Snuff bottle - Agate - Agata "Silhouette" bottle

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€ 35
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Sarah Le Helley
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Selected by Sarah Le Helley

Studied Asian art and art market management; researched art in Taipei; worked in auctions.

Estimate  € 200 - € 250
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Agate snuff bottle from the late Qing Dynasty (c. 1850–1900), titled Agata 'Silhouette' bottle, origin Jiangsu (Suzhou School), Original.

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Description from the seller

Chinese Agate Tobacco Case 'Silhouette'
Refined late Qing period snuff bottle, skillfully carved in natural agate (chalcedony variety). The object features the classic compressed flask shape, with gently sloping shoulders and a well-finished oval foot.
Analysis of the Material and Artistic Characteristics
The stone was selected with a masterful eye for its natural inclusions of dark brown and black, which stand out against the translucent body in shades of gray and honey. This type of craftsmanship is historically known as 'Agata Silhouette' or 'Agata Suzhounese': Chinese artisans, instead of carving the stone, preferred to exploit the natural markings of the mineral to suggest misty landscapes, figures, or, as in this case, evocative organic shapes that recall the aesthetics of ink wash painting.
The bottle's body features a mirror polish, typical of high lapidary craftsmanship, which gives the stone a tactile softness similar to jade. The surface is free of incised decorations to avoid distracting from the intrinsic beauty of the natural veins, highlighting the purity of the form.
Details and Preservation
Cap: The bottle is topped with a dome-shaped cap made of jadeite in a delicate pale green color, creating a harmonious chromatic contrast with the warm tones of the agate. It is complete with its original spoon made of bone or ivory for scooping tobacco.
Condition of preservation: The object is in excellent condition. The superficial patina testifies to its long use and ceremonial handling, elements that enhance its historical and collectible value.



This specimen belongs to the Qing Dynasty (1644-1911), the last imperial dynasty of China. More specifically, the type of craftsmanship and shape suggest a dating between the 18th and 19th centuries (Qianlong or Jiaqing periods).
The context: Tobacco snuff was introduced in China by Jesuit missionaries and European merchants in the 17th century. Since the Chinese climate was too humid for European box tobacco cases, imperial artisans adapted small medicinal bottles, creating snuff bottles.
Status symbol: During the reign of Emperor Qianlong, these objects became the ultimate diplomatic gift and a hallmark of aristocracy. Possessing a silhouette agate vial signified appreciating the man's ability to communicate with nature.
Place of Production and Art Schools
Although produced in various centers, an object of this quality can be traced back to two main areas:
Suzhou School (Jiangsu Province): Suzhou was the beating heart of Chinese artistic craftsmanship. The carvers from this area were renowned for their 'Suzhou School' style. They were masters at 'reading the stone': they would examine a raw piece of agate and decide how to cut it so that the natural dark spots formed recognizable patterns (animals, human figures, or landscapes), just like what you see in your specimen.
The stone is confirmed to be Agate, a generic term that in this case describes a variety of Chalcedony with inclusions of iron or manganese oxide.
In collector terminology, it is called 'Shadow Agate' or 'Silhouette Agate'.
The value does not lie in the rarity of the mineral itself, but in how the artisan has oriented the cut to make that dark spot appear right in the center, transforming a natural flaw of the stone into an artistic element.
Auction tip: Emphasize that the bottle is 'well hollowed.' If the bottle is lightweight and the spoon reaches the inner edges well, the value increases significantly, as this indicates superior technical skill in removing material through the narrow neck.

Tracked accurate shipment

Chinese Agate Tobacco Case 'Silhouette'
Refined late Qing period snuff bottle, skillfully carved in natural agate (chalcedony variety). The object features the classic compressed flask shape, with gently sloping shoulders and a well-finished oval foot.
Analysis of the Material and Artistic Characteristics
The stone was selected with a masterful eye for its natural inclusions of dark brown and black, which stand out against the translucent body in shades of gray and honey. This type of craftsmanship is historically known as 'Agata Silhouette' or 'Agata Suzhounese': Chinese artisans, instead of carving the stone, preferred to exploit the natural markings of the mineral to suggest misty landscapes, figures, or, as in this case, evocative organic shapes that recall the aesthetics of ink wash painting.
The bottle's body features a mirror polish, typical of high lapidary craftsmanship, which gives the stone a tactile softness similar to jade. The surface is free of incised decorations to avoid distracting from the intrinsic beauty of the natural veins, highlighting the purity of the form.
Details and Preservation
Cap: The bottle is topped with a dome-shaped cap made of jadeite in a delicate pale green color, creating a harmonious chromatic contrast with the warm tones of the agate. It is complete with its original spoon made of bone or ivory for scooping tobacco.
Condition of preservation: The object is in excellent condition. The superficial patina testifies to its long use and ceremonial handling, elements that enhance its historical and collectible value.



This specimen belongs to the Qing Dynasty (1644-1911), the last imperial dynasty of China. More specifically, the type of craftsmanship and shape suggest a dating between the 18th and 19th centuries (Qianlong or Jiaqing periods).
The context: Tobacco snuff was introduced in China by Jesuit missionaries and European merchants in the 17th century. Since the Chinese climate was too humid for European box tobacco cases, imperial artisans adapted small medicinal bottles, creating snuff bottles.
Status symbol: During the reign of Emperor Qianlong, these objects became the ultimate diplomatic gift and a hallmark of aristocracy. Possessing a silhouette agate vial signified appreciating the man's ability to communicate with nature.
Place of Production and Art Schools
Although produced in various centers, an object of this quality can be traced back to two main areas:
Suzhou School (Jiangsu Province): Suzhou was the beating heart of Chinese artistic craftsmanship. The carvers from this area were renowned for their 'Suzhou School' style. They were masters at 'reading the stone': they would examine a raw piece of agate and decide how to cut it so that the natural dark spots formed recognizable patterns (animals, human figures, or landscapes), just like what you see in your specimen.
The stone is confirmed to be Agate, a generic term that in this case describes a variety of Chalcedony with inclusions of iron or manganese oxide.
In collector terminology, it is called 'Shadow Agate' or 'Silhouette Agate'.
The value does not lie in the rarity of the mineral itself, but in how the artisan has oriented the cut to make that dark spot appear right in the center, transforming a natural flaw of the stone into an artistic element.
Auction tip: Emphasize that the bottle is 'well hollowed.' If the bottle is lightweight and the spoon reaches the inner edges well, the value increases significantly, as this indicates superior technical skill in removing material through the narrow neck.

Tracked accurate shipment

Details

Era
1400-1900
Specific region of origin
Provincia di Jiangsu
Title additional information
Agata "Silhouette" bottle
No. of items
1
Country of Origin
China
Material
Agate
Dynastic Style/Period
Qing Dynasty (1644-1911)
Provenance
Private collection
Condition
Good condition - used with small signs of ageing
Attribution
Original
Height
7 cm
Width
5 cm
Depth
2 cm
Estimated period
early 20th century, 1850-1900
ItalyVerified
Private

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