Kunst

Einrichtung und Dekoration

Schmuck und Edelsteine

Uhren, Schreibgeräte und Feuerzeuge

Mode

Münzen und Briefmarken

Comics und Animation

Oldtimer, Motorräder und Automobilia

Wein, Whisky und Spirituosen

Asiatische Kunst und Stammeskunst

Sammelkarten

Spielzeug und Modelle

Archäologie und Naturkunde

Sport

Musik, Filme und Kameras

Bücher und historische Memorabilien

Die schönsten Objekte – präsentiert von {name}

Tatiana Ruiz

#277 - S - " Joy Diptyque ".
Pièces uniques, deux oeuvres originales d'Anton Kaestner, directement de l'atelier parisien.

Acrylique en spray sur plaque de plexiglas de 3mm.
Ces tableaux ne sont pas une impression. Il s'agit d'oeuvres originales peintes en plusieurs couches de peinture et / ou de spray dont le rendu brillant "glossy", proche de l'application d'une résine, est unique.

Dimensions : Inch 8,7 * 6,3 * 0,12 / 22 * 16 * 0,3 cm sans cadre.
Ces tableaux sont livrés sans cadre. 
Cadres de qualité de la marque allemande Nielsen en aluminium, référence 34 Natura 514 Chêne (Inch 0,23 * 1,38 / 0,6 * 3,5 cm) recommandés et disponibles lors de l'expédition pour un montant additionnel de 80€ (les 2 cadres).

Les oeuvres sont signées au dos.
Un Certificat d'Authenticité les accompagne.
La livraison est couverte par une assurance.

Anton Kaestner est un peintre, sculpteur et auteur Suisse basé à Paris. Ses oeuvres sont exposées partout en Europe, en Suisse et à Dubaï. Plus d'information et de choix sur www.antonkaestner.com.

Prochaine exposition - Bruxelles Novembre 2025.


"Biography

Born in Geneva, Switzerland, I grew up surrounded by the natural beauty and cultural richness of my homeland. Creativity was valued in my family, and it was my late grandfather, a craftsperson & artist, whose influence planted the seed for what would eventually become my life's passion.
In 1993, I began painting privately, experimenting with countless acrylics in A4 and then A3 notebooks. I was first drawn to non-figurative painting and abstract expressionism. Over time, and while I consider myself an atheist, I also developed a fondness for spiritual materials as they resonated with my exploration of human existence, melancholy and the deeper truths of nature and life.
However, the path to truly becoming an artist wasn’t immediate.
For over three decades, I pursued an international business career that took me across the globe, from the United States to Morocco, Belgium, across Asia and France. My travels broadened my perspective, exposing me to a wide range of cultural influences. Wherever I went, I immersed myself in the local art scenes and engaged with the creative energy of each place.
Despite the focus on my business career, art was always a part of me, quietly simmering beneath the surface. For nearly 30 years, painting became a form of secret meditation for me—a way to break free from the world and focus on my inner self.
I have always found immense satisfaction in painting. Each new work is a journey where I can test my creativity, explore new techniques, and live through genuine experiences. Through my art, I have always hoped to offer others a sincere encounter with beauty, an opportunity to see the world from a different perspective and reflect on their own lives.
In 2021, after retiring from my business career, I fully committed to painting. I established my studio in Paris and began devoting myself entirely to my art. By the end of 2023, I launched my public artistic career, and, to my surprise, my work quickly gained recognition, finding homes in private collections all over Europe, especially in France, Portugal, Germany, and the Netherlands.


Artistic CV

My first solo exhibition, "Échos," held in Paris at the end of 2024, showcased a distinctive approach to art, away from traditional painting techniques: I paint with acrylics, metallic pigments, and sprays on the back of recycled extruded plexiglass, a light, smooth, glossy and sometimes fragile surface.
This process prevents me from seeing the work as it develops. I have no visual feedback or control during the process—something I welcome. I allow “random experiments” -anything goes to short-circuit reason !- to guide the outcome, the layers & mirror effects I create, and leave room for revelation and discovery when the piece is finally exposed. This approach that echoes with the revelation / fixation process of photography is challenging and liberating. The values ​​of the composition are enriched by layers and transparencies, yet giving each work an “ascetic” quality: I am happy when I recognize “irreducible necessities”, i.e. what we are likely to discover when we stop in silence and light.
I keep my approach deliberately simple. Neither “emotion” nor “theoretical conception” but experience of being. Neither “rapid consumption” nor “intellectualization / intellectual possession”, but broadening of consciousness and exploration of reality, of its visible and invisible stories, my art is a quest for “life at the very heart of life”, "le vif" as french SF master Alain Damasio would put it.
While my work might sometimes evoke the transparency and luminosity of stained glass, it remains almost entirely abstract. Moreover, plexiglass provides the painting with a shimmering skin where one can glimpse one's own silhouette, different to each new viewer. Each work acts like a discreet mirror: it lives, it changes, it sees.
The interplay of light, color, and texture, of the missing parts also, only requires empathy. Hopefully, the play between “details for the close” & “distance for the whole”, will encourage viewers to embark on their own introspective journeys.
I don't claim to have all the answers and want to remain humble about what can be achieved. Simply, I find satisfaction in the continuous process of questioning and growth. Each new creation is a confrontation with my limits, pushing me to refine my skills and explore further what I can accomplish. Painting to me is a daily craft, an exploration, a way to spark meaningful conversations.

