SEE: https://ja.wikipedia.org/wiki/ファイル:Cherry-Blossom-Utagawa-Hiroshige-36-Views-of-Mount_Fuji-Series-7.png Description: The scene captures springtime along the Sumida River, where cherry trees bloom in soft pink clouds. Elegant women in layered kimono stroll beneath the blossoms, their figures framed by the trunks of flowering trees. In the distance, Mount Fuji rises quietly beyond the river, its presence subtle yet symbolic. The composition blends seasonal beauty, urban leisure, and iconic landscape, reflecting late Edo–early Meiji tastes for graceful genre scenes set within famous locations. Hiroshige II’s refined color palette and decorative line work lend the print a gentle, lyrical atmosphere, celebrating both ephemeral spring and Fuji’s enduring form. Author: Utagawa Hiroshige 歌川 広重 (1797 – 12 October 1858), was a Japanese Ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). Kodama Matashichi was a Meiji-period ukiyo-e publisher based in Nihonbashi, Tokyo. He is known for producing works by artists such as Yamazaki Toshinobu, Yōshū Chikanobu, and Kobayashi Kiyochika. Kodama’s publications include landscapes, beauty prints, and war triptychs, notable for their refined printing and delicate color gradations. His collaborations with Toshinobu on the Thirty-Six Views of Mount Fuji exemplify the high craftsmanship and transitional aesthetic between traditional ukiyo-e and the emerging Meiji modern style.