ABOUT US: At Supein Nihonto we strive to bring you high quality samurai swords and armors at prices far below the competition. We are probably the largest exporter in Europe and we are proud to anunce that we are number one TOP SELLER in Catawiki Samurai and Japanese auctions. This is especially important to save on taxes and waiting times that can exceed four months deliveries with Japanese sellers also headaches with tedious and sometimes problematic processes that further lengthen deliveries, even returning the parcel to its origin and more than 35% extra on the final price due the customs, tariffs and fees that increase the product but not the quality and the future resell. We are also professional sellers and therefore our satisfaction guarantee, knowledge and standards are superior to private sellers and with higher after sales guarantees. Thanks to this and the lowest professional prices in the industry plus our fast and efficient shipping method which rarely exceeds three days delivery in Europe, we are sure you will enjoy this great opportunity to own a piece of art that will appreciate in value for years to come and a great investment. Trust us to enjoy the samurai art. ITEM: It Comes with certificate of SupeinNihonto. Comes with wood box. JAPANESE IRON TSUBA WITH FIGURAL RELIEF AND GOLD INLAY Edo period Maru-gata iron tsuba with a deep, well-developed dark patina, executed in high relief and enriched with fine gold nunome-zōgan inlay. The guard displays a sculptural treatment of notable depth and careful modulation. The obverse presents a lively figural scene of popular or literary character. The composition unfolds within a stylized landscape featuring rustic architecture, rock formations, and vegetation, all subtly highlighted with delicate gold overlay that accentuates contours and surface details. The reverse continues the landscape motif with rocky terrain and what appears to be textile or travel equipment elements, maintaining strong narrative continuity between both sides. The iron carving is confident and well layered, creating effective spatial separation. The nakago-ana is of standard form with a properly shaped kozuka hitsu-ana. The iron surface shows a consistent, mature patina fully in keeping with Edo period workmanship. On stylistic and technical grounds—particularly the narrative subject matter, relief treatment, and restrained use of gold—the piece aligns convincingly with the decorative traditions associated with the Nara–Mito sphere of work produced for the cultivated samurai class during the Edo period. Condition Very good overall. Minor wear to the gold inlay is visible on high points, consistent with age and handling. The iron patina remains stable and well preserved. Conclusion A characterful and well-executed narrative tsuba representative of refined Edo-period decorative taste. An attractive piece suitable both for thematic collection and for mounting on a quality koshirae. 7,1 x 6,7 cm