Enigma - The Glass Between Us






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Originales Ölgemälde von Enigma, The Glass Between Us (2026), ein exquisites Surrealismus-Werk auf Leinwand mit den Maßen 100 x 75 x 2,5 cm, handsigniert auf der Rückseite mit Titel und Jahr und begleitet von einem handsignierten Echtheitszertifikat, auf einer professionellen Holzkonstruktion mit bemalten Kanten montiert und ohne Rahmung.
Vom Verkäufer bereitgestellte Beschreibung
The Glass Between Us
I press my palm against the cold surface and find another hand rising to meet mine - darker, quieter, a shadow dressed in black where I wear white. Between us stands a monolith of deep teal, a boundary that neither separates nor truly joins. Behind me, the world dissolves into loose, urgent strokes of sage and cream, fractured like ice or memory. Beneath our feet, orange embers smoulder in thick, impasto silence. I do not know which side of the mirror is real.
-- Dimensions: 100 x 75 x 2.5 cm
-- Mounting: Professionally hand-stretched on a wooden chassis.
-- Framing: None (no external frame); painted edges ready for display.
-- Medium: Premium artists' oil colors on fine canvas.
-- Style: Psychological Surrealism with a smooth brush texture.
-- Authentication: Signed 'Enigma' on reverse with title and year.
-- Condition: Pristine; dispatched from studio-affiliated workshop.
-- COA: Hand-signed Certificate of Authenticity included.
-- Shipping: Custom protective packaging; Catawiki Smart Shipping with full tracking and insurance.
EU SHIPPING ONLY - orders from non-EU countries will be cancelled!
Background and room setting created with AI / photo editing for illustration purposes only.
The painting is an original artwork hand-painted by the artist.
About the Artist
Enigma is an Italian surrealist working across dream, disruption, and wit - never settling into one mood or one way of seeing. Some paintings are quiet and symbolic, others catch a moment coming apart mid-motion, others turn a playful, knowing eye on art history itself. What unites the work isn't a single style but a single instinct: reality treated as something soft enough to bend, fracture, or reimagine - rendered always in smooth, luminous brushwork and bold, contrasting color. Every canvas is one of a kind, never repeated.
The Glass Between Us
I press my palm against the cold surface and find another hand rising to meet mine - darker, quieter, a shadow dressed in black where I wear white. Between us stands a monolith of deep teal, a boundary that neither separates nor truly joins. Behind me, the world dissolves into loose, urgent strokes of sage and cream, fractured like ice or memory. Beneath our feet, orange embers smoulder in thick, impasto silence. I do not know which side of the mirror is real.
-- Dimensions: 100 x 75 x 2.5 cm
-- Mounting: Professionally hand-stretched on a wooden chassis.
-- Framing: None (no external frame); painted edges ready for display.
-- Medium: Premium artists' oil colors on fine canvas.
-- Style: Psychological Surrealism with a smooth brush texture.
-- Authentication: Signed 'Enigma' on reverse with title and year.
-- Condition: Pristine; dispatched from studio-affiliated workshop.
-- COA: Hand-signed Certificate of Authenticity included.
-- Shipping: Custom protective packaging; Catawiki Smart Shipping with full tracking and insurance.
EU SHIPPING ONLY - orders from non-EU countries will be cancelled!
Background and room setting created with AI / photo editing for illustration purposes only.
The painting is an original artwork hand-painted by the artist.
About the Artist
Enigma is an Italian surrealist working across dream, disruption, and wit - never settling into one mood or one way of seeing. Some paintings are quiet and symbolic, others catch a moment coming apart mid-motion, others turn a playful, knowing eye on art history itself. What unites the work isn't a single style but a single instinct: reality treated as something soft enough to bend, fracture, or reimagine - rendered always in smooth, luminous brushwork and bold, contrasting color. Every canvas is one of a kind, never repeated.
