Hans Meeuwsen - 2026 - 9

05
dagen
13
uren
15
minuten
28
seconden
Huidig bod
€ 33
Minimumprijs niet bereikt
Maurizio Buquicchio
Expert
Geselecteerd door Maurizio Buquicchio

Heeft een masterdiploma Film- en Beeldende Kunsten; ervaren curator, schrijver en onderzoeker.

Schatting galerie  € 300 - € 400
16 andere personen volgen dit object
NLBieder 4748
€ 33
ITBieder 1796
€ 2
NLBieder 9065
€ 1

Catawiki Kopersbescherming

Je betaling is veilig bij ons totdat je het object hebt ontvangen.Bekijk details

Trustpilot 4.4 | 126446 reviews

Beoordeeld als "Uitstekend" op Trustpilot.

Hans Meeuwsen, 2026 - 9, een porseleinen sculptuur in originele oplage, met een afmeting van 130 mm breed, 212 mm hoog en 74 mm diep, oxiderend gestookt op 1240°C en gesigneerd met twee applicaties met daarop de voornaam en de Japanse karakters yakimono en raku.

AI-gegenereerde samenvatting

Beschrijving van de verkoper

Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een millimeter daardoor is er sprake van enige transparantie in de porselein.
Het werk is gesigneerd met twee applicaties met daarop de voornaam en de eerste letter van de achternaam en de Japanse karakters yakimono en raku.

Bij de verzending zal deze kist “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend materiaal wordt gevuld.

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.

De verkoper stelt zich voor

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells. A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado. During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos. Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.

Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een millimeter daardoor is er sprake van enige transparantie in de porselein.
Het werk is gesigneerd met twee applicaties met daarop de voornaam en de eerste letter van de achternaam en de Japanse karakters yakimono en raku.

Bij de verzending zal deze kist “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend materiaal wordt gevuld.

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.

De verkoper stelt zich voor

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells. A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado. During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos. Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.

Details

Era
Na 2000
Land van herkomst
Nederland
Materiaal
Porselein
Kunstenaar
Hans Meeuwsen
Titel van kunstwerk
2026 - 9
Signatuur
Two applications, one featuring a first name and the second displaying Japanese characters 'raku'
Editie
Original
Jaar
2026
Staat
In uitstekende staat
Hoogte
212 mm
Breedte
130 mm
Diepte
74 mm
Verkocht door
NederlandGeverifieerd
692
Objecten verkocht
100%
pro

Vergelijkbare objecten

Voor jou in

Moderne en hedendaagse kunst