Nr. 100908027

Vase - Keramik - Japan - Vase aus Kutani-Ware 錦水 (Ohne mindestpreis)
Nr. 100908027

Vase - Keramik - Japan - Vase aus Kutani-Ware 錦水 (Ohne mindestpreis)
Nishikimizu Design
The term “Nishikimizu” indicates a decorative approach that emphasizes elegant motifs and fine painting, often suggesting flowing natural imagery or harmonious arrangements of color across the vessel’s rounded form. This particular vase depicts detailed floral and avian motifs rendered with precision and artistic balance, typical of high-quality Kutani porcelain.
Artistic and Decorative Qualities
Expressive surface art: The detailed painting brings natural motifs to life, embodying the characteristic bold and elegant style of Kutani ware.
Rich color palette: Multiple overglaze colors contribute to visual depth, creating a dynamic yet harmonious composition.
Functional and decorative: This piece functions not only as a hanaire (flower vase) but also stands on its own as a decorative art object in interior settings.
Context and Appeal
Kutani porcelain like this is valued both in Japan and internationally for its craftsmanship, artistic richness, and cultural heritage. The inclusion of the original storage box (tomobako) enhances its authenticity and collectible appeal, making it suitable for enthusiasts of traditional ceramics, collectors of Japanese decorative arts, or anyone who appreciates fine porcelain with detailed surface painting.
About Kutani Ware
Kutani ware (Kutani-yaki) is one of Japan’s most esteemed traditional porcelain styles, originating in the Kaga region of Ishikawa Prefecture during the early Edo period. It is particularly known for its vivid overglaze enamel decoration and bold color palette, often featuring rich green, blue, red, yellow, and purple hues.
Kutani ware’s decorative technique involves applying pigments over the glazed surface and firing again at lower temperatures, resulting in deep, luminous colors and expressive motifs that frequently depict flowers, birds, landscapes, or symbolic patterns.
Tōsen Kiln’s output is part of a long heritage of Kyō ware / Kiyomizu ceramics, which has been nurtured in Kyoto for centuries. These ceramics are not limited to a single style but encompass many traditions of form, decoration, and firing technique that have developed in and around Kyoto’s historic pottery districts.
Because Tōsen Kiln pieces are hand-made and often use traditional motifs and glazing techniques, works bearing the “Tōsen-zō” mark are appreciated for their craftsmanship, cultural connection, and aesthetic quality, whether used as functional tableware or decorative art.
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