Kinga Makowka - Two Sides Of Silence






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Kinga Makowka präsentiert das ursprüngliche Gemälde Two Sides Of Silence (2026) aus Acryl und Mixed Media, handschriftlich signiert, Maße 76,5 x 76,5 cm, gerahmt versendet werden sie nicht, Echtheitszertifikat liegt bei, direkt vom Künstler verkauft.
Vom Verkäufer bereitgestellte Beschreibung
Sometimes, connection doesn’t need a bridge.
Not every silence demands to be filled.
Sometimes it’s enough to simply exist alongside one another in stillness,
in presence, in the comfort of being near.
***
Signed on reverse
Certificate of authenticity included
Ships stretched - in a box
Frame not included
***
Kinga Makowka is a Polish-born artist based in Yorkshire, whose work explores the emotional terrain between memory and presence, stillness and sensation.
Working primarily on raw linen and cotton canvas, she builds her paintings in delicate layers; soft pigments, textures, and metallic details that seem to catch not just light, but time itself. Her pieces do not aim to capture a specific place, but rather a moment… a feeling.
Much of her work is rooted in personal reflection a search for meaning. Kinga invites the viewer into a deeply human space: one of emotion, nostalgia, and connection.
Her practice often draws from her own life - family rituals, nature walks, the chaos of ADHD, and the peace she seeks through it all. It is a cartography of the internal world, mapping feeling through form.
Sometimes, connection doesn’t need a bridge.
Not every silence demands to be filled.
Sometimes it’s enough to simply exist alongside one another in stillness,
in presence, in the comfort of being near.
***
Signed on reverse
Certificate of authenticity included
Ships stretched - in a box
Frame not included
***
Kinga Makowka is a Polish-born artist based in Yorkshire, whose work explores the emotional terrain between memory and presence, stillness and sensation.
Working primarily on raw linen and cotton canvas, she builds her paintings in delicate layers; soft pigments, textures, and metallic details that seem to catch not just light, but time itself. Her pieces do not aim to capture a specific place, but rather a moment… a feeling.
Much of her work is rooted in personal reflection a search for meaning. Kinga invites the viewer into a deeply human space: one of emotion, nostalgia, and connection.
Her practice often draws from her own life - family rituals, nature walks, the chaos of ADHD, and the peace she seeks through it all. It is a cartography of the internal world, mapping feeling through form.
