Eine Bronzeskulptur - Zahnbelag - Benin - Nigeria

05
Tage
01
Stunde
42
Minuten
49
Sekunden
Aktuelles Gebot
€ 444
Mindestpreis nicht erreicht
Julien Gauthier
Experte
Von Julien Gauthier ausgewählt

Zehn Jahre Erfahrung auf dem Gebiet historischer Waffen und Rüstungen sowie afrikanischer Kunst.

Schätzung  € 4.400 - € 4.900
43 andere Benutzer beobachten dieses Objekt
NL
444 €
DE
110 €
IT
100 €

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Eine Bronzeplatte mit dem Titel "A bronze sculpture" aus Benin, Nigeria, aus der Benin-Kultur, Gewicht 10,5 kg, Abmessungen 48 cm Höhe und 41 cm Tiefe, im fairen Zustand und ohne Ständer.

KI-gestützte Zusammenfassung

Vom Verkäufer bereitgestellte Beschreibung

The Benin bronze plaque presents a tightly composed martial scene in which a dominant central figure, likely a high-ranking war leader, has unhorsed his opponent and delivers a decisive sword strike. The fallen figure’s vulnerability is emphasized by his lower position and the forward thrust of the victor’s weapon, suggesting the imminence of death. Surrounding them are smaller attendants, rendered in hierarchical proportion, some bearing weapons, others musical instruments, underscoring the ceremonial as well as violent dimensions of warfare in the Benin Kingdom. The horse, whose head projects beyond the relief plane, heightens the dramatic immediacy and demonstrates a sophisticated manipulation of spatial illusion within the medium of cast brass. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

Technically, the plaque stands among the most accomplished examples of Benin relief work. The controlled variation in relief depth, the articulation of regalia, and the integration of figural and animal forms attest to the mastery of court guild casters working under royal patronage. Its preservation, aside from minor dents, allows for an unusually clear reading of surface detail and compositional intent.

Within the corpus accessible through Digital Benin, only a limited number of plaques display comparable narrative intensity and compositional cohesion. The scene foregrounds violence not merely as historical record but as a structuring principle of royal imagery. As Britta Hauser-Schäublin has noted in a widely discussed essay, such works invite reflection on the entanglement of aesthetic achievement and histories of violence, a perspective that resonates uneasily with interpretations of the Benin Expedition of 1897 and subsequent historiographic debates.

Selected literature
Paula Girshick Ben-Amos, The Art of Benin
Barbara Plankensteiner (ed.), Benin: Kings and Rituals
Dan Hicks, The Brutish Museums
Kathy Curnow, “Benin Court Style and Iconography”
Digital Benin Project Database
Wolfgang Jaenicke, blog: "History, Restitution, and the Politics of Moral Retrospection".

#afrohemian26

Der Verkäufer stellt sich vor

Übersetzt mit Google Übersetzer

The Benin bronze plaque presents a tightly composed martial scene in which a dominant central figure, likely a high-ranking war leader, has unhorsed his opponent and delivers a decisive sword strike. The fallen figure’s vulnerability is emphasized by his lower position and the forward thrust of the victor’s weapon, suggesting the imminence of death. Surrounding them are smaller attendants, rendered in hierarchical proportion, some bearing weapons, others musical instruments, underscoring the ceremonial as well as violent dimensions of warfare in the Benin Kingdom. The horse, whose head projects beyond the relief plane, heightens the dramatic immediacy and demonstrates a sophisticated manipulation of spatial illusion within the medium of cast brass. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

Technically, the plaque stands among the most accomplished examples of Benin relief work. The controlled variation in relief depth, the articulation of regalia, and the integration of figural and animal forms attest to the mastery of court guild casters working under royal patronage. Its preservation, aside from minor dents, allows for an unusually clear reading of surface detail and compositional intent.

Within the corpus accessible through Digital Benin, only a limited number of plaques display comparable narrative intensity and compositional cohesion. The scene foregrounds violence not merely as historical record but as a structuring principle of royal imagery. As Britta Hauser-Schäublin has noted in a widely discussed essay, such works invite reflection on the entanglement of aesthetic achievement and histories of violence, a perspective that resonates uneasily with interpretations of the Benin Expedition of 1897 and subsequent historiographic debates.

Selected literature
Paula Girshick Ben-Amos, The Art of Benin
Barbara Plankensteiner (ed.), Benin: Kings and Rituals
Dan Hicks, The Brutish Museums
Kathy Curnow, “Benin Court Style and Iconography”
Digital Benin Project Database
Wolfgang Jaenicke, blog: "History, Restitution, and the Politics of Moral Retrospection".

#afrohemian26

Der Verkäufer stellt sich vor

Übersetzt mit Google Übersetzer

Details

Einheimischer Name des Objekts
Plaque
Ethnie/ Kultur
Benin
Herkunftsland
Nigeria
Material
Bronze
Sold with stand
Nein
Zustand
Angemessener Zustand
Titel des Kunstwerks
A bronze sculpture
Höhe
48 cm
Tiefe
41 cm
Gewicht
10,5 kg
Verkauft von
DeutschlandVerifiziert
6201
Verkaufte Objekte
99,69 %
protop

Rechtliche Informationen des Verkäufers

Unternehmen:
Jaenicke Njoya GmbH
Repräsentant:
Wolfgang Jaenicke
Adresse:
Jaenicke Njoya GmbH
Klausenerplatz 7
14059 Berlin
GERMANY
Telefonnummer:
+493033951033
Email:
w.jaenicke@jaenicke-njoya.com
USt-IdNr.:
DE241193499

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Widerrufsbelehrung

  • Frist: 14 Tage sowie gemäß den hier angegebenen Bedingungen
  • Rücksendkosten: Käufer trägt die unmittelbaren Kosten der Rücksendung der Ware
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