Toyokuni III (Kunisada) – Yotsuya Kaidan, the Onbō-bori Scene – Ōban Diptych, 1861 - Japan - Edo Period (1600-1868)





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This fair-condition Japanese woodblock-print Ōban diptych by Utagawa Toyokuni III depicts the Onbō-bori scene from Tōkaidō Yotsuya Kaidan and dates to 1861, measuring 36 × 73 cm.
Description from the seller
Artist: Utagawa Toyokuni III (Utagawa Kunisada I, 1786–1865)
Title: Onbō-bori (隠亡堀), scene from Tōkaidō Yotsuya Kaidan
Actors (named in cartouches):
– Kataoka Nizaemon (片岡仁左衛門) as Tamiya Iemon (民谷伊右衛門)
– Seki Sanjūrō (関三十郎) as Naosuke Gonbei (直助権兵衛)
– Bandō Hikosaburō (坂東彦三郎) as Satō Yomoshichi (佐藤与茂七)
Performance: Nakamura-za, Edo, 7th month of Bunkyū 1 (1861)
Date: Censor seal 酉六, 6th month of Bunkyū 1 (1861)
Publisher: Ebiya Rinnosuke (海老屋林之助)
Carver: Horikō Masa (彫工政), Matsushima Masakichi
Signature: Toyokuni ga (豊国画), in toshidama cartouche on each sheet
Technique: Japanese woodblock print (nishiki-e)
Format: Ōban diptych, two sheets (not joined) each approx 36*24cm
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Condition: The prints are sold as antique. There is crease, scuff and wear to the sheets. Please check the images carefully before bidding!
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About the print
Tōkaidō Yotsuya Kaidan by Tsuruya Nanboku IV premiered at the Nakamura-za in 1825 and became the best-known ghost play of the kabuki stage. It tells of the rōnin Tamiya Iemon, who betrays and poisons his wife Oiwa, and of her revenge from beyond death. The play is set in the world of the Chūshingura story of the forty-seven rōnin, which ties Iemon, Naosuke and Yomoshichi to the dispossessed retainers of the Enya house.
The Onbō-bori is the canal at Sunamura where Iemon is haunted by the bodies of Oiwa and the servant Kohei, nailed to either side of a wooden door. The act ends in a wordless scene in the dark between Iemon, Naosuke Gonbei and Satō Yomoshichi, the three characters named on this diptych. This design was issued for the summer 1861 revival at the Nakamura-za; ghost plays were traditionally staged in the summer months. The Japanese National Theatre (Kokuritsu Gekijō) holds a copy of this design, recorded as two sheets.
Seller's Story
Artist: Utagawa Toyokuni III (Utagawa Kunisada I, 1786–1865)
Title: Onbō-bori (隠亡堀), scene from Tōkaidō Yotsuya Kaidan
Actors (named in cartouches):
– Kataoka Nizaemon (片岡仁左衛門) as Tamiya Iemon (民谷伊右衛門)
– Seki Sanjūrō (関三十郎) as Naosuke Gonbei (直助権兵衛)
– Bandō Hikosaburō (坂東彦三郎) as Satō Yomoshichi (佐藤与茂七)
Performance: Nakamura-za, Edo, 7th month of Bunkyū 1 (1861)
Date: Censor seal 酉六, 6th month of Bunkyū 1 (1861)
Publisher: Ebiya Rinnosuke (海老屋林之助)
Carver: Horikō Masa (彫工政), Matsushima Masakichi
Signature: Toyokuni ga (豊国画), in toshidama cartouche on each sheet
Technique: Japanese woodblock print (nishiki-e)
Format: Ōban diptych, two sheets (not joined) each approx 36*24cm
----------------------------------------------------------------------
Condition: The prints are sold as antique. There is crease, scuff and wear to the sheets. Please check the images carefully before bidding!
----------------------------------------------------------------------
About the print
Tōkaidō Yotsuya Kaidan by Tsuruya Nanboku IV premiered at the Nakamura-za in 1825 and became the best-known ghost play of the kabuki stage. It tells of the rōnin Tamiya Iemon, who betrays and poisons his wife Oiwa, and of her revenge from beyond death. The play is set in the world of the Chūshingura story of the forty-seven rōnin, which ties Iemon, Naosuke and Yomoshichi to the dispossessed retainers of the Enya house.
The Onbō-bori is the canal at Sunamura where Iemon is haunted by the bodies of Oiwa and the servant Kohei, nailed to either side of a wooden door. The act ends in a wordless scene in the dark between Iemon, Naosuke Gonbei and Satō Yomoshichi, the three characters named on this diptych. This design was issued for the summer 1861 revival at the Nakamura-za; ghost plays were traditionally staged in the summer months. The Japanese National Theatre (Kokuritsu Gekijō) holds a copy of this design, recorded as two sheets.

