Belle Doxx - Space/danger






Heeft een bachelordiploma kunstgeschiedenis en een masterdiploma kunst- en cultuurmanagement.
| € 45 | ||
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| € 40 | ||
| € 35 | ||
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Space/danger is een handgesigneerde acrylschilderij in neo-expressiefistische stijl, gemaakt in 2026, 24 × 30 cm, afkomstig uit Nederland, rechtstreeks van de kunstenaar verkocht, origineel, zwart en beige, in uitstekende staat.
Beschrijving van de verkoper
In SPACE / DANGER, Belle Doxx constructs a fractured psychic landscape where innocence, threat, memory, and desire collide. Set against a stark black-and-white field, the composition is punctured by urgent words, symbols, and recurring motifs that feel sampled from dreams, warnings, and overheard thoughts.
Eyes, skulls, lightning bolts, and repeated phrases such as “peace,” “amnesia,” and “high voltage” create a rhythm of contradiction: calm versus danger, bliss versus erasure. The central figure emerges as a ghostly presence, part muse, part witness, overlaid with surveillance imagery and coded markings. Language is treated as material rather than explanation, functioning like graffiti or incantation rather than narrative.
The bold purple “SPACE” anchors the work with pop energy, while the handwritten questions and warnings destabilize it, suggesting both escapism and risk. Doxx’s use of repetition and raw linework places the piece firmly within a contemporary neo-expressionist and street-art influenced dialogue, yet the emotional charge remains intimate and human.
This is a highly expressive, one-of-a-kind artwork that rewards close viewing. A compelling acquisition for collectors interested in outsider art, underground aesthetics, or works that blur the line between vulnerability and confrontation.
De verkoper stelt zich voor
In SPACE / DANGER, Belle Doxx constructs a fractured psychic landscape where innocence, threat, memory, and desire collide. Set against a stark black-and-white field, the composition is punctured by urgent words, symbols, and recurring motifs that feel sampled from dreams, warnings, and overheard thoughts.
Eyes, skulls, lightning bolts, and repeated phrases such as “peace,” “amnesia,” and “high voltage” create a rhythm of contradiction: calm versus danger, bliss versus erasure. The central figure emerges as a ghostly presence, part muse, part witness, overlaid with surveillance imagery and coded markings. Language is treated as material rather than explanation, functioning like graffiti or incantation rather than narrative.
The bold purple “SPACE” anchors the work with pop energy, while the handwritten questions and warnings destabilize it, suggesting both escapism and risk. Doxx’s use of repetition and raw linework places the piece firmly within a contemporary neo-expressionist and street-art influenced dialogue, yet the emotional charge remains intimate and human.
This is a highly expressive, one-of-a-kind artwork that rewards close viewing. A compelling acquisition for collectors interested in outsider art, underground aesthetics, or works that blur the line between vulnerability and confrontation.
