ONIINK - NSX & POLLOCK 180°





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ONIINK presents NSX & POLLOCK 180°, a 60 × 60 cm digital print in a contemporary style, signed, edition 1/1, 2026, France, sold direct from the artist and in excellent condition.
Description from the seller
NSX & POLLOCK stages a Honda NSX, an iconic JDM sports car, in a nocturnal and urban atmosphere, in the rain. The bodywork is covered with an abstract pattern splashed with bright colors blue, orange, yellow and white, recalling the dripping techniques of abstract expressionism used by Jackson Pollock, contrasting with the dark and cinematic environment.
The work plays on the duality between mechanical power and artistic expression: the machine becomes a canvas, and the road becomes a stage. It speaks to both car enthusiasts and collectors of urban and contemporary art.
dimensions of the artwork: 60 X 60
Contemporary visual artist using Photoshop, blending digital editing and ink-inspired abstraction, influenced by Shintoism, Nihonga painting and gestural abstract art in the spirit of Jackson Pollock, as well as by Japanese automotive culture, notably the aesthetics of Akira Nakai’s modifications and the heritage of hashiriya culture.
NSX & POLLOCK stages a Honda NSX, an iconic JDM sports car, in a nocturnal and urban atmosphere, in the rain. The bodywork is covered with an abstract pattern splashed with bright colors blue, orange, yellow and white, recalling the dripping techniques of abstract expressionism used by Jackson Pollock, contrasting with the dark and cinematic environment.
The work plays on the duality between mechanical power and artistic expression: the machine becomes a canvas, and the road becomes a stage. It speaks to both car enthusiasts and collectors of urban and contemporary art.
dimensions of the artwork: 60 X 60
Contemporary visual artist using Photoshop, blending digital editing and ink-inspired abstraction, influenced by Shintoism, Nihonga painting and gestural abstract art in the spirit of Jackson Pollock, as well as by Japanese automotive culture, notably the aesthetics of Akira Nakai’s modifications and the heritage of hashiriya culture.

