Ein Terrakotta-Kopf - Djenne - Mali (Ohne mindestpreis)

06
Tage
17
Stunden
34
Minuten
34
Sekunden
Aktuelles Gebot
€ 16
Ohne Mindestpreis
Julien Gauthier
Experte
Von Julien Gauthier ausgewählt

Zehn Jahre Erfahrung auf dem Gebiet historischer Waffen und Rüstungen sowie afrikanischer Kunst.

Schätzung  € 430 - € 500
27 andere Benutzer beobachten dieses Objekt
FR
16 €
IT
11 €
FR
8 €

Käuferschutz auf Catawiki

Ihre Zahlung wird von uns sicher verwahrt, bis Sie Ihr Objekt erhalten.Details ansehen

Trustpilot 4.4 | 132471 Bewertungen

Auf Trustpilot als hervorragend bewertet.

Vom Verkäufer bereitgestellte Beschreibung

This terracotta head-fragment from the Inland Niger Delta, attributed to the urban complex of Djenné-Jeno and reportedly collected in the region of Mopti in present-day Mali, exemplifies the formal and symbolic density characteristic of first-millennium sculptural traditions of the Middle Niger. The face is organized around a poised verticality: a slender, rectilinear nose descends toward full, carefully modeled lips, beneath which a small goatee introduces a note of individualized physiognomy. The eyes, rendered as pronounced, bulging orbs, project an alert, almost otherworldly presence. At the temples, incised scarification patterns articulate identity and status, indexing practices of corporeal inscription that carried social, aesthetic, and possibly therapeutic meanings. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

Most striking is the cranial surface, animated by numerous serpentine forms that appear to coil across the skull. Whether read as literal ophidian imagery or as an abstracted coiffure inflected by mythic associations, these elements invite interpretation within broader West African cosmologies in which serpents mediate between terrestrial and aquatic realms, vitality and regeneration. Their proliferation across the head may signal protective potency, ancestral affiliation, or the containment of dangerous knowledge. The fragmentary state intensifies this ambiguity, foregrounding the head as a locus of perception, speech, and spiritual agency.

Technically, the work demonstrates refined control of hand-built terracotta, with subtle modulation of planes and incisive detailing. Its aesthetic economy aligns with other Djenné-region finds while retaining a singular iconographic program. As such, the fragment contributes to ongoing debates about workshop practices, regional styles, and the circulation of ideas within the Inland Niger Delta’s early urban networks.

Selected literature
McIntosh, Roderick J., and Susan Keech McIntosh. “Cities Without Citadels: Understanding Urban Origins Along the Middle Niger.”
Insoll, Timothy. “The Archaeology of Islam in Sub-Saharan Africa.”
Bedaux, Rogier, et al. “The Inland Niger Delta: Archaeology and Environment.”
LaGamma, Alisa, ed. “Sahel: Art and Empires on the Shores of the Sahara.”

#afrohemian26

Der Verkäufer stellt sich vor

Übersetzt mit Google Übersetzer

This terracotta head-fragment from the Inland Niger Delta, attributed to the urban complex of Djenné-Jeno and reportedly collected in the region of Mopti in present-day Mali, exemplifies the formal and symbolic density characteristic of first-millennium sculptural traditions of the Middle Niger. The face is organized around a poised verticality: a slender, rectilinear nose descends toward full, carefully modeled lips, beneath which a small goatee introduces a note of individualized physiognomy. The eyes, rendered as pronounced, bulging orbs, project an alert, almost otherworldly presence. At the temples, incised scarification patterns articulate identity and status, indexing practices of corporeal inscription that carried social, aesthetic, and possibly therapeutic meanings. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

Most striking is the cranial surface, animated by numerous serpentine forms that appear to coil across the skull. Whether read as literal ophidian imagery or as an abstracted coiffure inflected by mythic associations, these elements invite interpretation within broader West African cosmologies in which serpents mediate between terrestrial and aquatic realms, vitality and regeneration. Their proliferation across the head may signal protective potency, ancestral affiliation, or the containment of dangerous knowledge. The fragmentary state intensifies this ambiguity, foregrounding the head as a locus of perception, speech, and spiritual agency.

Technically, the work demonstrates refined control of hand-built terracotta, with subtle modulation of planes and incisive detailing. Its aesthetic economy aligns with other Djenné-region finds while retaining a singular iconographic program. As such, the fragment contributes to ongoing debates about workshop practices, regional styles, and the circulation of ideas within the Inland Niger Delta’s early urban networks.

Selected literature
McIntosh, Roderick J., and Susan Keech McIntosh. “Cities Without Citadels: Understanding Urban Origins Along the Middle Niger.”
Insoll, Timothy. “The Archaeology of Islam in Sub-Saharan Africa.”
Bedaux, Rogier, et al. “The Inland Niger Delta: Archaeology and Environment.”
LaGamma, Alisa, ed. “Sahel: Art and Empires on the Shores of the Sahara.”

#afrohemian26

Der Verkäufer stellt sich vor

Übersetzt mit Google Übersetzer

Details

Ethnie/ Kultur
Djenne
Herkunftsland
Mali
Material
Terracotta
Sold with stand
Nein
Zustand
Angemessener Zustand
Titel des Kunstwerks
A terracotta head
Höhe
18 cm
Gewicht
1,3 kg
Verkauft von
DeutschlandVerifiziert
6201
Verkaufte Objekte
99,69 %
protop

Rechtliche Informationen des Verkäufers

Unternehmen:
Jaenicke Njoya GmbH
Repräsentant:
Wolfgang Jaenicke
Adresse:
Jaenicke Njoya GmbH
Klausenerplatz 7
14059 Berlin
GERMANY
Telefonnummer:
+493033951033
Email:
w.jaenicke@jaenicke-njoya.com
USt-IdNr.:
DE241193499

AGB

AGB des Verkäufers. Mit einem Gebot auf dieses Los akzeptieren Sie ebenfalls die AGB des Verkäufers.

Widerrufsbelehrung

  • Frist: 14 Tage sowie gemäß den hier angegebenen Bedingungen
  • Rücksendkosten: Käufer trägt die unmittelbaren Kosten der Rücksendung der Ware
  • Vollständige Widerrufsbelehrung

Ähnliche Objekte

Für Sie aus der Kategorie

Afrikanische Kunst und Stammeskunst