As Jean Bazaine would say: "The daily practice multiplies the passion for seeing."

Anton Kaestner".

Acrylmalerei, Sprühfarbe - Handsigniert - 2025

Anton Kaestner - #277 - S - " Joy Diptyque ".

Moderne und zeitgenössische Kunst

Mindestpreis

Ohne Mindestpreis

Sofortkauf

Enddatum

morgen

heute

22 März

Mittwoch

23 März

Freitag

Dienstag

Donnerstag

Samstag

24 März

25 März

26 März

Budget

Standort

Frankreich

Italien

Spanien

Polen

Deutschland

Niederlande

Belgien

Portugal

Rumänien

Vereinigtes Königreich

Österreich

Irland

Schweiz

Japan

Luxemburg

Griechenland

Türkei

Bulgarien

Lettland

Slowakei

Tschechische Republik

Ukraine

Estland

Litauen

Vereinigte Staaten

Abmessungen

Höhe

Breite

Tiefe

Marke

Medicom Toy

Playmobil

Mighty Jaxx

Orlinski

Rosenthal

Objekt

Gemälde

Skulptur

Kunstwerk

Kunstdruck

Zeichnung

Giclée

Relief

Mixed-Media-Kunstwerk

Fotografie

Lithographie

Schnitzerei

Mosaik

Geschnitzte Figur

Sportbezogene Kunst

Statue

Statuette

Büste

Spielzeugfigur

Outdoor-Skulptur

Poster

Figur

Schaufensterpuppe

Wanddekoration

Optischer Druck

Lampe

Herkunftsland

Europa

Vietnam

Asien

Nordamerika

Unbekannt

Tschechien

Material

Harz

Holz

Aluminium

Stahl

Plastik

Metall

Keramik

Bronze

Kupfer

Stein

Eisen

Silber

Töpferware

Marmor

Glas

Messing

Patinierte Bronze

Gold

Segeltuch

Travertin

Glasur

Verbundwerkstoff

24 Karat Gold

Papier

Zustand

exzellenter Zustand

Guter Zustand

Angemessener Zustand

Wie neu - unbenutzt

VZ (ausgezeichnet)

SS (sehr schön)

Originalzustand

Neuwertig

Muss restauriert werden

Wie neu

A- (gut - winzige Unvollkommenheiten)

B+ (gut - kleine Unvollkommenheiten)

Hervorragender Zustand - kaum gebraucht, mit minimalen Altersspuren & Verschleißerscheinungen

Zubehör

Mit Original-Kasten

Signiert

Vom Autor beschriftet

Schuber

Periode

2020 und ff.

2010–2020

2000-2010

1990-2000

1970-1980

1980-1990

1960-1970

1950-1960

1940-1950

15. Jahrhundert

1930-1940

2026

1920-1930

2025

1910-1920

1980er Jahre

2010er Jahre

18. Jahrhundert

Thema

Popkultur

Portrait

Landschaft

Natur

Meereslandschaft

Tiere

Stillleben

Architektur

Pflanzen und Blumen

Stadtansicht

Innenszene

Mythologie

Sommerszene

Frühlingsszene

Religion

Kunstfotografie

Tagesszene

Historische Szene

Nachtszene

Winterszene

Tiere/Wildtiere

Berühmte Sehenswürdigkeiten

Herbstszene

Stil

Zeitgenössisch

Abstrakt

Pop Art

Street Art

Abstrakter Expressionismus

Moderne und zeitgenössische Kunst

Dieses Objekt ist leider nicht mehr verfügbar, aber es gibt noch viel zu entdecken

Anton Kaestner - #277 - S - " Joy Diptyque ".

Beliebt in Moderne und zeitgenössische Kunst

9632 Objekte

Verwandte Kollektionen