Kunisada • View of Ishiyakushi • Bijin Tōkaidō • Japanese Woodblock Print - Japan - Edo Period (1600-1868)






Holds a master’s in Japanese art history with over 10 years’ expertise in Asian art.
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This original polychrome woodblock print by Utagawa Kunisada, depicting Ishiyakushi from the Bijin Tōkaidō series, dates to around 1838 and measures 26 × 18.5 cm.
Description from the seller
Utagawa Kunisada (歌川国貞 / 三代豊国, 1786–1865), signed Kōchōrō Kunisada ga (香蝶楼 国貞画)
Titel: View of Ishiyakushi (石薬師ノ図)
Technique: Woodblock print (mokuhanga), polychrome (nishiki-e)
Date: ca. 1838 (Tenpō 9)
Publisher: Sanoya Kihei (佐野屋喜兵衛 / Kikakudō)
Format: Chūban tate-e, approx. 25.7 × 18.5 cm (10.1 × 7.3 inches)
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Condition
Impression & Colours: A well-preserved impression with good colour saturation throughout.
Paper: Very good. The washi is firm and supple, exceptionally well preserved for a print approaching 190 years of age.
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The print
In this series Kunisada placed a beautiful woman in front of each station of the Tōkaidō, the highway between Edo and Kyoto. Most of the landscape backgrounds are taken from Hiroshige’s famous Hōeidō edition of the Fifty-three Stations. The set combines two of the most popular genres of the time, the bijin-ga (pictures of beautiful women) and the travel landscape. It was published by Sanoya Kihei in the vertical chūban format, and impressions are held in the Honolulu Museum of Art, MFA Boston and the Museum für angewandte Kunst in Vienna.
Ishiyakushi, in Ise province (today Suzuka, Mie prefecture), was one of the smallest stations on the whole road, with only about fifteen inns. The town took its name from the temple Ishiyakushi-ji, whose stone image of Yakushi, the Buddha of healing, made it a stop for pilgrims as well as travellers.
Seller's Story
Utagawa Kunisada (歌川国貞 / 三代豊国, 1786–1865), signed Kōchōrō Kunisada ga (香蝶楼 国貞画)
Titel: View of Ishiyakushi (石薬師ノ図)
Technique: Woodblock print (mokuhanga), polychrome (nishiki-e)
Date: ca. 1838 (Tenpō 9)
Publisher: Sanoya Kihei (佐野屋喜兵衛 / Kikakudō)
Format: Chūban tate-e, approx. 25.7 × 18.5 cm (10.1 × 7.3 inches)
----------------------------------------------------------------
Condition
Impression & Colours: A well-preserved impression with good colour saturation throughout.
Paper: Very good. The washi is firm and supple, exceptionally well preserved for a print approaching 190 years of age.
----------------------------------------------------------
The print
In this series Kunisada placed a beautiful woman in front of each station of the Tōkaidō, the highway between Edo and Kyoto. Most of the landscape backgrounds are taken from Hiroshige’s famous Hōeidō edition of the Fifty-three Stations. The set combines two of the most popular genres of the time, the bijin-ga (pictures of beautiful women) and the travel landscape. It was published by Sanoya Kihei in the vertical chūban format, and impressions are held in the Honolulu Museum of Art, MFA Boston and the Museum für angewandte Kunst in Vienna.
Ishiyakushi, in Ise province (today Suzuka, Mie prefecture), was one of the smallest stations on the whole road, with only about fifteen inns. The town took its name from the temple Ishiyakushi-ji, whose stone image of Yakushi, the Buddha of healing, made it a stop for pilgrims as well as travellers.
