Kunisada (Gototei) kabuki triptych: a mitate gathering of two famous handsome rogues of the Edo - Japan - Edo Period (1600-1868)






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This original Edo-period Ōban triptych by Utagawa Kunisada depicts a mitate kabuki gathering of Shirai Gonpachi and Yari no Gonza, measures 36 × 73 cm and is in fair condition.
Description from the seller
Artist: Utagawa Kunisada (1786–1865), later Toyokuni III
Title: Mitate kabuki scene with Shirai Gonpachi, Yari no Gonza and a princess role
Actors (named in the cartouches):
Right: Ichikawa Danjūrō (VIII) as Yari no Gonza (鑓の権三 市川團十郎)
Centre: Onoe Kiku… in a mitate role (見立 八重… 尾上菊…) [reading to be confirmed]
Left: Onoe Kikugorō (III) as Shirai Gonpachi (見立 白井権八 尾上菊五郎)
Date: Japan, c. 1832–42 (Tenpō era, late Edo period)
Publisher: Kawaguchiya Chōzō (川長)
Signature: Gototei Kunisada ga (五渡亭国貞画) on each sheet, with kiwame censor’s seal
Format: Ōban triptych, three sheets, each approx. 36 × 25 cm
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Condition: Good impression and well perserved colors across the sheets. There is some toning, soiling and binding holes repairs. The sheets remains firm. Please check the images carefully before bidding.
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About the print
The word mitate (見立) in the cartouches marks this as an imagined grouping. It is not a scene from one play. Instead it places famous stage characters from different dramas together, played by the star actors of the day. The two male roles share more than the “Gon” in their names. Both were celebrated as handsome young men whose good looks led them to ruin.
Shirai Gonpachi is based on the historical samurai Hirai Gonpachi, who became a robber and murderer and was executed in Edo in 1679. His love affair with the courtesan Komurasaki made the pair one of the favourite romantic couples of kabuki. Yari no Gonza, “Gonza the Spearman”, is the hero of Chikamatsu Monzaemon’s puppet play Yari no Gonza kasane katabira (1717). He was a handsome master of the spear who was falsely accused of adultery with his tea master’s wife and was killed by her husband.
Ichikawa Danjūrō VIII (1823–1854) was the idol of the Edo stage in the 1830s and 1840s and one of the most frequently portrayed actors of his time. The Gototei signature and the kiwame censor seals place the triptych before the Tenpō reforms of 1842, which banned actor prints for several years. That makes this an early work from Kunisada’s Gototei period, about two years before he took the name Toyokuni III.
Seller's Story
Artist: Utagawa Kunisada (1786–1865), later Toyokuni III
Title: Mitate kabuki scene with Shirai Gonpachi, Yari no Gonza and a princess role
Actors (named in the cartouches):
Right: Ichikawa Danjūrō (VIII) as Yari no Gonza (鑓の権三 市川團十郎)
Centre: Onoe Kiku… in a mitate role (見立 八重… 尾上菊…) [reading to be confirmed]
Left: Onoe Kikugorō (III) as Shirai Gonpachi (見立 白井権八 尾上菊五郎)
Date: Japan, c. 1832–42 (Tenpō era, late Edo period)
Publisher: Kawaguchiya Chōzō (川長)
Signature: Gototei Kunisada ga (五渡亭国貞画) on each sheet, with kiwame censor’s seal
Format: Ōban triptych, three sheets, each approx. 36 × 25 cm
----------------------------------------------------------------------
Condition: Good impression and well perserved colors across the sheets. There is some toning, soiling and binding holes repairs. The sheets remains firm. Please check the images carefully before bidding.
----------------------------------------------------------------------
About the print
The word mitate (見立) in the cartouches marks this as an imagined grouping. It is not a scene from one play. Instead it places famous stage characters from different dramas together, played by the star actors of the day. The two male roles share more than the “Gon” in their names. Both were celebrated as handsome young men whose good looks led them to ruin.
Shirai Gonpachi is based on the historical samurai Hirai Gonpachi, who became a robber and murderer and was executed in Edo in 1679. His love affair with the courtesan Komurasaki made the pair one of the favourite romantic couples of kabuki. Yari no Gonza, “Gonza the Spearman”, is the hero of Chikamatsu Monzaemon’s puppet play Yari no Gonza kasane katabira (1717). He was a handsome master of the spear who was falsely accused of adultery with his tea master’s wife and was killed by her husband.
Ichikawa Danjūrō VIII (1823–1854) was the idol of the Edo stage in the 1830s and 1840s and one of the most frequently portrayed actors of his time. The Gototei signature and the kiwame censor seals place the triptych before the Tenpō reforms of 1842, which banned actor prints for several years. That makes this an early work from Kunisada’s Gototei period, about two years before he took the name Toyokuni III.
