Francisco De Goya (1746-1828) Print

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today

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16 October

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Germany

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France

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Period

18th century

19th century

1910-1920

1920-1930

1960-1970

1930-1940

Subject

Mythology

Historical scene

Style

Romanticism

Classical

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Technique

Etching

Engraving

Aquatint

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Not signed

Plate signed

Edition

Limited edition

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Artist

Francisco De Goya (1746-1828)

Attribution

After

Francisco José De Goya y Lucientes (1746-1828)
Two sheets of the Caprichos.

Sheet #25: Sí quebró el cántaro (Yes, he broke the pitcher)
Etching, aquatint, drypoint.
Sheet dimensions: 180 mm x 132 mm.
Image size: 320 mm x 230 mm.
Goya's criticism of a lack of or false education,

Etching, Aquatint - Not signed

Francisco De Goya (1746-1828) - Caprichos Blatt #25, #58

FROM ORIGINAL PLATES. 1800's. Original etching and aquatint by Francisco de Goya (1746–1828), Ya es hora / It is time, Plate 80 first published in 1799.

This impression is a restrike, printed from Goya's original copper plates at the beginning of the 19th century. While it is

Etching, Engraving - Not signed

Francisco De Goya (1746-1828) - Los Caprichos - Ya es hora - 19th Century - Plate 80

Francisco José De Goya y Lucientes (1746-1828)
Caprichos #37 If the pupil knew more?
Aquatinta Radierung, Stichel.
Kupferdruck von der Original-Kupferplatte.
Blattgröße:   450 mm x 310 mm.
Bildgröße:    186 mm x 123 mm.
Dieser Druck aus der weltberühmten Serie stammt aus der

Aquatint, Etching - Not signed - 1970

Francisco De Goya (1746-1828) - Caprichos #37 Si sabrá mas el discipulo?

2 beautiful prints from Taverna series, numbers 76, 78.
The prints were an artistic experiment: a medium for Goya's condemnation of the universal follies and foolishness in the Spanish society in which he lived. Goya described the series as depicting "the innumerable foibles and

Etching - Not signed - 1939

Francisco De Goya (1746-1828) - Taverna No 76, 78

Francisco de GOYA (1746-1828)
La Tauromachie Sheet #7  Origin of the harpoon or banderillas.
Etching, Aquatint.
Sheet size: 360 x 490 mm.
Image size: 201 x 315 mm.
La Tauromaquia is the third major graphic cycle by Goya, created between 1814 and 1816, and illustrates the history

Aquatint, Etching - Not signed - 178 - 1923

Francisco De Goya (1746-1828) - La Tauromaquia Blatt #7: Origin of the harpoon or banderillas

Francisco de Goya (1746-1828)

Paper: ca. 29,50 x 30,50 cm.
Good condition.
Frame not included.
Reference: Delteil 120-199; Harris 119-200.
Francisco de Goya’s raw, unflinching depiction of human suffering and societal critique in his print series, such as The Disasters of War 

Engraving - Not signed

Francisco De Goya (1746-1828) - Con Razon o Sin ella- Disaster of the War

Etching from the series Los Caprichos by Francisco de Goya.
This set of 80 copper plate etchings was published for the first time in 1799, but Los caprichos were withdrawn from public sale very shortly after their release, after only 27 copies of the set had been purchased.
The

Etching - Not signed - 1970

Francisco De Goya (1746-1828) - Muchachos al avío, plate from Los Caprichos

Plate 34 from Los Caprichos, by Francisco de Goya.
Published by Jean de Bonnot, Paris, 1973.
Etching on Lana Pur Fil paper with a strong plate impression.
Sheet size: 46 x 31 cm.
Condition: excellent, with minor handling wear to margins. Unframed.
The verso bears a publisher's

Aquatint, Etching - Not signed - 1973

Francisco De Goya (1746-1828) - Caprichos Plate 34: Las rinde el sueño

4 etchings from the series Los Caprichos by Francisco de Goya. Numbers 7, 8, 22, 55.

This set of 80 copper plate etchings was published for the first time in 1799, but Los caprichos were withdrawn from public sale very shortly after their release, after only 27 copies of the set

Etching - Not signed - 1799

Francisco De Goya (1746-1828) - 4 etching from Los Caprichos 7, 8, 22, 55

3 etchings from the series Los Caprichos by Francisco de Goya. Numbers 29, 43, 56.
This set of 80 copper plate etchings was published for the first time in 1799, but Los caprichos were withdrawn from public sale very shortly after their release, after only 27 copies of the set

Francisco De Goya (1746-1828) - 3 etching from Los Caprichos 29, 43, 56

Francisco de Goya (1746-1828) (after)

Paper: ca. 29,50 x 30,50 cm
Good condition

Frame not included


Reference: Delteil 120-199; Harris 119-200

Francisco de Goya’s raw, unflinching depiction of human suffering and societal critique in his print series, such as The

Francisco De Goya (1746-1828) - Contra el Bien General- Disaster of the War

FROM ORIGINAL PLATES. 1800's. Original etching and aquatint by Francisco de Goya (1746–1828), El sí pronuncian y la mano alargan al primero que llega / They say yes and give their hand to the first comer, Plate 2 from the series Los Caprichos, first published in 1799.

This

Francisco De Goya (1746-1828) - Los Caprichos - El sí pronuncian y la mano alargan... - 19th Century - Plate 2

Francisco de GOYA (1746-1828)
Disasters of the War, Plate #1: Grim omens of what is to come.
Etching, Aquatint.
Plate size: 305 mm x 295 mm.
Image size:   190 mm x 148 mm.
see also Harris I, 121-200; Detail 120-199.
Original copper print, published by Hugo Kehrer, Verlag H.

Etching, Aquatint - Not signed - 91/500 - 1921

Francisco De Goya (1746-1828) - Desastres de la Guerra, Blatt #1 : Tristes presentimientos de lo que ha de acontecer

Francisco de GOYA (1746-1828)
Desastres de la Guerra Blatt #25 Also these.
Radierung, Aquatinta.
Blattgröße: 305 mm x 295 mm.
Bildgröße:   190 mm x 117 mm.
Original Kupferdruck, hrsg. Hugo Kehrer, Verlag H. Schmidt München, 1921 (Auflage im Kupfertiefdruck)
in einer

Etching - Plate signed - 91/500 - 1921

Francisco De Goya (1746-1828) - Desastres de la Guerra Blatt #25  Tambien estos

FROM ORIGINAL PLATES. 1800's. Original etching and aquatint by Francisco de Goya (1746–1828), Linda maestra! / Pretty teacher!, Plate 68 first published in 1799.

This impression is a restrike, printed from Goya's original copper plates at the beginning of the 19th century. While

Etching, Engraving - Not signed, Plate signed

Francisco De Goya (1746-1828) - Los Caprichos - Linda maestra! - 19th Century - Plate 68

Francisco de Goya (1746-1828) (after)

Paper: ca. 30 x 19.5 cm
Good condition

Frame not included 

The revolutionary spirit of Francisco de Goya laid the groundwork for modern art, connecting generations of creative subversives. His raw political critique and dark

Francisco De Goya (1746-1828) - No hay quien nos desate

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Francisco De Goya (1746-1828) Print

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