Hirate Kenmotsu, Rival of the Young Hideyoshi • Japanese Woodblock Print Ukiyo-e - Utagawa Yoshiiku (1833-1904) - Japan - Edo Period (1600-1868)






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This original Japanese ukiyo-e woodblock print, Hirate Kenmotsu, Rival of the Young Hideyoshi, is by Utagawa Yoshiiku and dates to 1867, measuring approximately 24 × 18 cm.
Description from the seller
Artist: Utagawa Yoshiiku (1833–1904)
Title: Hirate Kenmotsu 平手監物 (No. 22, 二十二)
Series: Taiheiki Eiyūden – Biographies of the Heroes of the Taiheiki
Date: Japan, 1867 (late Edo period)
Publisher: Hirookaya Kōsuke (Kikujudō)
Format: Chūban, approx. 24 × 18 cm
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Impression and Colors: Excellent. Rich, deeply printed pigments throughout — the indigo and crimson squares of the armour lacing (odoshi), the gold-highlighted circular mon on the chest, and the intricate blue-green patterning of the sleeves all register with sharp precision. Strong bokashi gradation visible in the background. The white robe beneath the armour is clean and unfaded. A fine, early impression.
State of Paper: Good. The print has minor toning consistent with age and the sheet carries an album backing.
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About the print:
The biography on this sheet introduces Hirate Kenmotsu as the heir of Hirate Nakatsukasa, that is, Hirate Masahide (1492–1553). Masahide was the senior retainer and tutor of the young Oda Nobunaga, and he is remembered for taking his own life in 1553 to admonish his wayward lord. The name Kenmotsu is usually associated with Hirate Hirohide, a later member of the family who served Nobunaga and was killed in 1573 at the Battle of Mikatagahara, where he had been sent with Oda reinforcements to support Tokugawa Ieyasu.
The text tells an episode from the popular Taikōki tradition about the rise of Toyotomi Hideyoshi. Resenting the rapid promotion of the young Kinoshita Tōkichirō (Hideyoshi) above him, Hirate asked the senior generals Shibata and Sakuma to arrange a drill of battle formations, meant to humble the newcomer. Nobunaga agreed and gave each man five hundred soldiers for the contest. In these stories it is Hideyoshi who comes out ahead, an early sign of the career that would make him ruler of Japan.
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About the Taiheiki Heroes Series:
This series ranks among the most technically demanding chūban prints of the Edo period. Each print required over eight different woodblocks with precise registration and elaborate bokashi techniques. But these are not merely visually complex works of art—many of these prints hold genuine historical significance. It's like collecting pieces of a puzzle of Japanese history! The texts on the reverse and the characters depicted offer insights into one of Japan's most turbulent eras. With 100 prints in the complete series, collecting them is a true pleasure—each print tells the story of a different hero.
Seller's Story
Artist: Utagawa Yoshiiku (1833–1904)
Title: Hirate Kenmotsu 平手監物 (No. 22, 二十二)
Series: Taiheiki Eiyūden – Biographies of the Heroes of the Taiheiki
Date: Japan, 1867 (late Edo period)
Publisher: Hirookaya Kōsuke (Kikujudō)
Format: Chūban, approx. 24 × 18 cm
_______________________________________________
Impression and Colors: Excellent. Rich, deeply printed pigments throughout — the indigo and crimson squares of the armour lacing (odoshi), the gold-highlighted circular mon on the chest, and the intricate blue-green patterning of the sleeves all register with sharp precision. Strong bokashi gradation visible in the background. The white robe beneath the armour is clean and unfaded. A fine, early impression.
State of Paper: Good. The print has minor toning consistent with age and the sheet carries an album backing.
_______________________________________________
About the print:
The biography on this sheet introduces Hirate Kenmotsu as the heir of Hirate Nakatsukasa, that is, Hirate Masahide (1492–1553). Masahide was the senior retainer and tutor of the young Oda Nobunaga, and he is remembered for taking his own life in 1553 to admonish his wayward lord. The name Kenmotsu is usually associated with Hirate Hirohide, a later member of the family who served Nobunaga and was killed in 1573 at the Battle of Mikatagahara, where he had been sent with Oda reinforcements to support Tokugawa Ieyasu.
The text tells an episode from the popular Taikōki tradition about the rise of Toyotomi Hideyoshi. Resenting the rapid promotion of the young Kinoshita Tōkichirō (Hideyoshi) above him, Hirate asked the senior generals Shibata and Sakuma to arrange a drill of battle formations, meant to humble the newcomer. Nobunaga agreed and gave each man five hundred soldiers for the contest. In these stories it is Hideyoshi who comes out ahead, an early sign of the career that would make him ruler of Japan.
_______________________________________________
About the Taiheiki Heroes Series:
This series ranks among the most technically demanding chūban prints of the Edo period. Each print required over eight different woodblocks with precise registration and elaborate bokashi techniques. But these are not merely visually complex works of art—many of these prints hold genuine historical significance. It's like collecting pieces of a puzzle of Japanese history! The texts on the reverse and the characters depicted offer insights into one of Japan's most turbulent eras. With 100 prints in the complete series, collecting them is a true pleasure—each print tells the story of a different hero.
