Konstantin Keinemann - BLACK vs. WHITE





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Konstantin Keinemann’s original acrylic painting “BLACK vs. WHITE” (2025) is a large abstract two-part composition in black and white, 140 × 170 cm, signed and in excellent condition, produced in Germany and sold directly by the artist.
Description from the seller
Black vs White
170x150cm
Konstantin Keinemann, 1987
Germany
Black vs white is an abstract, two-part composition that explores the field of tension of opposites. On the left side of the image, bright, almost eruptive traces condense on a deep black background, while on the right, dark, fragmented structures appear on a white surface. Both sides seem like reflections without exact correspondence – related, but not identical.
The gestural, horizontally shifted textures create an impression of movement, dissolution, and compression all at once. The work explores polarities: presence and emptiness, light and shadow, order and chance. By reducing the palette to black and white, attention is directed towards materiality, rhythm, and the dynamics of the traces.
In its large-scale expanse, black vs white exhibits a strong physical presence and invites viewers to oscillate between the two poles – not as a decision, but as an ongoing dialogue.
Black vs White
170x150cm
Konstantin Keinemann, 1987
Germany
Black vs white is an abstract, two-part composition that explores the field of tension of opposites. On the left side of the image, bright, almost eruptive traces condense on a deep black background, while on the right, dark, fragmented structures appear on a white surface. Both sides seem like reflections without exact correspondence – related, but not identical.
The gestural, horizontally shifted textures create an impression of movement, dissolution, and compression all at once. The work explores polarities: presence and emptiness, light and shadow, order and chance. By reducing the palette to black and white, attention is directed towards materiality, rhythm, and the dynamics of the traces.
In its large-scale expanse, black vs white exhibits a strong physical presence and invites viewers to oscillate between the two poles – not as a decision, but as an ongoing dialogue.

