Ihar Kebets - Go fishing.





| €90 | ||
|---|---|---|
| €85 | ||
| €85 | ||
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Original oil on canvas titled Go fishing by Kebets Ihar (2026), 40 × 30 cm, hand-signed, in excellent condition, origin Poland, sold directly by the artist, with certificate of authenticity signed by the artist.
Description from the seller
Sales to England exceeding 150 pounds.
KEBETS IHAR - Go fishing. Painting. Oil on canvas with a handwritten signature - 2026.
Certificate of authenticity signed by the artist.
A painting created with oil painting technique on a palette.
Partially with a spatula, partially with a brush.
wood - support, linen - canvas.
KEBETS IHAR contemporary artist.
He was born in Belarus and lives in Białystok (Poland).
Works in oil painting techniques.
His work is a small history, usually with an ironic undertone.
His heroes are sometimes historical and political figures, and sometimes literary characters and fairy tale heroes.
The artist employs both classical painting techniques on canvas and impasto techniques depending on the situation.
Color reproduction may slightly differ from the original.
It may be caused by the photography technique or your monitor settings.
Sales to England exceeding 150 pounds.
KEBETS IHAR - Go fishing. Painting. Oil on canvas with a handwritten signature - 2026.
Certificate of authenticity signed by the artist.
A painting created with oil painting technique on a palette.
Partially with a spatula, partially with a brush.
wood - support, linen - canvas.
KEBETS IHAR contemporary artist.
He was born in Belarus and lives in Białystok (Poland).
Works in oil painting techniques.
His work is a small history, usually with an ironic undertone.
His heroes are sometimes historical and political figures, and sometimes literary characters and fairy tale heroes.
The artist employs both classical painting techniques on canvas and impasto techniques depending on the situation.
Color reproduction may slightly differ from the original.
It may be caused by the photography technique or your monitor settings.

