.

Far from being a mere documentary formality, this detail provides an absolute guarantee of the work’s origin, legitimacy, and authenticity. In the world of collecting, provenance is a decisive factor, and having the direct endorsement of the person authorized by law and inheritance to authenticate Korda’s work adds incalculable tangible and intangible value.

For decades, Diana Díaz has cared for her father’s personal archive, and her work as guardian of that legacy has been recognized both in Cuba and internationally. No other person in the world has the legal authority to issue certificates of authenticity for Alberto Korda’s works. Therefore, acquiring a photograph bearing her certification signature secures a direct and legitimate connection to the artist, his original archive, and his family history.

In the art market, this legitimacy is more than a guarantee: it is a secure investment, a mark of exclusivity, and protection against the proliferation of counterfeit copies or unverified prints circulating without authentication.
________________________________________

A living legacy: Art, revolution, and humanity

The photographs available in this auction reflect different facets of Korda’s vision: from intimate portraits of Fidel Castro and Che Guevara to candid scenes of the Cuban people, revolutionary women, children in schools, workers, parades, and moments of profound social symbolism. Each image encapsulates the energy of an era and the sensitivity of an artist who knew how to portray not only the leaders, but also the soul of the people.

The beauty of his work lies in its ability to capture emotion, the smallest gesture, and human dignity, even in complex contexts. His deeply humanist style continues to be studied in art and photography academies for its aesthetic precision and narrative power.

Korda was not simply a witness to history. He was its visual interpreter, its poet in black and white. And his personal archive—carefully guarded until today—represents an artistic and documentary reserve of immense historical value.
________________________________________

An exclusive opportunity for collectors and institutions

This event is relevant not only to private collectors, but also to cultural institutions, museums, archives, foundations, and universities wishing to add to their collections a piece of contemporary history signed by one of its visual chroniclers.

The combination of:
• Direct provenance from the artist’s archive.
• Personal and legal certification by Diana Díaz.
• The image quality and aesthetic and historical value of each photograph.

Makes these pieces exceptionally valuable cultural and economic collectibles, whose prestige and market value will only increase over time.
In the art world, few opportunities combine history, exclusivity, provenance, and authentication as powerfully as this one.
This is not just art. It is living history.
________________________________________
Biography of ALBERTO KORDA (1928–2001).
Alberto Korda: The Eye of the Cuban Revolution.
The beginnings: From fashion to revolution

Born Alberto Díaz Gutiérrez in Havana, Cuba, on September 14, 1928, Korda began his career in commercial and fashion photography. During the 1950s, he founded a studio with his partner, where they specialized in portraits of celebrities and models, as well as advertising. His talent for framing, lighting, and composition already stood out at this early stage, and his images revealed a refined aesthetic sensibility that he would later apply in a very different context.

However, his destiny changed radically in 1959, with the triumph of the Revolution led by Fidel Castro. Fascinated by the energy and idealism of the new political process, Korda devoted himself to documenting social change from within, becoming the official photographer of the newspaper Revolución. His closeness to the revolutionary leaders gave him privileged access to intimate scenes, historic speeches, diplomatic trips, and everyday moments of revolutionary life.
________________________________________
A visual record of the Revolution

Korda was an exceptional witness to some of the most emblematic moments in Cuba’s contemporary history. For more than a decade, he photographed Fidel Castro, Che Guevara, Camilo Cienfuegos, Raúl Castro, and a diverse range of participants in the revolutionary process in black and white, as well as the Cuban people in their daily lives: farmers, workers, children, and women who embodied the ideals of social justice, literacy, and sovereignty.

His work is characterized by intense emotional power and an ability to find beauty and humanity in any scene. Korda said that his photography was “of the soul, not of technique,” and that authenticity can be felt in every one of his compositions. His style is marked by the use of natural light, close framing, and a deeply humanist perspective.
________________________________________
The immortal image: Guerrillero Heroico

On March 5, 1960, during a funeral ceremony for the victims of the explosion aboard the ship La Coubre in Havana, Korda took what would become the most iconic photograph of the twentieth century: the portrait of Ernesto “Che” Guevara, later titled Guerrillero Heroico. With a solemn expression, a steady gaze, and windblown hair, Che appears as a symbol of rebellion and determination.

Curiously, the image was not published by the newspaper Revolución the following day, and Korda kept it in his personal archive. Years later, the photograph was widely reproduced and circulated, becoming a global symbol of resistance, idealism, and the struggle against oppression. It was adopted by social movements around the world, from the French May protests to civil rights campaigns.

Despite the image’s popularity, Korda never charged royalties for its use—except when it was used commercially, as in the case of a vodka advertising campaign, which led Korda to sue and win the case, donating the proceeds to Cuba’s public health system.
________________________________________
Beyond Che: An invaluable archive

Although Guerrillero Heroico made the headlines, Korda’s body of work is vast and extends far beyond that image. His archive includes:
• Close-up portraits of Fidel Castro in moments of concentration, relaxation, or leadership.
• Scenes of the Cuban people, particularly women and children, highlighting their dignity, hope, and everyday beauty.
• Documentation of international missions, such as trips to the USSR and Africa, showing the Revolution’s diplomatic reach.
• Symbolic images, such as those of the militiwoman, the girl with the wooden doll, and David and Goliath, in which the contrast between violence and poetry creates a deeply moving effect.

Korda considered one of his most important series to be the one devoted to Cuban women, whom he portrayed as active protagonists in the revolutionary process. Through these images, he helped challenge traditional gender roles and celebrate women’s strength.
________________________________________
Legacy and international recognition

Alberto Korda died in Paris in 2001 while attending an exhibition of his work. His legacy, however, has continued to grow, with exhibitions in museums and galleries around the world.

His archive has been the subject of numerous publications and catalogs, and his works are held in some of the world’s most prestigious private and public collections. Korda is considered one of the most influential documentary photographers of the twentieth century, and his work has artistic as well as historical, political, and cultural value.
________________________________________
Each image offered in this auction is a window into the heart of a revolution, seen through the lens of an artist committed to his people and their history.
Owning a work by Alberto Korda is much more than acquiring a photograph: it is preserving a memory, engaging with history, and paying tribute to an art that transformed politics into visual poetry.

Note: Some descriptions are accompanied by illustrations from books about the image; the books shown are not included with the photograph for sale. Illustrative portraits of photographer Alberto Korda are also not included in the sale, nor are any other illustrative photographs.

Important: The photographs will be shipped with appropriate protection to ensure they reach their recipient in perfect condition.

Details

Artist
Alberto Korda (1928–2001)
Sold by
Owner or reseller
Title of artwork
"Fidel Castro jugando al beisbol con Camilo Cienfuegos", enero de 1959 + COA.
Condition
Extremely fine
Technique
Gelatin-silver print
Height
20 cm
Width
25 cm
Signature
Stamped
Genre
Documentary photography
Spain (Mainland & Balearic Islands)Verified
3136
Objects sold
100%
protop

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