Eine Holzmaske - Kroumein - Elfenbeinküste (Ohne mindestpreis)

The present warthog mask from the Kroumein, Western Ivory Coast, collected in the Biankouma region, can be stylistically and culturally classified within the mask traditions of the Dan and Wè groups of the upper Cavally region. These regions are known for complex mask ensembles in which animal metamorphoses play a central role and fulfill social, ritual, and performative functions. The mask shows traces of age and ritual use. Incl stand.

Formally, the object is characterized by pronounced plasticity and dense ornamentation. The stylized, ridged eyes with their seam-like framing create a dynamic surface effect, which is further enhanced by the perforated chin and the surrounding, seam-like border of the mask. The tubular nose, its tip accentuated by red pigment and articulated by a perforated strip, evokes the snout of the warthog, but in an abstracted, almost architectural form.

Particularly characteristic is the complex horn iconography: Four horns positioned centrally between the eyes are overlaid by larger, laterally rising horns, while smaller horns below the eyes create additional dynamism. This additive structure alludes to a symbolic exaggeration of animal attributes, as is frequently found in initiation and secret society contexts. The light, pigmented "wreath of hair," made from a clay-fabric mixture, contrasts with the darker surface and could be interpreted as an indication of status or spiritual significance.

Overall, the mask manifests a hybrid aesthetic that intertwines naturalistic references and abstract forms, thus visually condensing the transformative power of ritual performance.

Literature (selection)
Fischer, Eberhard / Himmelheber, Hans: Die Kunst der Dan. Munich, 1984.
Vandenhoute, René: Masques et sociétés secrètes en Afrique occidentale. Paris, 1948.
Cole, Herbert M.: Icons: Ideals and Power in the Art of Africa. Washington, 1989.
Glaze, Anita J.: Art and Death in a Senufo Village. Bloomington, 1981.

CAB45699

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