Kunst

Einrichtung und Dekoration

Schmuck und Edelsteine

Uhren, Schreibgeräte und Feuerzeuge

Mode

Münzen und Briefmarken

Comics und Animation

Oldtimer, Motorräder und Automobilia

Wein, Whisky und Spirituosen

Asiatische Kunst und Stammeskunst

Sammelkarten

Spielzeug und Modelle

Archäologie und Naturkunde

Sport

Musik, Filme und Kameras

Bücher und historische Memorabilien

Die schönsten Objekte – präsentiert von {name}

Julien Gauthier

Ngbaka mask from Ubangi, Northern Congo.

Size: 30 cm high.

Ngbaka masks from the Democratic Republic of Congo (DRC) are traditional works of art made by the Ngbaka people, an ethnic group that lives mainly in the southwestern region of the DRC. These masks are important artistic expressions of Ngbaka culture and spirituality.

Ngbaka masks are characterized by their figurative aesthetic and distinctive artistic style. They are generally designed to be worn on the face during ceremonies and rituals. These masks depict stylized human figures with expressive facial features, such as eyes, noses and mouths. They are carved from wood and richly decorated, often with local materials, such as shells, textiles, plant fibers and paint.

These masks have important ritual and cultural functions within Ngbaka society. They are used in dance ceremonies, religious rituals, rites of passage and other cultural events. Dancers wearing these masks perform specific dances, imitating the movements and behavior of the characters depicted. Masks are also associated with spiritual beliefs and are used to communicate with ancestors and spirits.

In addition to their ritual role, Ngbaka masks are also admired as works of art in their own right. Their distinctive aesthetic, artistic creativity and connection to Ngbaka culture make them attractive objects for African art collectors and art lovers worldwide. They are exhibited in museums and art galleries to highlight the richness of Ngbaka culture and the diversity of traditional African art.
This figure comes from the culturally dynamic northwestern region of the Democratic Republic of the Congo along the river systems feeding the great Congo River, especially from the Ngbaka or Ngbandi.

The Ngbaka moved into the area inhabited by the Ngbandi in an area bounded by the Ubangi and Lualaba River systems and as a result both groups share sculpture forms and the details of scarification that often leads to some confusion as to the attribution of their sculpture.

Ngbaka use anthropomorphic figures, generally in pairs, to represent mythological and distant family founders known as Seto a male and Nabo his wife that are kept on family shrines. Ngbaka figures take their red color from being washed in palm oil and red tukula powder made from tree bark.

The facial features are divided by a vertical line of scarification that in other figures extends onto the lower body. The shaping of the details of the body are truly a study and sculptural inventiveness. Ngbaka sculptures are typically anthropomorphic figures, often depicted in pairs, and hold significance in representing mythological and ancestral figures known as Seto (male) and Nabo (female). These sculptures are kept on family shrines and are associated with the Ngbaka people's spiritual beliefs.

Scarification is another significant aspect of Ngbaka sculpture. The facial features of the figures are divided by a vertical line of scarification, which in some cases extends onto the lower body. Scarification is a form of body modification that involves creating decorative or symbolic patterns on the skin through controlled scarring. The presence of scarification on Ngbaka figures contributes to their distinctive aesthetic and cultural identity.

The Ngbaka people demonstrate remarkable skill and sculptural inventiveness in shaping the details of the body in their sculptures. The craftsmanship and attention to detail in Ngbaka art reflect the cultural significance and artistic traditions that have been passed down through generations.

Overall, the Ngbaka sculptures serve as tangible representations of their cultural heritage, mythologies, and ancestral connections. They are not only visually captivating but also hold deep cultural and spiritual meanings within the Ngbaka community.

exzellenter Zustand

Afrikanische Ngbaka-Maske – Kongo.  (Ohne mindestpreis)

Klassische Kunst und Impressionismus

Mindestpreis

Ohne Mindestpreis

Enddatum

Sonntag

Dienstag

2 Oktober

5 Oktober

Mittwoch

heute

morgen

Donnerstag

6 Oktober

Montag

3 Oktober

Periode

2020 und ff.

