Eine Bronzeskulptur - Zahnbelag - Benin - Nigeria

04
Tage
11
Stunden
40
Minuten
11
Sekunden
Aktuelles Gebot
€ 500
Mindestpreis nicht erreicht
Julien Gauthier
Experte
Von Julien Gauthier ausgewählt

Zehn Jahre Erfahrung auf dem Gebiet historischer Waffen und Rüstungen sowie afrikanischer Kunst.

Schätzung  € 1.200 - € 1.500
49 andere Benutzer beobachten dieses Objekt
DE
500 €
ES
45 €
ES
40 €

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Eine Bronzestatuette aus Nigeria der Benin-Kultur, mit dem Titel 'A bronze sculpture', Gewicht 5,1 kg, Maße 50 cm x 30 cm, Zustand fair.

KI-gestützte Zusammenfassung

Vom Verkäufer bereitgestellte Beschreibung

This fragmentary Benin Bronze plate depicting a crocodile gripping a mudfish condenses a dense field of courtly symbolism into a compact, forceful image. Within the visual language of the Benin Kingdom, the crocodile is often read as an emblem of authority, liminality, and mastery over aquatic domains, while the mudfish, capable of surviving both in water and on land, has long been associated with adaptability and the king’s semi-divine capacity to traverse realms. The pairing thus articulates domination, but also interdependence, echoing the Oba’s control over natural and spiritual orders.

Comparison with related motifs documented in Digital Benin reveals both continuity and variation. More complete palace plaques tend to embed such creatures within elaborate courtly scenes, where hierarchical scale, regalia, and attendant figures reinforce royal centrality. In contrast, fragmentary finds or pieces recovered outside controlled palace contexts often isolate animal motifs, suggesting either compositional cropping, later breakage, or production for different spatial or ritual functions. Stylistically, palace-associated works frequently display higher relief, finer chasing, and more standardized iconography, consistent with guild regulation under royal patronage. Excavated or dispersed examples may show greater variability in casting thickness, surface finish, and motif interpretation, raising questions about workshop practice, chronology, and the circulation of imagery beyond the palace. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

The crocodile-and-mudfish motif thus serves as a diagnostic lens through which issues of authorship, context, and meaning can be re-examined, complicating any rigid distinction between “court art” and “provincial” production while underscoring the fluidity of Benin’s visual system.

Selected literature
Paula Girshick Ben-Amos, The Art of Benin
Barbara Plankensteiner (ed.), Benin: Kings and Rituals
Dan Hicks, The Brutish Museums
Digital Benin Project Database
Kathy Curnow, “Benin Court Style and Iconography”

#afrohemian26

Der Verkäufer stellt sich vor

Übersetzt mit Google Übersetzer

This fragmentary Benin Bronze plate depicting a crocodile gripping a mudfish condenses a dense field of courtly symbolism into a compact, forceful image. Within the visual language of the Benin Kingdom, the crocodile is often read as an emblem of authority, liminality, and mastery over aquatic domains, while the mudfish, capable of surviving both in water and on land, has long been associated with adaptability and the king’s semi-divine capacity to traverse realms. The pairing thus articulates domination, but also interdependence, echoing the Oba’s control over natural and spiritual orders.

Comparison with related motifs documented in Digital Benin reveals both continuity and variation. More complete palace plaques tend to embed such creatures within elaborate courtly scenes, where hierarchical scale, regalia, and attendant figures reinforce royal centrality. In contrast, fragmentary finds or pieces recovered outside controlled palace contexts often isolate animal motifs, suggesting either compositional cropping, later breakage, or production for different spatial or ritual functions. Stylistically, palace-associated works frequently display higher relief, finer chasing, and more standardized iconography, consistent with guild regulation under royal patronage. Excavated or dispersed examples may show greater variability in casting thickness, surface finish, and motif interpretation, raising questions about workshop practice, chronology, and the circulation of imagery beyond the palace. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

The crocodile-and-mudfish motif thus serves as a diagnostic lens through which issues of authorship, context, and meaning can be re-examined, complicating any rigid distinction between “court art” and “provincial” production while underscoring the fluidity of Benin’s visual system.

Selected literature
Paula Girshick Ben-Amos, The Art of Benin
Barbara Plankensteiner (ed.), Benin: Kings and Rituals
Dan Hicks, The Brutish Museums
Digital Benin Project Database
Kathy Curnow, “Benin Court Style and Iconography”

#afrohemian26

Der Verkäufer stellt sich vor

Übersetzt mit Google Übersetzer

Details

Einheimischer Name des Objekts
Plaque
Ethnie/ Kultur
Benin
Herkunftsland
Nigeria
Material
Bronze
Sold with stand
Nein
Zustand
Angemessener Zustand
Titel des Kunstwerks
A bronze sculpture
Höhe
50 cm
Tiefe
30 cm
Gewicht
5,1 kg
Verkauft von
DeutschlandVerifiziert
6201
Verkaufte Objekte
99,69 %
protop

Rechtliche Informationen des Verkäufers

Unternehmen:
Jaenicke Njoya GmbH
Repräsentant:
Wolfgang Jaenicke
Adresse:
Jaenicke Njoya GmbH
Klausenerplatz 7
14059 Berlin
GERMANY
Telefonnummer:
+493033951033
Email:
w.jaenicke@jaenicke-njoya.com
USt-IdNr.:
DE241193499

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