Item Description: This distinctive flower vessel showcases the mastery of Kishimoto Kennin (b. 1934), a highly respected ceramic artist based in the mountainous region of Sankuniyama in Toki City, where the traditions of Seto and Mino ceramics converge. This piece exemplifies his expertise in creating works in the style of traditional Oribe ware, one of the representative glazing techniques of the region. The vessel features the characteristic green copper glaze of Oribe ware, applied to create a rich, lustrous surface that captures light in distinctive ways. The form includes decorative ear-shaped handles (mimi) on either side, a classic design element that adds both visual interest and practical functionality. The asymmetrical, organic form reflects the aesthetic principles established during the early period of Oribe ware development, when innovation and departure from perfect symmetry were celebrated as expressions of artistic freedom. Kishimoto's work demonstrates a deep understanding of traditional firing techniques while incorporating his own artistic vision. The glaze application shows careful consideration of how the copper-based glaze flows and pools during high-temperature firing, creating areas of varying intensity and depth. The interplay between the green glazed sections and any exposed clay body creates visual tension that is characteristic of fine Oribe pieces. This flower vessel comes with its original signed wooden box (tomobako), confirming its authenticity and provenance. The box itself shows appropriate age-related patina, consistent with careful storage over time. Kishimoto Kennin worked for over 50 years before closing his kiln, and his works are highly valued by collectors who appreciate the technical excellence and artistic integrity of traditional ceramic techniques executed with contemporary sensibility. The piece would serve beautifully as a vessel for ikebana or as a sculptural object in its own right. Its substantial presence and the depth of its glaze work demonstrate why Kishimoto's ceramics continue to be sought after by connoisseurs of fine ceramics. Size Height: 23 cm Width: 22 cm Depth: 14 cm Weight: 2,042 g Condition The piece shows age-appropriate minor wear but remains in comparatively good condition overall. Artist Profile Kishimoto Kennin (b. 1934) was a distinguished ceramic artist who worked in the mountainous region of Sankuniyama in Toki City, Gifu Prefecture, situated at the crossroads between Seto and Mino ceramic traditions. Born in Nagoya in October 1934, Kishimoto dedicated over five decades to the practice of ceramics before closing his kiln, establishing himself as one of the representative artists of the region. Throughout his career, Kishimoto specialized in several glazing traditions, including Oribe, Shino, Ki-Seto (yellow Seto), and Seiji (celadon). He became particularly renowned for his work in Oribe ware and for developing what became known as "Kennin Iga," his unique interpretation of traditional Iga firing techniques. His approach to Iga-style work was distinctly personal, employing different clay bodies, firing methods, and forming techniques than traditional Iga ware, yet achieving results that honored the aesthetic principles of the original while expressing his individual artistic vision. His Oribe works demonstrate exceptional technical control over the copper-based green glaze that defines this tradition. The Oribe technique, which takes its name from the aesthetic preferences established during an earlier period of ceramic innovation, requires precise knowledge of glaze chemistry and firing atmospheres to achieve the characteristic translucent green coloration. Kishimoto's mastery of these technical requirements allowed him to create pieces that balanced traditional forms with personal artistic expression. Working in the heart of one of the most important ceramic-producing regions, Kishimoto was part of a living tradition while simultaneously pushing its boundaries. His workshop location in the Sankuniyama area placed him in a landscape rich with ceramic history and abundant natural resources essential for traditional pottery production. The region's clay deposits and access to quality wood for firing provided the fundamental materials that enabled his artistic practice. Kishimoto's teaching extended beyond his own practice—he mentored younger ceramic artists who went on to establish their own studios and continue exploring traditional techniques with contemporary approaches. His influence on the next generation of ceramic artists ensures that his technical knowledge and aesthetic sensibility continue to inform contemporary ceramic practice in the region. His decision to close his kiln after more than 50 years of active production marks the end of a significant chapter in contemporary ceramic history. Works from his final years, including his last firings, are particularly valued by collectors as they represent the culmination of decades of technical refinement and artistic development. His legacy includes not only the physical works he created but also his contribution to maintaining and evolving the ceramic traditions of the Mino-Seto region. NOITICE: The lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation. It takes about 3 weeks to receive normally. Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Sometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. 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