Flavia Delgado - EGYPT XL
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Holds a bachelor’s degree in art history and led modern and contemporary post-war art at Bonhams.
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Flavia Delgado presents EGYPT XL, an original acrylic painting measuring 70 by 100 cm (landscape) in multicolor, signed by hand, dated 2026, in excellent condition, shipped directly by the artist with an authenticity certificate, unframed and rolled in a sturdy tube.
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Description from the seller
EGYPT is a 70 x 100 cm painting by Flavia Delgado that deliberately adopts the format and visual language of mid-20th-century postage stamps and tourism billboards. The work operates as an image-object: it not only depicts a landscape, but also simulates a fragment of correspondence, a travel memory turned into a graphic icon.
The composition integrates typography, frame, and stamp as structural parts of the image. Elements such as “10¢ EGYPT”, the postmark “CAIRO APR. 15 1954” and the inscription “PYRAMIDS OF GIZA” are not decorative additions, but essential components that directly reference classic poster art, vintage graphic design, and the visual culture of international tourism. The word becomes image and the image becomes document.
The central landscape — the pyramids of Giza on the horizon, the golden desert, and the tiny figures crossing the sand — is treated with a clear formal synthesis: black outlined contours, flat areas of color, and an intense palette that combines vibrant blues with yellows and warm ochers. This economy of resources links the work to pop art and advertising illustration, where clarity and visual impact take precedence over realistic detail.
The scene evokes the cinematic imagination of exotic travel and adventure, recalling airline posters and advertisements for distant destinations that promised discovery and modernity. The desert is not presented as an inhospitable space, but as an epic and luminous setting, charged with history and fascination.
The overall structure also recalls editorial design and the culture of correspondence, suggesting memory, displacement, and nostalgia. EGYPT is not just a geographical representation: it is an evocation of the desire to travel, of image collecting, and of the romantic construction of the destination.
EGYPT is a work that fusion painting, graphic design, and poster art to transform a historic landscape into an iconic image. A piece where travel, memory, and vintage aesthetics come together to create a contemporary postcard rich in visual impact and cultural resonance.
SHIPPING:
The work is offered directly by FLAVIA DELGADO, guaranteeing its authenticity with a certificate signed by the artist herself.
The painting (UNFRAME) will be carefully rolled and protected inside a sturdy cardboard tube for shipping.
After payment is confirmed, a three-day period is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.
Seller's Story
I present a pictorial work line strongly linked to illustration and artistic poster design. My works combine the language of classic poster art with the plastic freedom of contemporary painting: flat colors, defined contours, direct scenes, and a clear narrative sense.
My work dialogues with the tradition of 20th-century poster art, especially with the universe of Art Deco and European and North American advertising posters, where authors like A. M.. Cassandre, Henri de Toulouse-Lautrec, and Leonetto Cappiello used synthetic imagery and color for visual impact. There are also affinities with European comic graphics and the clear line, from Hergé to modern editorial illustration.
In my paintings, I depict interiors, architectures, figures, and travel scenes—such as roads, vintage cars, or landscapes—approached from a graphic perspective reminiscent of posters and illustrated books, but transferred to the realm of painting on paper and canvas. I aim for each image to function like a frame or a narrative poster, capable of suggesting a broader story without needing to explain it.
Translated by Google TranslateEGYPT is a 70 x 100 cm painting by Flavia Delgado that deliberately adopts the format and visual language of mid-20th-century postage stamps and tourism billboards. The work operates as an image-object: it not only depicts a landscape, but also simulates a fragment of correspondence, a travel memory turned into a graphic icon.
The composition integrates typography, frame, and stamp as structural parts of the image. Elements such as “10¢ EGYPT”, the postmark “CAIRO APR. 15 1954” and the inscription “PYRAMIDS OF GIZA” are not decorative additions, but essential components that directly reference classic poster art, vintage graphic design, and the visual culture of international tourism. The word becomes image and the image becomes document.
The central landscape — the pyramids of Giza on the horizon, the golden desert, and the tiny figures crossing the sand — is treated with a clear formal synthesis: black outlined contours, flat areas of color, and an intense palette that combines vibrant blues with yellows and warm ochers. This economy of resources links the work to pop art and advertising illustration, where clarity and visual impact take precedence over realistic detail.
The scene evokes the cinematic imagination of exotic travel and adventure, recalling airline posters and advertisements for distant destinations that promised discovery and modernity. The desert is not presented as an inhospitable space, but as an epic and luminous setting, charged with history and fascination.
The overall structure also recalls editorial design and the culture of correspondence, suggesting memory, displacement, and nostalgia. EGYPT is not just a geographical representation: it is an evocation of the desire to travel, of image collecting, and of the romantic construction of the destination.
EGYPT is a work that fusion painting, graphic design, and poster art to transform a historic landscape into an iconic image. A piece where travel, memory, and vintage aesthetics come together to create a contemporary postcard rich in visual impact and cultural resonance.
SHIPPING:
The work is offered directly by FLAVIA DELGADO, guaranteeing its authenticity with a certificate signed by the artist herself.
The painting (UNFRAME) will be carefully rolled and protected inside a sturdy cardboard tube for shipping.
After payment is confirmed, a three-day period is required to prepare the piece and send it. Delivery time will depend on the destination, with a maximum of up to ten business days.
Seller's Story
I present a pictorial work line strongly linked to illustration and artistic poster design. My works combine the language of classic poster art with the plastic freedom of contemporary painting: flat colors, defined contours, direct scenes, and a clear narrative sense.
My work dialogues with the tradition of 20th-century poster art, especially with the universe of Art Deco and European and North American advertising posters, where authors like A. M.. Cassandre, Henri de Toulouse-Lautrec, and Leonetto Cappiello used synthetic imagery and color for visual impact. There are also affinities with European comic graphics and the clear line, from Hergé to modern editorial illustration.
In my paintings, I depict interiors, architectures, figures, and travel scenes—such as roads, vintage cars, or landscapes—approached from a graphic perspective reminiscent of posters and illustrated books, but transferred to the realm of painting on paper and canvas. I aim for each image to function like a frame or a narrative poster, capable of suggesting a broader story without needing to explain it.
Translated by Google TranslateDetails
Artist
Flavia Delgado
Edition
Original
Sold by
Direct from the artist
Sold with frame
No
Title of artwork
EGYPT XL
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Year
2026
Condition
Excellent condition
Colour
Multicolour
Height
100 cm
Width
70 cm
Weight
600 g
Depiction/theme
Landscape
Style
Pop Art
Period
2020+
