Kim Thue - Dead Traffic - 2012





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Kim Thue — Dead Traffic, een hardback fotoboek in het Engels, uitgegeven door dienacht in 2012, 108 pagina's (96 + 12 interviewpagina's), 18 × 24 cm, met stoffen band, offsetdruk en garensteken binding, 1000 genummerde exemplaren.
Beschrijving van de verkoper
Hardcover, linnen gebonden
offsetdruk, draadgestikt
18 × 24 cm, 96 pagina's + 12 interviewpagina's, in het Engels
1000 genummerde exemplaren
Ontworpen door FLUUT
"This photo book, Dead Traffic, is a raw and bewildering journey through the fringes of Freetown, capital city of Sierra Leone.
où Dit fotoboek, Dead Traffic, is een rauwe en verwarrende reis door de randen van Freetown, de hoofdstad van Sierra Leone.\n" (publisher's note, dienacht)
"Despite Sierra Leone being renowned for its brutal civil war, I didn’t have a hidden political agenda, a specific humanitarian issue or even a clear story in mind whilst making the book.
I went to Freetown, not as a photojournalist, but as a stranger with a camera and an open heart. What I hope to have created is something the viewer can tune into emotionally.
Something that hits a nerve without being coercive in nature, and without staking a monopoly on a specific kind of truth. A collection of images simply suggesting that the inextricable coexistence of beauty and
dread is an ever present theme within this vigorous and inclement city.” (Kim Thue)"
Hardcover, linnen gebonden
offsetdruk, draadgestikt
18 × 24 cm, 96 pagina's + 12 interviewpagina's, in het Engels
1000 genummerde exemplaren
Ontworpen door FLUUT
"This photo book, Dead Traffic, is a raw and bewildering journey through the fringes of Freetown, capital city of Sierra Leone.
où Dit fotoboek, Dead Traffic, is een rauwe en verwarrende reis door de randen van Freetown, de hoofdstad van Sierra Leone.\n" (publisher's note, dienacht)
"Despite Sierra Leone being renowned for its brutal civil war, I didn’t have a hidden political agenda, a specific humanitarian issue or even a clear story in mind whilst making the book.
I went to Freetown, not as a photojournalist, but as a stranger with a camera and an open heart. What I hope to have created is something the viewer can tune into emotionally.
Something that hits a nerve without being coercive in nature, and without staking a monopoly on a specific kind of truth. A collection of images simply suggesting that the inextricable coexistence of beauty and
dread is an ever present theme within this vigorous and inclement city.” (Kim Thue)"

