Kuniyoshi (1797–1861) – Nakamura Shikan II as Sanbasō – Farewell Performance - Japan - Edo Period (1600-1868)






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This original Japanese colour woodblock print by Utagawa Kuniyoshi depicts Nakamura Shikan II as Sanbasō in a farewell performance in 1833 and measures 36 × 24 cm.
Description from the seller
Artist: Utagawa Kuniyoshi (歌川国芳)
Signature: Ichiyūsai Kuniyoshi ga (一勇斎国芳画)
Title (cartouche): Sanbasō – Nakamura Shikan (三番叟 中村芝翫)
Inscription: Tenpō yonen kugatsu nagori kyōgen (天保四年九月名残狂言), “Farewell performance, 9th month of Tenpō 4”
Actor: Nakamura Shikan II (later Nakamura Utaemon IV)
Play: Mata Kuru Haru Suzuna no Tanemaki (再春菘種蒔), performed at the Nakamura-za, Edo
Date: 1833 (Tenpō 4), 9th month
Censor seal: Kiwame (極)
Technique: Nishiki-e, colour woodblock print on Japanese washi
Format: Ōban tate-e (vertical)
Size: 36.4 x 24.5 cm
________________________________________
CONDITION
Some trimming and binding holes. Otherwise a museum-quality impression, printed on high-quality washi with vivid colours. The paper is firm and clean.
________________________________________
About the Print
This early actor print by Kuniyoshi records a farewell production (nagori kyōgen) at the Nakamura-za in the 9th month of 1833. The star was Nakamura Shikan II, one of the leading actors and dancers of his time, who would take the name Nakamura Utaemon IV in 1836. Kuniyoshi made several designs for this farewell programme, including a two-role diptych of Shikan now in the National Museum of Asian Art (Smithsonian). An impression of this design is in the British Museum, and the design is also recorded in the Waseda University Theatre Museum.
Shikan danced Mata Kuru Haru Suzuna no Tanemaki, better known as Shitadashi Sanbasō, “the Sanbasō with his tongue sticking out”. The dance had its premiere in the 9th month of 1812 at the same theatre. It was created for Nakamura Utaemon III’s own farewell to Edo before he returned to Kamigata. The lyrics were by Sakurada Jisuke II, the music by Kineya Shōjirō I, and the choreography by Fujima Kanjūrō I. It was based on the sacred Nō play Okina. Sanbasō dances are performed as prayers for prosperity and to mark auspicious occasions, which makes the piece a natural choice for an actor saying goodbye to his audience. When Shikan II performed it in 1833, he was repeating the farewell gesture of the actor whose line he would later continue.
Seller's Story
Artist: Utagawa Kuniyoshi (歌川国芳)
Signature: Ichiyūsai Kuniyoshi ga (一勇斎国芳画)
Title (cartouche): Sanbasō – Nakamura Shikan (三番叟 中村芝翫)
Inscription: Tenpō yonen kugatsu nagori kyōgen (天保四年九月名残狂言), “Farewell performance, 9th month of Tenpō 4”
Actor: Nakamura Shikan II (later Nakamura Utaemon IV)
Play: Mata Kuru Haru Suzuna no Tanemaki (再春菘種蒔), performed at the Nakamura-za, Edo
Date: 1833 (Tenpō 4), 9th month
Censor seal: Kiwame (極)
Technique: Nishiki-e, colour woodblock print on Japanese washi
Format: Ōban tate-e (vertical)
Size: 36.4 x 24.5 cm
________________________________________
CONDITION
Some trimming and binding holes. Otherwise a museum-quality impression, printed on high-quality washi with vivid colours. The paper is firm and clean.
________________________________________
About the Print
This early actor print by Kuniyoshi records a farewell production (nagori kyōgen) at the Nakamura-za in the 9th month of 1833. The star was Nakamura Shikan II, one of the leading actors and dancers of his time, who would take the name Nakamura Utaemon IV in 1836. Kuniyoshi made several designs for this farewell programme, including a two-role diptych of Shikan now in the National Museum of Asian Art (Smithsonian). An impression of this design is in the British Museum, and the design is also recorded in the Waseda University Theatre Museum.
Shikan danced Mata Kuru Haru Suzuna no Tanemaki, better known as Shitadashi Sanbasō, “the Sanbasō with his tongue sticking out”. The dance had its premiere in the 9th month of 1812 at the same theatre. It was created for Nakamura Utaemon III’s own farewell to Edo before he returned to Kamigata. The lyrics were by Sakurada Jisuke II, the music by Kineya Shōjirō I, and the choreography by Fujima Kanjūrō I. It was based on the sacred Nō play Okina. Sanbasō dances are performed as prayers for prosperity and to mark auspicious occasions, which makes the piece a natural choice for an actor saying goodbye to his audience. When Shikan II performed it in 1833, he was repeating the farewell gesture of the actor whose line he would later continue.
