An Adan Kalao bird, South-east Ghana, with the back dyed black, in contrast to the white front. partly encrusted patina, chipped off paint; signs of ritual use and age. The carved bird sculptures associated with the Adan (also sometimes written “Ada/Adangbe”) people of Ghana are known in collectors’ literature as “Aklama” figures. These artifacts are characterised by being carved of wood (often light hardwood) and finished with natural pigments or kaolin, the forms often stylised and in some cases clearly bird‑shaped. Examples appear in auction catalogues described as “Ghana Adan wood, natural pigments … in the shape of a bird”One listing further notes that such figures “represent various deities linked to hunting” and that they are “used by the Ewe of Adangbe/Ada language of Ghana” and are “objects of voodoo cult” in that describing tradition. Culturally the Aklama‑figures are interpreted as “helper spirits” or intermediaries in ritual contexts of the Ewe/Dangme cultural zone (which includes the Adan/Ada community). According to one source the figures were placed on private altars, sometimes grouped in a basket and covered with cloth, similar in usage to the Vinavi figures among the Ewe. The bird symbolism may link to notions of mediation, hunting, or ancestral power, though explicit ethnographic detail for Adan‑community use remains limited. CAB28259