Nr. 101664798

Verkauft
Eine Holzskulptur - Baule - Elfenbeinküste  (Ohne mindestpreis)
Höchstgebot
€ 111
Vor 2 h

Eine Holzskulptur - Baule - Elfenbeinküste (Ohne mindestpreis)

A Baule sculpture, Ivory Coast, of the Yamoussoukro region, posted on a rounded base, slightly bent legs, the arms close to the body in open work, the hands touching the abdomen, scarification patterns all other the body, an oval head with a three parted, fragmentary goatee,; dark, partly encrusted patina. The Baule artists of the Yamoussoukro region in central Côte d’Ivoire are known for a refined, balanced, and spiritually resonant sculptural style that emphasizes serenity, harmony, and idealized beauty. One key stylistic peculiarity is their calm, introspective facial expression. Figures often display lowered eyelids, a composed mouth, and a symmetrical face that conveys inner balance rather than dramatic emotion. This restrained expression reflects Baule spiritual beliefs, especially in relation to spirit spouses (blolo bla and blolo bian), where the sculpture embodies an ideal presence rather than a realistic portrait. Proportional harmony is another defining feature. The head is typically slightly enlarged in relation to the body, emphasizing spiritual awareness and destiny (a concept central in Baule cosmology). Bodies are carefully balanced, upright, and poised, often with a frontal orientation and controlled posture. Surface treatment is highly polished and smooth, with meticulous attention to scarification marks, coiffures, and ornamentation. Hairstyles are particularly elaborate and crisply carved, forming rhythmic geometric patterns that contrast with the soft modeling of the face and torso. Scarification, when present, is delicate and decorative rather than aggressive. The carving style from the Yamoussoukro area tends to favor slender, elongated forms with gently rounded volumes. Limbs are refined and slightly tapered, avoiding heavy mass. The breasts on female figures are typically firm and hemispherical, while male figures may show subtle muscular definition without exaggeration. Another notable trait is compositional clarity. There is little overcrowding of detail; negative space around the arms and legs is carefully considered, giving the figure visual breathing room. This clarity enhances the sculpture’s spiritual presence and formal elegance. Overall, Baule sculpture from the Yamoussoukro region is distinguished by its quiet refinement, balanced proportions, smooth finish, and idealized spiritual calm, embodying a synthesis of aesthetic beauty and metaphysical meaning. CAB34798

Nr. 101664798

Verkauft
Eine Holzskulptur - Baule - Elfenbeinküste  (Ohne mindestpreis)

Eine Holzskulptur - Baule - Elfenbeinküste (Ohne mindestpreis)

A Baule sculpture, Ivory Coast, of the Yamoussoukro region, posted on a rounded base, slightly bent legs, the arms close to the body in open work, the hands touching the abdomen, scarification patterns all other the body, an oval head with a three parted, fragmentary goatee,; dark, partly encrusted patina.

The Baule artists of the Yamoussoukro region in central Côte d’Ivoire are known for a refined, balanced, and spiritually resonant sculptural style that emphasizes serenity, harmony, and idealized beauty.

One key stylistic peculiarity is their calm, introspective facial expression. Figures often display lowered eyelids, a composed mouth, and a symmetrical face that conveys inner balance rather than dramatic emotion. This restrained expression reflects Baule spiritual beliefs, especially in relation to spirit spouses (blolo bla and blolo bian), where the sculpture embodies an ideal presence rather than a realistic portrait.

Proportional harmony is another defining feature. The head is typically slightly enlarged in relation to the body, emphasizing spiritual awareness and destiny (a concept central in Baule cosmology). Bodies are carefully balanced, upright, and poised, often with a frontal orientation and controlled posture.

Surface treatment is highly polished and smooth, with meticulous attention to scarification marks, coiffures, and ornamentation. Hairstyles are particularly elaborate and crisply carved, forming rhythmic geometric patterns that contrast with the soft modeling of the face and torso. Scarification, when present, is delicate and decorative rather than aggressive.

The carving style from the Yamoussoukro area tends to favor slender, elongated forms with gently rounded volumes. Limbs are refined and slightly tapered, avoiding heavy mass. The breasts on female figures are typically firm and hemispherical, while male figures may show subtle muscular definition without exaggeration.

Another notable trait is compositional clarity. There is little overcrowding of detail; negative space around the arms and legs is carefully considered, giving the figure visual breathing room. This clarity enhances the sculpture’s spiritual presence and formal elegance.

Overall, Baule sculpture from the Yamoussoukro region is distinguished by its quiet refinement, balanced proportions, smooth finish, and idealized spiritual calm, embodying a synthesis of aesthetic beauty and metaphysical meaning.

CAB34798

Höchstgebot
€ 111
Dimitri André
Experte
Schätzung  € 430 - € 500

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