1970-1980

1980-1990

19. Jahrhundert

1960-1970

1950-1960

1990-2000

1930-1940

1940-1950

1920-1930

1900-1910

2010–2020

2000-2010

1910-1920

18. Jahrhundert

17. Jahrhundert

15. Jahrhundert

Budget

Größe

M (40–80 cm)

S (unter 40 cm)

L (80–120 cm)

XL (120–160 cm)

XXL (über 160 cm)

Herkunftsland

Italien

Spanien

Frankreich

Niederlande

Europa

Belgien

Ukraine

Deutschland

Polen

Vereinigtes Königreich

Österreich

Unbekannt

Schweden

Kroatien

Peru

Rumänien

Tschechien

Bulgarien

Schweiz

Ungarn

Japan

Norwegen

Russland

Portugal

Unterschrift

Handsigniert

Signiert

Nicht signiert

Signiert in der Platte

Standort

Dänemark

Griechenland

Tschechische Republik

Irland

Litauen

Objekt

Gemälde

Zeichnung

Kunstdruck

Kunstwerk

Stil

Klassik

Impressionismus

Realismus

Volkskunst

Post-Impressionismus

Zeitgenössisch

Art Deco

Expressionismus

Barock

Moderne

Art Nouveau

Romantik

Neoimpressionismus

Abstrakt

Kubismus

Renaissance

Fauvismus

Hyperrealismus

Abstrakter Expressionismus

Rococo

Symbolismus

Pop Art

Surrealismus

Sozialer Realismus

Goldenes Zeitalter (Niederlande)

Thema

Landschaft

Portrait

Meereslandschaft

Stillleben

Stadtansicht

Tiere

Natur

Religion

Pflanzen und Blumen

Innenszene

Tagesszene

Nachtszene

Mythologie

Sommerszene

Architektur

Popkultur

Herbstszene

Historische Szene

Winterszene

Berühmte Sehenswürdigkeiten

Militär

Frühlingsszene

Zustand

Guter Zustand

Angemessener Zustand

Muss restauriert werden

Technik

Ölgemälde

Acrylmalerei

Mixed Media

Aquarell

Pastell

Holzkohle

Tempera

Mischtechnik/Mixed Media

Gouache

Bleistiftzeichnung

Kreide/Wachspastell

Tinte

Kreide

Stift

Radierung

Künstler

Italienische Schule (XX)

Europäische Schule (XX)

Französische Schule (XX)

Italienische Schule (XIX)

Alexander Nakonechnyi (XX-XXI)

Pasquale Vuotto (1958)

Europäische Schule (XIX)

Niederländische Schule (XX)

Retaux Bruno (1947)

Französische Schule (XIX)

Guido Vuotto (1964)

Hrasarkos (1975)

Alfredo Grimaldi (1950)

Italienische Schule (XVIII)

Spanische Schule (XX)

Britische Schule (XX)

Domingo Alvarez Gomez (1942)

Kino Mistral (1943)

Alex Claude (XX-XXI)

Belgische Schule (XX)

Christof Vevers (1962)

Toni Cimino (1962)

Italienische Schule (XVII)

Niederländische Schule (XIX)

Ungarische Schule (XX)

Ölgemälde - Handsigniert - 1946

Albert Mascaux (1900-1963). - In het boudoir.

Ölgemälde - Handsigniert

C.Benolt ( 1969- ) - Le Royaume des Profondeurs

Klassische Kunst und Impressionismus

Dieses Objekt ist leider nicht mehr verfügbar, aber es gibt noch viel zu entdecken

Afrikanische Ngbaka-Maske – Kongo. (Ohne mindestpreis)

1404 Objekte

Verwandte Kollektionen