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Sebastian Hau

BRILLIANT PHOTOBOOK -
here as FANTASTIC REPRINT OF THE PAPERBACK EDITION which Dirk Alvermann, the German photographer, filmmaker and writer, wanted to publish in 1960 instead the hardcover version, which is honoured here:

Martin Parr, The Photobook, vol 3, page 190/191

Signed by Dirk Alvermann (1937-2013).
I GUARANTEE THE AUTHENTICITY OF THE SIGNATURE.

The book comes together with a reprint of the advertising booklet for the original publication (see picture).

New, unread, mint.
Still originally shrink-wrapped in publisher's foil; only opened once for signature. 
COLLECTOR'S COPY.

WELCOME TO THE CHRISTMAS AUCTION by Ecki Heuser from 5Uhr30.com, Cologne, Germany. We offer a best-of more than 100 international photobooks. The perfect moment to buy the perfect present for you or yours. 

"When he went to Algeria in the 1950s Dirk Alvermann was only eighteen, a rebellious West German teenager thrilled by the struggle for freedom by the Algerian people against French colonial rule. After his return to West Germany he set about planning the publication of his work in the most accessible form available. The book should go from hand to hand like a political manifesto. At first, Rowohlt agreed to publish the book but later canceled it when any partisanship with the Algerian resistance seemed inappropriate. The book was finally published by the East-Berlin publishing house Rütten & Loening in 1960 as a hardcover, contrary to Alvermann's own vision for the project."
(from the publisher)

5Uhr30.com guarantees detailed and accurate descriptions, 100% transport protection, 100% transport insurance and of course combined shipping - worldwide. 

Steidl, Göttingen. 2012. 
First German Steidl edition, first printing.

Paperback (as issued). 108 x 180 mm. 224 pages. 162 tritone plates. Photos: Dirk Alvermann. Layout: Dirk Alvermann. Text in German. 

Great photobook in perfect condition - signed by the artist.

First Steidl printing.
Published same time in same size, layout and content in English, German and French.

'Dirk Alvermann began with photography in 1956. During the period of reconstruction of the Federal Republic and the German economic miracle, however, there was hardly any room for the socially critical, anti-colonialist and peace-political view of his work in West Germany. With the exception of a few left-orientated weekly newspapers, such as Die Tat, Deutsche Volkszeitung or Die Andere Zeitung, he published his pictures mainly in the GDR as well as in France, Algeria, England, Italy and Poland. In quick succession, he produced photo reportages on Spain (1957-62), Algeria (1958-60), Albania (1962), West Germany (1962-65), Italy (1964) and England (1965).
The work of these years is documented above all in the illustrated books ‘Algerien-L'Algerie’ (1960) and ‘Keine Experimente - Bilder zum Grundgesetz’ (1961). A planned illustrated book about Spain, which was firmly planned by Edition Leipzig in 1963, was not allowed to appear due to objections from the Spanish exile CP. He also made the documentary films ‘Algerian Partisans’ (1962) and worked as a cameraman on Peter Nestler's ‘Workers’ Club in Sheffield’ (broadcast title: “People in Sheffield”) in 1965. From 1962 to 1965, Alvermann worked as a freelancer for the NBI, but also published in Quick, Magnum and Das Magazin.
After extended and repeated stays in Algeria and Spain, Alvermann moved to West Berlin in 1959 and finally to East Berlin (GDR) in 1966. His photo documentary ‘Wolfgang Heinz inszeniert Gorkis Feinde’ (Wolfgang Heinz stages Gorky's enemies) was published here in 1969 and in the same year the narrative photo book about the stevedores in Rostock's overseas harbour ‘Eine Handvoll Glück’ (A handful of luck). This was followed the following year by the city portrait ‘Rostock’ and in 1979 by the almost legendary photo book ‘Ich liebe Dich’. The project of an illustrated book on the work and life of Polish folk artists (woodcarvers and painters), which he pursued for many years (1962-77) together with ARD correspondent Ludwig Zimmerer from Warsaw, was not realised.
Between 1972 and 1976, Alvermann worked as a documentary film director for the GDR television programme ‘Kulturmagazin’. When GDR television was wound up during German reunification, almost all of the films he directed there were disposed of (without a trace to this day).
From the 1960s onwards, Alvermann devoted himself more and more to writing and published, among other things, the partly autobiographical short story collection Ende eines Märchens in 1977 and the children's book Zuckerwatte und Riesenrad in 1983. In 1979, Alvermann's best-known photo book, Ich liebe Dich (I Love You), was published. A year later, he was accepted into the Writers' Association of the GDR and elected to the district executive committee as a representative of young authors. As its delegate, he travelled with Rainer Kerndl to a congress of the Palestinian Writers' Association in Beirut the following year, which, however, did not take place due to the extreme escalation of military tensions there at the time. It was here that he produced his last closed photographic works in Palestinian refugee camps. In 1982, Alvermann resigned from the district board of the Writers' Association at his own request, moved to the (then) district of Schwerin and was accepted into an agricultural production co-operative (LPG), an experience that he wrote about in 1999 in the Crivitz Chronicle.
In 1991, Alvermann was appointed archivist at the Rehna town archives. The following year, he was one of the founders of the Maurine-Radegast e. V. cultural initiative, was elected its 1. The following year, he was one of the founders of the cultural initiative Maurine-Radegast e.V., was elected its first chairman and edited several local history publications on its behalf, including writings by the Low German poet Rudolf Hartmann (Ick seig allerhand Gesichter), who was murdered in a concentration camp, explorations by the local chroniclers Klaus Bollensdorf (Rehnaer Miniaturen) and Karl-Heinz Molkenthin (Demerner Dorfgeschichten, Land an der Maurine), post-war pictures by photo reporter Willy Seeger (Gadebuscher Novelle) and two anthologies of short stories by contemporary North German writers (Flaschenpost aus Nordost, Flaschenpost 2005).
In 2006 and 2008, he created the photo books Zwischen den Zeiten - Rhapsodie in Schwarzweiß and dacapo, an exhibition of his work created between 1956 and 1982. This was followed in 2011 by the photo books Klein Paris with post-war impressions of his native city of Düsseldorf as well as a facsimile reprint and new edition in French, English and German of the now legendary Algeria book on the liberation struggle of the French colony until 1962. Alvermann's book-creating activities continued in 2012 with Streiflichter 1956-65, an illustrated book of short photographic stories about Warsaw, Tirana, Naples, Peñíscola and Sheffield.'
(Wikipedia)

Fotografie, Kunst - Anzahl: 1 - Signiert - Buch

SIGNED; Dirk Alvermann - Algerien - 2012

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SIGNED; Dirk Alvermann - Algerien - 2012

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