● Exclusive Unique Edition (1/1) – Giclée print on 350 gsm cotton canvas, full size 60 × 80 cm. The image itself measures 50 × 70 cm and is printed with 5 cm. white margins on all sides, allowing for a clean, professional mounting without cropping the artwork. Perfect for framing or stretching. The artwork is hand-signed on the back by the artist and includes a stamped seal and a certificate of authenticity (COA). /// “Baroque meets screens and error messages: a portrait of modern collapse, between oil elegance and system failure. Technological poetry with an ironic tone.” /// ● A unique collector’s experience – After your purchase, you’ll receive a digital certificate via email. Inside the package, you’ll also find a printed card signed by hand, along with an exclusive certificate containing full artist details and proof of authenticity. ● Secure & eco-friendly packaging – Carefully rolled into a recyclable cardboard tube and placed inside a rigid box for extra protection. Insured shipping with tracking number. Orders are prepared within 24–48 hours. Estimated delivery: 3–5 business days within Europe, 5–7 days internationally. ● About the Artist: Original work by Nando López, a digital artist based in Barcelona. Trained in advertising design, he began his career in agencies and design studios before fully transitioning into fashion illustration, collaborating with internationally recognized brands. ● About the Dikhotomy Project: For the past four years, Dikhotomy has been an ongoing series of digital collages and illustrations where classical art and contemporary culture collide unapologetically. Fragments of art history blend with pop elements, visual irony, and cultural critique to provoke both reflection and amusement. Each piece is the result of a creative clash between handcrafted digital editing and AI-powered tools (midjourney and recraft) merging the human and the technological. Influenced by pop art and urban art, Dikhotomy is a deliberate parody of the art world and an invitation to view it from a new perspective. ● Highlights: — Confirmed solo exhibition at Gamla Kraftstationen Gallery (Sweden), 1 May – 28 September 2025. — Upcoming digital show: “Lost in Alteration” at the Digital Horizons Museum, 25–28 October 2025. — His illustration “I am Jesus” was featured on the cover of Newsweek (Polish edition), further establishing his international reach. — In addition to exhibiting at fairs and galleries, he collaborates with interior design and concept stores in Spain, France, Belgium, and Norway. Inspiration: system fail, baroque glitch, digital ruin, ironic portrait, satirical art, mashup art, classic meets modern, virtual collapse, subversive art, error noble, hybrid art, pop culture, ironic painting, meta baroque, broken future, postmodern art, hybrid nostalgia, pop dystopia, baroque remix, failed utopia, noble error, system crash art, ironic noble, hybrid portrait, digital decay, classic glitch, meta collapse, pop relic, virtual ruin, glitch aristocracy, timeless error, ironic canvas, visual paradox, hybrid distortion, post human art, digital dystopia, baroque meta, noble collapse, ironic prophecy, mixed era art, failed future, pop symbolism, baroque cyber, meta nostalgia, digital relic, ironic era, virtual irony, baroque decadence, system breakdown, ironic failure, aesthetic collapse, art malfunction, cultural glitch, noble tech, visual irony, timeless dystopia, meta satire, classic decay, art and error, ironic heritage, digital rebellion, neo baroque, pop surrealism, digital classicism, hyperreal pop, conceptual mashup, post pop art, techno romanticism, contemporary realism, glitch aesthetic, cyber renaissance