Scuola Ferrarese (XV) - Madonna in trono con Bambino






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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€100 |
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Madonna in Throne with Child, a tempera painting on wood attributed to the 15th-century Ferrarese School, from Italy.
Description from the seller
Ferrarese School of the 15th Century
“Madonna enthroned with Child”
Period: XV century, (1400/1450)
Scope: Ferrarese School, Northern Italy
Technique: Painted on wooden panel, egg tempera
Dimensions: 103 × 60 cm
Provenance: Museum collection
Documented work, published in the catalog of Italian Auction House - appraisal
Historical-artistic analysis
Important and refined devotional painting depicting the Virgin enthroned with the Child, attributed to the figurative culture of Northern Italy in the Quattrocento, with references to the Ferrarese painting tradition. The composition presents a rigorously frontal arrangement, characterized by the monumental figure of the Madonna, the architectural perspective of the throne, and refined geometric-vegetal ornamentation. The expressive sweetness of the faces, the linear treatment of drapery, and the calibrated chromatic alternation between the dark mantle and the reddish tones testify to a language still linked to the late Gothic tradition, gradually updated to Renaissance concerns.
The architectural structure of the throne is particularly significant, an element that confers solemnity and spatial depth to the representation.
Technical and conservation analysis
The work is executed on a wooden support composed of multiple joined elements, with rear crosspieces for containment. The painted surface shows widespread aging craquelure, abrasions, marginal losses, and alterations of the paint film, compatible with a long conservation history.
On the back, there are wood degradation phenomena, with erosions and holes potentially traceable to former wood-boring activity, fully resolved and well preserved.
Conservation status: Conditions overall compatible with the attributed antiquity.
Concluding remarks
Work of significant historical-artistic and antiquarian interest, representative of the devotional production of the quattrocento in the Po Valley. The monumentality of the compositional layout, the decorative quality, and the preservation of the ancient wooden support highlight its potential collectible and museum interest.
The attribution to the Ferrarese school of the XV century provides a stylistic proposal to be explored through technical-diagnostic investigations and historical-artistic comparisons.
*** Photographic note
Some photographic images of the work were taken using professional studio lighting and spotlights to allow better readability of the composition, details, and painting matter. Such lighting may cause slight variations in chromatic perception and brightness compared with direct viewing of the work. The photographs are for illustrative and documentary purposes only.
The frame is provided free of charge and as a gift with the work and must therefore be considered an accessory element, not included in the economic valuation of the painting. Given the natural fragility of old gilded frames, any damage, detachment, breakage or loss of parts of the frame occurring during transport or shipment cannot be the subject of refund, indemnity, or dispute relating to the value of the work. The packing will nevertheless be prepared with the utmost care to ensure, as far as possible, safe transport.
insured shipping
Attribution Expertise
*** For historical-interest reasons the work cannot be shipped outside the European Community / insured shipment in a wooden case
Seller's Story
Ferrarese School of the 15th Century
“Madonna enthroned with Child”
Period: XV century, (1400/1450)
Scope: Ferrarese School, Northern Italy
Technique: Painted on wooden panel, egg tempera
Dimensions: 103 × 60 cm
Provenance: Museum collection
Documented work, published in the catalog of Italian Auction House - appraisal
Historical-artistic analysis
Important and refined devotional painting depicting the Virgin enthroned with the Child, attributed to the figurative culture of Northern Italy in the Quattrocento, with references to the Ferrarese painting tradition. The composition presents a rigorously frontal arrangement, characterized by the monumental figure of the Madonna, the architectural perspective of the throne, and refined geometric-vegetal ornamentation. The expressive sweetness of the faces, the linear treatment of drapery, and the calibrated chromatic alternation between the dark mantle and the reddish tones testify to a language still linked to the late Gothic tradition, gradually updated to Renaissance concerns.
The architectural structure of the throne is particularly significant, an element that confers solemnity and spatial depth to the representation.
Technical and conservation analysis
The work is executed on a wooden support composed of multiple joined elements, with rear crosspieces for containment. The painted surface shows widespread aging craquelure, abrasions, marginal losses, and alterations of the paint film, compatible with a long conservation history.
On the back, there are wood degradation phenomena, with erosions and holes potentially traceable to former wood-boring activity, fully resolved and well preserved.
Conservation status: Conditions overall compatible with the attributed antiquity.
Concluding remarks
Work of significant historical-artistic and antiquarian interest, representative of the devotional production of the quattrocento in the Po Valley. The monumentality of the compositional layout, the decorative quality, and the preservation of the ancient wooden support highlight its potential collectible and museum interest.
The attribution to the Ferrarese school of the XV century provides a stylistic proposal to be explored through technical-diagnostic investigations and historical-artistic comparisons.
*** Photographic note
Some photographic images of the work were taken using professional studio lighting and spotlights to allow better readability of the composition, details, and painting matter. Such lighting may cause slight variations in chromatic perception and brightness compared with direct viewing of the work. The photographs are for illustrative and documentary purposes only.
The frame is provided free of charge and as a gift with the work and must therefore be considered an accessory element, not included in the economic valuation of the painting. Given the natural fragility of old gilded frames, any damage, detachment, breakage or loss of parts of the frame occurring during transport or shipment cannot be the subject of refund, indemnity, or dispute relating to the value of the work. The packing will nevertheless be prepared with the utmost care to ensure, as far as possible, safe transport.
insured shipping
Attribution Expertise
*** For historical-interest reasons the work cannot be shipped outside the European Community / insured shipment in a wooden case
