No. 98522055

Sold
Anton Stankowski (1906 - 1998) - ohne title
Final bid
€ 130
7 weeks ago

Anton Stankowski (1906 - 1998) - ohne title

The silkscreen is hand-signed and dated by the artist in pencil. it is in excellent condition This colour silkscreen by Anton Stankowski (1906–1998) exemplifies his approach to abstract visual communication. Created in 1977, the composition displays a series of concentric, overlapping forms in a bold palette of yellow, red, violet, and black, radiating energy and structural precision. The design is both mathematical and poetic—typical of Stankowski’s oeuvre, where form is used not only aesthetically but to convey complex processes and systems. Stankowski is widely recognised as a pioneer of constructive and concrete art, and also for his role in shaping modern graphic design. His influence spans both fine art and applied design, having developed the corporate identities of brands like Deutsche Bank and the Munich Olympics. As an artist, his work dialogues with the legacy of the Bauhaus and constructivist movements, and sits in visual conversation with contemporaries such as Max Bill, Josef Albers, Richard Paul Lohse, Camille Graeser, Verena Loewensberg, Leo Leuppi, Victor Vasarely, Bridget Riley, Jesús Rafael Soto, François Morellet, and Günther Uecker, as well as Georges Vantongerloo, Friedrich Vordemberge-Gildewart, Hans Hinterreiter, Mario Nigro, Antonio Calderara, Aurélie Nemours, François Morellet, Ludwig Wilding, Hermann Glöckner. Specifications: Artist: Anton Stankowski (1906–1998) Title: Untitled Year: 1977 Technique: Colour silkscreen Signature: Hand-signed and dated in pencil Sheet size: 49 × 49 cm (19.29 × 19.29 in) Image size: 40 × 40 cm (15.75 × 15.75 in) Condition: Excellent Provenance: Private collection

No. 98522055

Sold
Anton Stankowski (1906 - 1998) - ohne title

Anton Stankowski (1906 - 1998) - ohne title

The silkscreen is hand-signed and dated by the artist in pencil. it is in excellent condition

This colour silkscreen by Anton Stankowski (1906–1998) exemplifies his approach to abstract visual communication. Created in 1977, the composition displays a series of concentric, overlapping forms in a bold palette of yellow, red, violet, and black, radiating energy and structural precision.
The design is both mathematical and poetic—typical of Stankowski’s oeuvre, where form is used not only aesthetically but to convey complex processes and systems.

Stankowski is widely recognised as a pioneer of constructive and concrete art, and also for his role in shaping modern graphic design. His influence spans both fine art and applied design, having developed the corporate identities of brands like Deutsche Bank and the Munich Olympics. As an artist, his work dialogues with the legacy of the Bauhaus and constructivist movements, and sits in visual conversation with contemporaries such as Max Bill, Josef Albers, Richard Paul Lohse, Camille Graeser, Verena Loewensberg, Leo Leuppi, Victor Vasarely, Bridget Riley, Jesús Rafael Soto, François Morellet, and Günther Uecker, as well as Georges Vantongerloo, Friedrich Vordemberge-Gildewart, Hans Hinterreiter, Mario Nigro, Antonio Calderara, Aurélie Nemours, François Morellet, Ludwig Wilding, Hermann Glöckner.

Specifications:

Artist: Anton Stankowski (1906–1998)

Title: Untitled

Year: 1977
Technique: Colour silkscreen
Signature: Hand-signed and dated in pencil
Sheet size: 49 × 49 cm (19.29 × 19.29 in)
Image size: 40 × 40 cm (15.75 × 15.75 in)
Condition: Excellent
Provenance: Private collection

Final bid
€ 130
Sylvia Kellermann
Expert
Estimate  € 200 - € 250

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